The Week In Geek: 3/4/17

So, this week in Star Wars, as if the cast for the Han Solo movie wasn’t already cartoonishly awesome, Michael K. Williams (Omar from The Wire) has officially been added to the cast. I don’t know how big his role is. I don’t know what character he’s playing. As far as I’m concerned, he could reprieve his old role as Omar from The Wire and my ticket would still be guaranteed bought. I love that we’re getting so much Star Wars content out of this run. I would be in Heaven if we could get a non episodic movie in between every episode. We’re at a point where the budget and the technology exists to send this franchise in so many different directions. The official episodes represent the “space drama” and Rogue One had the feel of a “greatest generation” war movie that showed a more visceral, ground level side of this conflict. We don’t know much about the Han Solo movie but I could totally envision this being a space caper film. Either way, my ticket is bought so that’s that.

In other geeky ass news, nobody really knows for sure what’s going on with Tron. A few years ago, we production for Tron 3 got cancelled. I’m assuming Disney put the brakes on it to pay for all these Marvel movies being relentlessly pumped out (not that I’m complaining about more Marvel but TRON) on top of liberating Star Wars from George Lucas’ wooden ass dialogue. Since then, there have been rumors that more Tron might still get made. Hell, Tron Legacy director Joseph Kosinski even gave us some insight into what Tron: Ascension would have been (or might still be about). Now, according to The Hollywood Reporter, Disney might be looking to reboot Tron all together….with Jared Leto at the center of it. There is virtually no version of me throughout the multiverse that could be convinced to not watch a Tron movie. If the only thing standing between me and my seat in a movie theater to watch a Tron movie were a dozen heavyweight MMA fighters, I guarantee they’d all end up on their asses. No amount of anything could keep my nerdy black ass out of the seat for a Tron movie….except maybe Jared Leto, the dude who took his role as the Joker so seriously, he showed up to a hospital in full Joker garb with a tarantula on his face, scaring the shit out of terminally ill children. But the idea of a reboot isn’t terrible. I’m really excited about what Kosinski had in mind for Tron 3, but even as a Tron fanatic, I realize that a lot of time has passed and it’s not unreasonable for a studio to want to just start over. If that’s what it takes to get these light cycles back in effect, so be it. I just wouldn’t count on seeing it until a few years after the Avengers defeat Thanos.

My comic review for Star Wars is available on Black Nerd Problems for your viewing enjoyment and don’t forget about Chapter 2 of Neverland: The Untold

Dear Logan: Thanks But No Thanks

Since I’ve been away working on other projects, one of the main things I’ve had people asking me about is the Logan, Fox’s final attempt at making a respectable Wolverine movie (since Hugh Jackman is finally tapping out after playing Wolverine for 17 years...feel old yet?). What do I think? Am I going to go see it? Does it look like it’s any good to me?

No. I’m not going to see it. Well...I’m not going to spend money on it.

Yes, I see that it’s rated R since (in the wake of Deadpool’s success) Fox has decided that the problem with their movies is that there isn’t enough blood and cursing. Yes, I see that they’re borrowing bits and pieces from the Old Man Logan graphic novel. And yes, I see that it’s gritty and Wolverine’s all bloody and explosions and desert and X-23’s in it.

The problem is that these Wolverine movies are like a terrible ex lover that keeps coming back, telling you it’s going to be different this time. They show up at your door with a different haircut, better clothes, a new job and they don’t smell like cigarettes and whiskey anymore. They even talk a little different, remembering everything you like. They spend a few minutes convincing you of how aware they are that they fucked up their last two chances with you. They swear up and down that if they had their chance they’d show you just how much they’d appreciate you. Then you let them in just a little bit for “just one drink”. The next thing you know, you’re alone at the bar while they’re in the entirely too small bathroom in the pub next door, going down on your best friend (terribly, by the way). That’s what these Wolverine movies are. They promise that the new one isn't going to be like the last one and oftentimes, it's not, but that doesn't stop it from being worse.

Maybe it’ll be fantastic. Maybe Fox has truly gotten its shit together. Maybe this will be the thing that turns the X-franchise around for the better. Hell, maybe we should just be happy Hugh Jackman is getting one last enormous check out of this shit sandwich. Maybe things’ll get better when they reboot and get wooden ass Sam Worthington to start playing Wolverine.

Either way...I’m pretty sure I’m not ready to love again. I’ve been hurt before. Also, my review of The Mighty Thor is up and available on Black Nerd Problems for your viewing enjoyment.

A Brief Opinion of Civil War

So, I finally got around to getting out to the theater to see Civil War yesterday (I waited a week so there'd be less humans and crying babies to trigger my Akira-like, rage powered telekinesis) and I'm going to go ahead and skip the obvious angle of comparing to the DC's latest dumpster fire, Batman v Superman because the comparison is almost insulting to Civil War which is, undoubtedly, the better movie on virtually every discernible level. I'm going to jump out there and say that this movie is the linchpin that makes the Captain America trilogy surpass the Dark Knight trilogy which, up to this point, was the Godfather of superhero sagas.

There are spoilers after the jump. Not a lot or even major spoilers, but there are spoilers there. So, yeah.

The Problem With Fanboys: Batman v Superman Edition

So, the reviews are for Batman v Superman and at this point, I think we're far enough away from the release to say the overall response is somewhat mixed (which is mainly considered bad for a movie that made no bones about putting all of its eggs firmly in one basket. The most entertaining aspect so far has been the backlash to the backlash. As someone that wanted this film to be good enough to rival Marvel or at least show the potential to do so, it is hilarious to watch DC fans who bet the farm on Dawn of Justice do backflips to defend it at its most indefensible moments. 

Serioiusly, guys, it's come down to people claiming that people hating it because of their "Marvel bias" is what has caused the movie to tank. The argument is that fans are being hyper critical of plotholes that they would have let pass in a Marvel movie. Now, that could be so. After all, plenty of good movies have inconsistencies. The problem is that Batman v Superman doesn't do itself any favors. See, plotholes can be overlooked if the movie manages to be entertaining and effective in other aspects. For example, if Robert Downey Jr. is entertaining enough, it's easy to forget about some instances in The Avengers movies when logic falls apart. Now, multiply that factor times Chris Evans, Chris Hemsworth, Joss Whedon's sarcastic self aware script (in the first movie, at least), the occasional Don Cheadle "BOOM, you looking for this?" joke, etc. It's drinking Jack and Coke; you coating something arguably hard to swallow with something that is decidedly less hard to swallow. To call Batman v Superman hard to swallow would be a vast understatement. And it's not just because sad sack ass Movieverse Superman is like the superhero version of Eyeore from Winnie the Pooh or because Batman (despite being awesome) was a walking Call of Duty killstreak or because parts of the movie require the lead characters (one of which is the World's Greatest Detective) to be utterly stupid for the barely discernible plot to make sense. It's the fact that all of these put together amount to Zack Snyder's blatant disdain for his audience. He was so obviously salty about having to tone it down and being unable to do new Superman murder, he devoted the opening to a ground level, 9/11 view of the old Superman murder. This isn't even speculation because Snyder has been trying to justify himself since Man of Steel, saying weird shit like superheroes murdering are okay as long as they don't murder as much as the First Order from The Force Awakens (for those of who didn't see The Force Awakens, Zack Snyder compared the two most popular superheroes in human history to an empire of evil space nazis capable of destroying star systems. That his benchmark for good guy murder, y'all.

Marvel has demonstrated at least some regard for doing what they believe the fans want. Even when you have to eat your vegetables (Thor 2), you're offered some dessert (Guardians of the Galaxy) when you finish them. Dawn of Justice is an marginally edible block of instant microwaveable meat loaf and Zack Snyder is the barely attentive nanny who just wants you to shut the fuck up and finish your dinner while he eats your dessert right in front of you. There's a scene where Holly Hunter looks terrified at the sight of a jar of human urine, a callback to Lex Luthor's metaphor about pissing on someone and telling them it's Granny's Peach Tea. First off, the idea of a superhero movie that features a giant jar of piss is, in itself, beyond the pale. Second, it's actually a very apt metaphor for the movie and the director's relationship with it and the viewership. Batman v Superman is two hours of piss and Zack Snyder hates you for not having the imagination to pretend it's peach tea as you choke it down. So, there's that.

Don't forget to check out my Black Nerd Problems comic review of Invincible Iron Man. Feel free to like, review, and comment as you see fit.

We Need to Talk About Batman v Superman

***MINOR SPOILERS AHEAD!!! THEY'RE MINOR BUT STILL***

So, I finally got around to heading to the movie theater to check out Batman v Superman: Dawn of Justice and umm....yeah, we need to talk about that.

The movie wasn't that bad, but it also wasn't that good. It looked fantastic. Zack Snyder knows how to create truly legendary looking moments in a way that pulls directly from comic book aesthetic. The problem is that as much as Snyder looks to the artform visually, he doesn't show that much respect for the stories structurally. Most of the actors were perfectly fine in their roles (except Jesse Eisenberg, who I'm convinced thought he was playing the Riddler), doing their very best with this Bernie Sanders hairdo of a script. Amazingly enough, Ben Affleck, who everyone was so worried about, was an awesome Batman. The issue wasn't really the cast, it was the fact that the creative team doesn't really understand the characters they're working with. In fact, I can see how Gal Gadot's Wonder Woman has been lauded by critics since she was the one character that Snyder fucked up the absolute least.  

A lot of the fanboys are on the whole "Batman doesn't kill" thing which we have to accept is bullshit and has always been bullshit in the context of Batman films. My issue is Batman and guns. To Batman...at least since the silver age, guns have always been a symbol of the crime that plagues his city and the thing that took his parents. In many ways, it's borders on a post traumatic experience for him. Dream or not, the visual of him gunning down flunkies is a little weird. Other than that, Affleck pulls off the duality of Bruce and Batman. Bruce Wayne is a damaged old man whose childhood night terrors conjure the Batman, an vengeful armored man-golem who drops down on superstitious villains like the Righteous Hand of God.

The plotline that worries me the most is this "People are scared of Superman" premise. If you're writing a story about how people are scared of Superman, you don't really understand the point of Superman. We're talking about a character who, despite being an alien, is the absolute pinnacle of human goodness. He's a beacon of hope. Hell, "hope" is literally written in a big red symbol on his chest. Superman inspires people to be their better selves. He loves humanity, sees the best in us even when we don't see it ourselves. The guy they have Henry Cavill playing has sad eyes all the time, is almost resentful of humanity (probably because his mother reinforces the antithesis of his father's idea that he owes his gifts to the world..."You don't owe this world a thing"....what the fuck kind of thing is that to say to a superhero?). The fucked up thing is that even with Snyder's Superman being tattooed with all these blantant misnomers and misunderstandings of the character, he still has to fight Batman for a plotline and some decent character development to call his own. In that regard, this movie is quite true to its title. Having said that, it's pretty obvious that Snyder is setting Batman up to be the leader of the impending Justice League which is also bullshit. Why the FUCK would a guy who commonly hides in the shadows, only comes out at night and employs fear and deception as his weapons want to lead what is almost certain to be the most visible, flashy group of peacekeepers their world will ever know?

I mean...what happened to this guy?

And I haven't even gotten to the ENDLESS plotholes left gaping wide by Snyder's compulsive need to have his characters positioned perfectly to play out the pretty scene he wants to see like a six year old setting up action figures in a playset just to bang them together and scream "BOOM" repeatedly. I think that's what I resent most about this movie: It reinforces the idea that just because they come from comics, all these sort of movies have to be is loud and obnoxious with heroes that aren't particularly heroic like Transformers. But in all likelihood, that's going to be this franchise's bread and butter if Dawn of Justice is the measuring stick.

The Week In Geek 1/6/16

This Week In Star Wars (in case you're not sick of me talking about Star Wars yet)....I was scrolling through io9 and I saw yet another article listing all of the "minor" issues with The Force Awakens which, no offense to io9 in particular, has gotten goddamned annoying. The most annoying thing is that, since Force Awakens has been so well received and is well on its way to beating Avatar in worldwide sales (meaning there's nothing to justify an article on what sucks about it), every article you read has to preface it with, "Don't get me wrong...we like this movie, but..." in the same way racists start racist comments with, "Look, I don't want to sound racist, but..." Because outside of Star Wars, the week or so after New Year's is slow news in geekdom and the usual suspects need some shit to talk about.

In this very same week, JJ Abrams was on a podcast where he gave a very reasonable explanation for the naysayer who whine about the movie being a remake of A New Hope. First of all, he shouldn't have and, quite frankly, didn't have to do that if you ask me (I'm going to say that if you're reading my blog in the first place, that counts as you asking me). For one thing, there's the inevitability that if you keep feeling the need to justify your work, you'll say something stupid that will eventually end up as comedic fodder like when Max Landis said he wanted to make American Alien the opposite of AllStar Superman (I'm assuming by "the opposite", he meant "bad" because that's what's happened so far) or when Zack Snyderclaimed to have saved Watchmen from Terry Gilliam or whatever. Furthermore, we all know that, no matter what they say, directors and writers totally listen to the fans. Even the trolls. We know this, but it just looks bad when said creators actually respond because, ultimately, NEVER have these statements ever shut fanboys up no matter how thought out they are. Never. Zack Snyder has responded to Man of Steel criticisms for ages now and yet MoS is STILL the most divisive movie every in the genre. It doesn't even work in politics. Donald Trump could get on the stump tomorrow and claim that Jeb! Bush is a holocaust denier and Jeb! could say something logical and reasonable like, "I'm not responding to nonsensical, unfounded allegations. Let's talk about the issues." Despite this being a completely mature, rational way to respond to a Presidential candidate whose entire political strategy is based around lying and flinging gargoyle shit at the other candidates, odds are good that we would still ridicule him and call him "low energy" or whatever else Trump has convinced him he is. It's not that we want to believe something Donald Trump says. We don't. We know that, in all likelihood, it isn't true. But the fact that Bush is so visibly wounded, you can tell it affects him. Even when he's not directly addressing it, he's addressing it and, ultimately, dignifying the comments. Put simply, JJ Abrams, at this juncture, should just not be dignifying these things that are only being discussed just because the nerd blogosphere needs some shit to talk about. Also, I'm not a director/producer worth millions of dollars or anything, but if MY movie were holding solid at 94% on Rotten Tomatoes, io9 and anyone else who has anything to say about it could go fuck themselves no matter how well intentioned their "think piece" is. But that's just me, so....

My comic review for the week on Invincible Iron Man is up and available on Black Nerd Problems for your viewing pleasure. Outside of that, I may get a little inconsistent with the blog reviews since I just moved a PS4 into my house and will be playing unhealthy amounts of Destiny for both self-care and research purposes. Yes, I heard what I just said. Yes, I know it sounds ridiculous. Yes, I still mean it. That is all.

The Week In Geek: Star Wars Edition

So, This Week In Star Wars....Star Wars happened this week. So, it's should be pretty obvious that this week, I am going to be discussing Star Wars. With that in mind, if you haven't watched The Force Awakens yet, now is the time to jump ship because there are going to be spoilers after the jump. Last chance so there's no excuses.

The Week In Geek 8/5/15

-So, Secret Wars is being pushed back AGAIN so it'll now be ending in October now. Man, I like this event a lot but for fuck's sake....I'd like it a lot more if Marvel wouldn't drag it along like this. DC and Marvel sometimes have a tendency to suck with these scheduling issues. DC shit the bed last year pushing Forever Evil back so far, rest of the books in the line had moved on past the event and basically gave away the ending. Now, with SW being delayed, there's so many moving parts in Hickman's story, the tie-ins have to be careful not to give away too much story. In truth, they wouldn't have so many problems with scheduling if they'd cut events like this in half. Marvel had the right idea when SW started off biweekly. Despite being so god-awful, at least Convergence got in, told its story and got out. Then again, considering Esad Ribic's artwork, it might just be worth the wait. 

-The Strain, the FX show based on Guillermo Del Toro's vampire apocalypse series, just got renewed for its third season. And despite my liking this show, I have no idea how that happened. I get that FX is doing its damnedest to stretch out this story with a little cinematic nuance and get the most out of the basic plot points, but Christ Almighty....it's the Vampire Apocalypse and the city's reaction to it is, at best, lukewarm. People feel completely comfortable, going to groundbreaking ceremonies, meeting in dimly lit parking garages, putting up "missing" flyers and flirting with cute latin girls in Indian food restaurants. So far, the most exciting plot points this season are a). the flashbacks of Abraham Setrakian Da Gawd and b). the Vampire Black Ops Team....and they just got snuffed out in stupid ass network television fashion, so that doesn't leave us much except the vastly underused Kevin Durand and Corey Stoll, Vampire Hunter which....umm, isn't all that exciting. The major problem is that in the era of existential horror/drama/misery porn like The Walking Dead where people can make the smartest decisions possible and STILL never have a single moment of happiness, it's getting noticeably hard to sit through a show where the characters seem to consistently make such awful decisions. I'm talking about the little stuff. They just stroll right into abandoned places, hardly ever clearing the rooms or even scanning them for vampires. Even Corey Stoll, Vampire Hunter's son, Zach is getting intensely annoying. But this is also a show where the high points maybe balance out the bad points, so it always ends up doing just enough of the right something to justify its continued existence. So, the result is an hour every Sunday where you keep hoping the good will start to actually outweigh the bad instead of just cancelling it out. But probably not.   

My review of this week's Ms. Marvel issue is up and available on Black Nerd Problems for your viewing enjoyment. As usual, feel free to read, like, comment and share as you see fit. You know the drill.

The Week In Geek 7/1/15

So, this week, we found out that Ava DuVernay walked away from the director's chair for Black Panther. Sucks, but I have to appreciate when black talent has come up in the world to a point where they can turn down million dollar franchises deals at their peak. Allegedly, they "had different ideas about what the story would be." It's not really my job to guess, but I'd say this is another case of the suits at Disney/Marvel stepping on their talent's neck. I mean, we all saw Whedon's frustration with certain mandates in Age of Ultron. At this point in DuVernay's career, I could understand wanting to maintain a certain level of creative autonomy.

Also, Marvel revealed the full roster for their All New All Different Marvel lineup after Secret Wars wraps up. Wolverine's a woman, Star Lord's a woman, Ms. Marvel joins the Avengers and, yep, Captain America is still black. The weirdest backlash is about Spider Woman turning up pregnant. It's gotten to a point where fans are upset just for the sake of being upset. Jubilee spent the better part of Brian Wood's all female X-Men book as Mutant Vampire Juno with an adoptive baby that wasn't hers. Marvel spent ten solid years developing Luke and Jessica Cage's baby from conception to a toddler to a future where she grows up to be Captain America. Fans pick bizarre moments to decide they're upset about a book that, statistically speaking, they weren't reading in the first place. Also, all we've seen so far is a cover. Fans are actually judging books by their cover now. On one hand, it's understandable since comics are a primarily visual medium. On the other hand, we STILL DON'T KNOW the actual context of what the book's about. Even if you want to go off of the cover and claim it's a judgment of art, we all know that the art on the cover doesn't always reflect of artwork of the actual book, so even that's a silly way of making determinations on a book you haven't read. So far, I'm reserving judgment until I lay eyes on some actual pages.

No Black Nerd Problems reviews from me this week. Had to put the finishing touches on my scripts for Issues 2 and 3 of my upcoming comic. The website's under construction at the moment but we'll be up and running within the next few weeks. Happy Independence Day.

The Week In Geek 1/17/15

So, this week, Marvel released the first of its Star Wars comic material and thus far, the reviews have been mainly positive. I'll be talking about the book itself a little further down (with the reviews), but this is a really exciting time to be a Star Wars fan. I can't speak for anyone else, but I wasn't a huge fan of the Dark Horse books at all. I basically regard them the same way I regard David Goyer's idea to develop a Superman show without Superman in it. The timelines usually kicked off either so long before or so long after the movies I grew up with, I didn't quite understand what I was supposed to be relating to. Disney bringing all these elements under one umbrella is a breath of fresh air. As we've seen with their handling of the Marvel Cinematic Universe, Disney likes their properties and characters being as accessible as humanly possible.

"You know Spider-Man? Sure, come on over. Don't like the movies? Don't worry about it. Here's an entry level cartoon for you. Don't like cartoons? Thinking about jumping into comics? I've got just the thing.

"Oh, you know who Luke Skywalker is? Come on in! You don't play The Old Republic? No problem. Here's this comic book you might dig."

As we get closer to Episode 7, it's going to be interesting to see what other properties Marvel can crank out.

My reviews for the week are up and available on Black Nerd Problems for your viewing pleasure. Feel free to like, comment and share at your leisure. This week, I took a look at....

Batman Eternal: This issue really meant well. It really did. The Bat-family going to break up a Mad Hatter caper should be some exciting shit. But it just didn't come off that way and the art was a huge reason why. As expressive as the faces were, it's strange that Joe Quinones wasn't bigger on detail everywhere else. It came across as a comic book you'd get with a 90s Batman toy. Honestly, this book can't really afford to have an issue that's this lacking visually so close to the end we've been waiting for.

Star Wars: See the problem with the handful of Star Wars I read during Dark Horse's reign was that the level of quality didn't justify the amount of material Dark Horse used to put out. You might find a decent issue once in a while, but you had to wade through a lot of crap. It's a lot like Azelia Banks. Sure, she drops jewels on Twitter once in a while about race relations but you have to sit through the stupid shit she says about everything else. And even when you do find the good books, often times, they were so far removed from the Star Wars universe I was used to (the characters and events in the movies), it only felt like it was just marginally a Star Wars book. Marvel's first new effort was the first time in 30 years I'd read a Star Wars comic that properly recreate the feeling I got at the movies. When the action starts, I was cheering out loud. Jason Aaron has a really good handle on what makes Star Wars so iconic. And it starts at a point where you don't have to feel left out. "If you watched the first movie, you're in. We'll take it from here."

My Favorite Things 2014: Movies and TV

Television

True Detective: If someone had told me a year ago that "American Horror Story For Murder Mysteries" would be one of the most awesome things to happen to television in 2014, I would have laughed heartily at them. And I would have been dead wrong. Nic Pizzolato took everything that's enjoyable about the experience of a hard boiled mystery novel and packaged it into a well-produced, streamlined series. I mean, these were some of the most beautifully shot parts of Louisiana I've ever seen. And it took full advantage of Matthew McConaughey's new season in the limelight. Rustin Cohle is one of the most compelling (at times, confounding) characters I've seen on a show like this in years. The only sin committed was that we didn't get to spend more time with these backwater super sleuths.

The Flash: I have to say this one took just about everyone by surprise. CW finally has the expanded superhero franchise its wanted so badly. The best thing about the Scarlet Speedster's series is that it never attempts to capitalize off of Arrow's success with creating a dark, gritty, Nolan-esque universe for it's lead to play in. In fact, it does the opposite. It's genuinely hopeful and intentionally trite, making Grant Gustin's Scarlet Speedster a Superman surrogate of sorts. And Jesse L. Martin playing Joe West does this show so many favors on so many levels.

Movies-

Captain America: The Winter Soldier- TWS is easily the best representation of where Marvel is in terms of production quality and representation of source material on the screen. This is what it looks like when you manage to tell a decent story and still deliver fast paced action without really compromising either element. Who would have thought the same guy who killed it as Johnny Storm (the only real standout aspect of the Fantastic Four movies) would go on to become and, basically, OWN the role of Captain America?

A Few Things About Interstellar.....

So, I watched Interstellar yesterday (loved it, by the way) and I noticed a few things:

-Hans Zimmer is scoring movies as if he's trying to dethrone John Williams.

-When your movie is so star powered, Matt Damon is the unbilled star, that's a REALLY star powered movie.

-Matthew McConaughey's character, Joseph Cooper, for him to be the "practical one," was like the happy go lucky version of Rustin Cohle from True Detective.

-As right brained as Christopher Nolan's work tends to be....he's kind of a big softie. For a space movie, the teary eyed close-up scenes seemed to steal the show. The scene where Matthew McConaughey is holding his weeping, angry daughter seems to be the moment that serves as the driving force for everything they both do from that point onward. The movie spends every bit as much time on philosophy and feelings as it does on quantum physics. Anne Hathaway has a whole monologue where she ponders whether or not love can transcend time and space (which is the sort of thing, I'll admit, I'm a sucker for in movies). Having said that....

-If Neil Degrasse Tyson can learn to let go, we can all learn to let go. We are a cynical generation that can't enjoy a movie if it has the smallest of plotholes that don't really matter to the story as a whole. If America's Science Czar can note the scientific inconsistencies and still enjoy a movie that, in its own way, embraces love as a science unto itself, so can we. Granted, let's not get crazy. When you have too many plotholes that leave you asking wildly unnecessary questions, you end up with Transformers 2 and 3. Still, learning to let go is an integral part of the moviegoing experience.

The Week In Geek 10/29/14

Okay, so the Geeky Thing That Happened This Week is obviously the big Marvel Event in Los Angeles where Marvel once again curb stomped DC like they held out on milk money. Barely two weeks after Warner Bros. tosses out a sort of lackluster (at least in reception) list of proposed titles and times for their Cinematic Universe. The blogs start making the rounds about how DC is going to be first to have feature films with female leads and/or a lead character of color (which is not true) and then Marvel suddenly hit their rivals with a surprise attack.

"I will see your Cyborg and Wonder Woman movies and raise you Chadwick Boseman as the Black Panther, the female Captain Marvel that everyone loves so much and Benedict Fucking Cumberbatch at Dr. Strange."

I went on about this before but the one reason Marvel smokes DC every time with these little stunts is because they put out a reliable product. You would think putting out some rigid schedule of movies you want to make in the next five years or so would feel stuffy, but it doesn't. Marvel has established several times that not only do they make good product but it has the capacity to get better over time (Captain America 2). When you do good work, people want to know when you're doing that good work again. Of course, when there's delays, questionable casting choices and basically a 24 hour news cycle built around the possibility of your project's failure....well, ask DC.

My reviews for the week are up and available on Black Nerd Problems for your viewing enjoyment. This week, I took a look at:

Batman Eternal: This was pretty epic, I'd say. From the awesome looking scene of Batman diving head first into a crater amidst gunfire from the police, the wholesale destruction of Arkham Asylum and the long awaited appearance of the Spectre which was here and gone way too soon....this is a better resolution than any to one of the book's many conflicts.

All New X-Men: Although the plot itself has begun to move in slow motion, I must say there are some things to enjoy with the current status of the book. Angel trying to teach X-23 just to be a person let alone a girlfriend is pretty entertaining. And watching Beast and Ultimate Doom in a room together has so much potential for mayhem and comedy, I can barely stand it.. Hopefully, the pace picks up next issue, but I'm okay with where it is for now.

The Week In Geek 10/22/14

So, this week, the trailer for Avengers: Age of Ultron got leaked which seemed inevitable considering the buzz Marvel generated by stealth bombing San Diego Comic Con with a "special sneak peek" that nobody outside of that sound stage has seen to this day. I have to say that Marvel is really taking the whole thing in stride which does nothing but help their image at this point. To the surprise of nobody, what we saw in the teaser is very impressive. In particular, the shot of Hulk fighting the Hulkbuster armor looks absolutely incredible. Marvel gets better and better at capturing the essence of the mostly CGI monster every single time.

The trailer was supposed to make its debut on the upcoming episode of Agents of SHIELD (by the way, Tuesday's episode with "Mockingbird" was fucking awesome) and honestly, I wouldn't be surprised if Marvel showed the SDCC trailer instead just to keep fans happy. Also, given the bizarre ratings drop of the season so far, they could use the viewers, so my suggestion would be to watch this week's episode anyway.

My comic reviews for the week are available on Black Nerd Problems for your viewing enjoyment. This week, I took a look at:

Batman Eternal: Okay, there's been some complaints about the book's tendency to divert from the main plotline to tell some side stories and tie off hanging plotlines, but honestly, that's no different from shows like Game of Thrones and Breaking Bad. After al, the purpose for Eternal is to build a universe out of Gotham opposed to Scott Snyder's Batman, which is a more focused book that only has Batman himself to center on. With that in mind, I think it's a solid book despite some of it's issues in the art department at times.

Avengers/X-Men- Axis: Decent but sloppy. I have to appreciate the step up in the art department, but still. The resolution felt so circular. Avengers Vs. X-Men was supposed to jump start the resolution of the rift between the mutant community and the Avengers. Then, we got Uncanny Avengers as a result which was supposed to be the solution. Almost three years later, we're back to this "mutants and the government will never get along" shit. The whole thread seems to have chased its own tail.

A Black Panther Movie Isn't That Hard

So, with Marvel's Movie Machine reaching optimum levels as far as production quality and with Guardians of the Galaxy, a previously unknown franchise to fans, getting rave reviews all across the board, the big question being asked is "Who's next?" And it makes sense. After all, it seemed like Marvel was betting it all on introducing a set number of heroes and building the universe specifically around them (though, in fairness, it's arguable that Iron Man was in the Guardians' position until six years ago). Now, that they've proven that they can make quality product while still taking a degree of risk on characters, it's only reasonable that fanboys would be even more eager their respective favorites to get a turn at bat.

With all that said....Black Panther.

This is that one movie Kevin Feige swears to the Old Gods and the New is in development almost annually at this point. And a lot people got their mouths watering after a proposed release schedule for the next five years of Marvel movies was spread across the internet, but that was proven to be fan-made shenanigans. Allegedly, there is a script and an active casting call in the works, but at this point, fans will probably only believe it when they see it. With that in mind, there are a handful of things that a good Black Panther movie needs to have.

1). Strong Black Women: Wakanda is supposed to be a technologically advanced society apart from the rest of Africa and, ultimately, the world. It should also be culturally advanced. Most incarnations of Black Panther depict the fictional country as thumbing its nose at the worst parts of Western culture on every level. A big one the movie should highlight is its treatment of women. Now, granted....with Fox not letting go of the X-Men rights anytime soon (even though Marvel could totally shoehorn her in on the technicality that Storm was once an Avenger) the chances of us seeing a budding romance between T'Challa and Storm are about as likely as Ron Paul ever being President. But there's still no shortage of tough women at Panther's side. His sister, Shuri almost definitely has to play a big role. I would run include a few fantastic scenes of her acting impulsively, leaping headfirst out of jet (like Captain America, making it another snub at the West), leading an attack against someone like the Rhino. It would be somewhat reminiscent of the rhino scene in 300. This would also be an opportunity to outdo Sony's Paul Giamatti Rhino the way they're outdoing Fox's Quicksilver. I suppose you could go with the Dora Milaje, T'Challa's official bodyguards/wives-in-training, but they have to get rid of the "wives in training" part because that sounds way too much like "concubines."

2). African Actors: Let's face it, guys. Halle Berry as Storm (even though the writers and wigmakers also deserve equal blame) was the best possible example of selecting a high profile Black name for a character of color as opposed to actual casting. And the reactions to the NWA cast list and Zoe Saldana playing Nina Simone should be enough evidence to Hollywood that "close enough" is not a great way to go about casting characters of color. There's basically no downside to getting African actors to play characters that live in Africa. I would say this shouldn't have to be said, but the MENSA candidate that made Prometheus has proven me wrong. This is an opportunity for Marvel to show some real understanding of what representation on the big screen would mean to little black kids. Speaking of which....

3). Djimon Hounsou: Good looking, charismatic, talented actor, physically imposing enough to probably break my 6'4, 250 pound ass in half. So, here's a guy who was basically the perfect person to play the Black Panther. Ten years ago. Although he voiced the titular character in the short lived, kinda-sorta-didn't-get-off-the-ground cartoon series, time was our enemy in getting the Gladiator star in the costume. Still, I could totally see Hounsou playing T'Chaka, Panther's father who was assassinated by Ulysses Klaw, via flashbacks. It would show some respect towards the fact that there have been attempts over the years to establish BP as a marquee character.

4). Wakanda As A Strong Nation: I know this is something else that really shouldn't have to be said, but truthfully, I know Marvel, with how awesome their recent offerings have been, probably has the strong urge to have Wakanda seem awesome....but not as awesome as Captain America. But here's the thing. I know Disney isn't likely to be down for a story where America is portrayed as being slightly sinister, so I'm not suggesting a movie where Wakanda takes an "Us vs. Them" narrative (even though that's exactly how Wakanda is in the comics), but I wouldn't mind seeing Reginald Hudlin's "Captain America Visited Here Once And Was Promptly Thrown Out On His Ass Because Fuck White Saviors" flashback played out on screen. Marvel has already been praised for allowing Kelly Sue DeConnick to play around with the turning the White Savior narrative on its ear, so this is a no-brainer for them, really. In the comics, while the rest of the world was being infiltrated by shape shifting alien zealots, this is a nation that sent them packing to say the least.

5). A Strong Focus On Establishing It's Own Franchise: This is an easy one. It doesn't even need to be an origin story. The first movie, Klaw killed T'Challa's dad (5 minute flashback at the beginning) and, as the King of Wakanda years later, Panther has become even more obsessed than ever with tracking him down and bringing him to justice. But Shuri and his council notice it's putting him off his game as a ruler, causing him to turn a blind eye to his elite police, lead by the White Wolf (T'Challa's adoptive older brother), using aggressive tactics to root out Western spies and other outside threats. As it turns out, the Wolf is working with Klaw to orchestrate an uprising among the people. Allude to the coming of Klaw in a sequel through a couple of faint appearances a la Thanos in Guardians.

In truth, a Black Panther movie really shouldn't be all that hard. If we can get Ant-Man and Rocket Raccoon and Loki reincarnated into a lovable little scamp of a supervilliain, I think Marvel can make this happen. Then again, I could be wrong.

Robin Williams (1951-2014)

The Week in Geek 8/6/14

So, this week, Black Nerd Problems published an exchange between me and my editor, Will Evans about Batman v Superman: Dawn of Justice and whether it's a Pass or a Play. Granted, I argued for seeing the movie mainly because thus far, I haven't personally seen any aspect of it that makes the whole thing a "non starter" like it has with some. In truth, I think the thing that has hindered the movie before we even got a trailer is the perpetual press junket. I harped on this a little bit in my Comic Con commentary last week but as a whole, (running the risk of sounding like an old man) I think cinema in general has been somewhat hindered in the era of social media.

Don't get me wrong. As a member of "New Media", I recognized how much progress has been made as far as independent property being circulated and having so many options for alternatives to hoping for the old mainstream venues to notice you. However, for the mainstream big budget films, I remember seeing nothing more than a thirty second trailer and maybe an endorsement from some fast food joint and being able to go into a movie cold with an open mind about what I was about to see. BvS is a prime example of how there is a headline now to tell you every single level of the production process to the point where there's no mystery anymore. Marvel is a pretty good example of an outfit that knows how to use the media engine to its advantage, control what gets out and treat their fanbase to some quality tidbits for its loyalty, but even with that in mind, I still basically walked into Guardians of the Galaxy KNOWING it's going to be awesome as opposed to the degree of wonder that should come from a Marvel movie that doesn't feature conventional superheroes (though, yes, I get that it's in a superhero filled universe). In any case, I'm not exactly #TeamZackSnyder, but I think I've seen enough that movie deserves a we'll see.

Also, I'll have a few thoughts about Guardians of the Galaxy up some time tomorrow.

My comic reviews for the week are up and available on Black Nerd Problems for your viewing pleasure. This week, I took a look at.....

Why the FUCK would you point your flashlight at Killer Croc
and NOT YOUR GUN?!

Batman Eternal: I think every comic has a make/break issue that can harm the quality at any given time. With Warren Ellis books, it's the overall patience of the reader. With Jonathan Hickman books, it's his tendency to meander in the world he builds for the reader. With Greg Land books, it's Greg Land. With Batman Eternal, at any given time, the artwork can easily sink this boat for that week. The gift AND the curse of having Dustin Nguyen on the title was that it raised the bar. Anyone who's seen his previous work on Batman books knows that his style feels so natural for this universe. Then, for Andy Clarke to have to follow up behind Nguyen's gorgeous work was rough. It was a decent job, but after a plot where some of the panels were simply terrifying, chasing monsters in the sewers should have felt much scarier and atmospheric than this did. Hopefully, this improves next week.

Iron Fist, The Living Weapon: I'm really having a hard time deciding whether we're going to look back in a couple of months and find this to be a sleeper hit by the time Kaare Andrews is done....or if Marvel is going to cancel it prematurely and leave us wondering what happened to this run in a few years when someone else comes along and gives it the Shang Chi treatment (I'm sorry, but that book is awful).

San Diego Comic Con Post Game Show

Okay, so this week was mainly the San Diego Comic Con fallout. I was scouring the internet for the Avengers: Age of Ultron trailer I keep hearing about and I had what I realize is a long overdue epiphany. I'm starting to see why smaller cons are gaining popularity these days. It seems like each year, SDCC becomes more and more of a press conference that barely involves comics and involves fans even less. I am convinced that Comic Con could run just the same if there were no audience at all. The whole point of any convention is that it's an assembly for like-minded people to generate fellowship. With that said, I like cons the way I like church: If I need binoculars, bifocals, bionic eyes or any other vision enhancing apparatus to see the talent (preacher), I don't need to be there.

Anyway, basically, as most things in comic fandom seem to do, this year came down to Marvel vs. DC vying for control of the movie fanboy hype machine. Marvel's big one-two punch was bringing out the cast for a few minutes and presenting the special super secret Avengers trailer. Now, for the record, this is NOT the part where I show up with the special super secret Avengers trailer because I don't have it. I mean NOBODY has it. This Disney money has gotten Marvel better connected than the CIA. Seriously. Batman himself couldn't get a hold of this shit. I just want to make sure everyone realizes how irregular it is for something of this magnitude to occur at a high profile con and to have not leaked by now. However, there's a pretty good description of the epic sneak peek available if you can't wait until "eventually." 

Meanwhile, DC hit every one with a haymaker in the form a teaser for the impending Batman v Superman: Dawn of Justice. The most notable aspect was that Batfleck was rocking the infamous heavy duty armor that Batman wore when he gave Superman that #AllKryptoniteEverything ass whupping in The Dark Knight Returns (which ISN'T canon, Bat-fanatics). Superman floating in the sky with his heat vision all queued up was reminiscent of his Jim Lee look in Hush (another instance in which the two came to blows). Of course, the trailer was leaked immediately after so the rest of the internet could follow suit in losing their shit over the 40 seconds or so of "holy shit."

So, who really dominated SDCC this year?

In fairness, DC definitely a). had a lot more of the deck stacked against them and b). had a lot more riding on positive reactions to their offering. Marvel has been winning this race as it is, so they could have done the minimum amount and still walked away with a loyal fan base. Why? As they've proven with putting out a schedule of their proposed movies for the next five years, Marvel has a tried and tested product that they can stand by. It's a confidence few moviemaking outfits can lay claim to.

Since BvS was announced, it's like the studio had been on a year long press junket. I mean every single level of production, casting and development has been run up the flagpole and criticized by every blog, news outlet from here to the New York Post. Barack Obama himself hadn't been vetted half as much as Comics' favorite bromance. Especially if you a comic nerd, it's become like a gaudy shopping mall being built right outside your house, having to wake up to the construction, seeing the new hires, watching every stick of furniture being moved in and constantly updating about it on Twitter every hour. They NEEDED a win. There are always going to be naysayers about this venture. They're practically built in. But they had to win some people over and it seems like they did.

Winner: Marvel. At this point, they are a behemoth that's hard to compete with. As of right now, they almost ARE the superhero movie genre. They had the crown before even showing up in San Diego.

The Lois Lane Problem and a Superman Trilogy

So, I was talking to a couple of regular readers about Man of Steel (which I REALLY try not to do because Man of Steel is SO insanely divisive among fans, that I have talked about Man of Steel for long enough to last a lifetime) and one of the elements that seems to garner the biggest love/hate relationship with the audience is Lois Lane. I would argue that Zack Snyder introduces one of the better incarnations of the character. Granted, this one probably gets into twice the trouble of the previous one, but she tells off military officials and shoots evil Kryptonians in the face. That's pretty goddamned fun if you ask me.

But the fundamental flaw in her storyline was finding out that Clark Kent was Superman so quickly. Granted, on one hand, she did pretty much figure out who he was via common fucking sense. ("Maybe if I backtrack through all the times/places someone lifted a steel beam with their bare hands, I might just find this guy.") On the other hand, the dynamic between Clark, Lois and Superman is one of the fundamental elements of the Superman mythology. Lois' relationship to the Clark Kent persona is a reflection of how humanity views the "everyman" in comparison to Superman. People joke all the time about how a Pulitzer Award winning journalist couldn't see past a pair of bifocals, but the joke is one that I believe writers have been more conscious of than most are willing to believe. In the context of this fictional universe, Superman is considered the best, the archetype for what a superhero is. He can move planetary bodies and block bullets. Who would EVER believe that he'd want to pretend he was one of us? The thought is so ridiculous that it eludes Lex Luthor, one of the smartest men in the world. So, it's not unbelievable that it might go over Lois Lane's head.

Honestly, I think it could have been a primary element of a trilogy of movies:

Man of Steel: No forced kissing at the end. My ex and I felt weird cuddling when we found out Amy Winehouse died. I have a hard time believing there's enough adrenaline fueled hornyness between the two of them to have that spark after an entire city has been completely leveled. Keep the Zod plotline (though maybe just a little less Jor-El) except when Lois is searching for the "mystery hero" and ends up in Smallville, have the townspeople (who have blatantly seen Clark's childhood super feats) be comically unhelpful. Give two minute flashbacks for a few people she interviews where they remember that time when "someone" pulled them out of the water, or "that blur" that moved them out of the way of that incoming train. Of course, they kinda know it was Clark, but they'd never betray one of their own. Then show how they're a intricate part of the town's infrastructure and they wouldn't have been able to if it weren't for this well-meaning kid. It's stereotypically midwestern, but it manages to show off one of the things that makes him the hero he is: Superman inspires other people to be their better selves. Even when you're a jerk (maybe Pete Ross or Whitney Fordman in this case). Keep the "welcome to the Planet" ending except show more of Metropolis being rebuilt thanks to Lexcorp. Include a shadowy figure staring out the window at the restoration of the city.

Man of Steel 2 (maybe Man of Tomorrow...I dunno): Clark comes to adore Lois in the traditional way we know, but she is either oblivious or just plain not interested. Eventually, keeping the secret becomes tiresome (include some mildly comic moments of Clark using his power without being noticed) and he starts to wonder if it's time to come clean. Meanwhile, Batman comes into town for a team-up (whether he likes it or not) because Lex Luthor is up to something (a smear campaign about how we can't entrust humanity to "them"....which of course means aliens). Batman will have no doubt deduced that Clark is Superman by the end of the first act and sees him pining for Lois. There's an exchange between them where Bruce tells him that men like himself and Clark, who answer to a "higher purpose", don't have time for distractions like love and that keeping his identity a secret is for the better. Meanwhile, have Lex secretly working alongside Solaris, The Tyrant Sun (it's a good nod to All Star Superman, gives the writers an excuse to use red sun radiation against Superman AND shuts up the fan whining about wanting to see a new villain) to create some kind of "faux" machine that will solve the world's energy problem. At the end, once the day is saved, Clark tries to reveal his identity, but Lois, still oblivious, confesses an epiphany that she's doubtful about Superman being "one of us." Upon hearing this, he keeps his secret. This explores the question of whether or not people knowing who he really is would hurt his ability to inspire humanity to its true greatness.

Man of Steel 3 (I don't have another title for this one): Have Lois try to set Clark up on a date with her sister, Lucy, a slightly wilder soul who is a little more perceptive than she is as far as Clark's "convenient" disappearances go. This would make for a hilarious awkward moment where Clark is trying to explain his way out of having to go save someone. Lucy would see through all the excuses that normally work on Lois. Eventually, Lucy turns away Lois' attempts to get them together because she sees that Clark has loved Lois all this time and is too polite to say so "for some reason."

There's a few good choices for a Big Bad here. Despero, Brainiac, Darkseid (except I would honestly save Darkseid for the first Justice League movie), but I would run with Mongul, bringing his colosseum space station/planetoid, War World, to Earth in search of Earth's Greatest Champion. Superman must fight a gauntlet of alien champions or risk Mongul's superior invasion forces destroying the Earth. During his time on War World, Supes notices that the while the arena itself is a beautifully kept technological advancement like he's never seen before, the citizens outside live in terrible poverty with streets in disrepair (thus highlighting the contrast between Superman, a powerful being of human morals that never lets down the little guy versus Mongul, a powerful despot that ignores the little guy "for the good of the realm" who sees himself alone as "the realm") but looks past it at first because he doesn't want to risk the Earth in a slugfest. Of course, upon Big Blue's victory, Mongul later goes back on his word and attacks the Earth anyway. Fearing he may not come back from this fight, Superman finally tells Lois he's Superman and that he loves her "until the end of time" (another All Star reference) before flying off for a ridiculously epic fistfight with Mongul himself. The battle itself should probably reenact some parts of the Doomsday fight in the comics (without actually using Doomsday because he's the most overused element of Superman mythos except maybe kryptonite). Meanwhile, maybe there can be a scene where we see the military reports detail that there are other costumed heroes fighting Mongul's invasion forces in different parts of the world. Don't show them in full view but allude to the usages of the powers. Show Wonder Woman's lasso pulling a spaceship down into the water, the Bat-plane dogfighting in the sky or green arrows taking out troops on the ground. At the end, give us a post credits scene where Batman beams himself and Superman up to the Watchtower and then shows the Justice League in full view and introduces the Martian Manhunter who says something to the effect of "My name is J'onn J'onzz of Mars and I come with a warning. 'He' is coming."

"He" can be Darkseid. Anyway, this is just a basic outline of one way to makes Superman's identity an ongoing theme, but how to incorporate the Justice League for future movies. I threw a good amount of All Star Superman elements because I feel that, honestly, it's one of the best Superman stories that encompasses everything that makes him who he is. Feel free to discuss, approve and/or reject amongst yourselves. Just saying....the shit could work. Then again, I could be wrong.

The Movie Spider Man Problem

So, after writing my review for The Amazing Spider-Man 2, I then went out in the internets to read reactions to the film and, as predicted, it proved to be as divisive (if not moreso) than Man of Steel was among nerds. They either a). walked away entertained while totally aware of the film's more glaring issues or b). eager to forget the whole thing ever happened. Both are fair reactions to have. After all, it's every bit as understandable that someone would be taken with Andrew Garfield's performance enough give the rest of the movie a pass as it is that some people won't be able to get past Dubstep Electro and Kinda Green Goblin getting maybe five minutes of fight time.

But the ending put something about the movie franchise as a whole into focus that could possibly be a bit off-putting for some old school Spider-Man loyalists on a subconscious level (I say "subconsciously" because I can't say I've actually ever heard this complaint from anyone watching the movies....just a conjecture) that makes some of the goofy moments that much more goofy. I submit that there's a good chance we might not ever see the kind of Spider-Man story the source material whores want to see.

"Well, damn, Oz! Why the hell not?" Good question. One thing that was more overt in The Amazing Spider-Man 2 and Sam Raimi's Spider-Man 3 than any other movies is that Spidey is BELOVED in New York City. I mean, there are at least three cinematic instances I can think of where a Spider-Man fight was a public event akin to street dancers on the subway as opposed to what it would REALLY be which is people fleeing in terror, most of them not even knowing what they're running from other things exploding. The first movie showed people flinging trash at the Green Goblin, claiming the webslinger as one of their own. Spider-Man 2 featured a subway car full of people crowd surfing him with his arms like Christ. Spider-Man 3 had a parade in Peter's honor as well as a day named for him.

Anyone who keeps up with the comics could probably see how strange this is. It's pretty much standard operating procedure in the comics that Spider-Man is, at best, tolerated by the status quo. There are moments even when he's saved the day, he doesn't get it 100% right and people hate him for it. Of course, this is in keeping the overall moral of a Spider-Man comic that sometimes it sucks to do the right thing and people might hate you for doing the right thing, but do the right thing anyway because it's right and it beats being a terrible person. In fact, the only time I can remember people adoring him the way they do in the movies is during the Superior Spider-Man when Doctor Octopus Spidey was almost constantly applauded for being an Extinction Level Douchebag (which is part of why 75% of that book was a stupid idea).

There's only two applicable reasons I could fathom for this.

1). Given the fact that Sony exclusively owns the movie rights to Spider-Man means that it exists in a different universe as the Marvel Cinematic Universe. That means he and the Avengers don't exist together. In other words, in the New York he occupies, there's no such thing as the Avengers....so he's the only superhero the people have ever seen. So, sure, it might make sense that he'd be something of a rock star.

2). (And this is really the more important thing to pay attention to.) More than ten years later, a post 9/11 Hollywood will always be hesitant...and rightfully so...to depict an apathetic, rude New York that treats its heroes as anything other than heroes. I get that this is a weird criticism, but consider Movie New York over the years.

I apologize in advance, but this is the second time in the life of this blog that I have to explain Ghostbusters II. This is the movie where an evil painting was filling the sewers with slime that made people into hateful jerks while slowly plunging New York into the eighth level of Hell (or Dallas, depending on who you ask). When the Ghostbusters came to the Mayor, making an impassioned plea to take action, this was the result.....


For me, this is pretty much the poster child for how New York was portrayed in television and cinema before some assholes threw a plane at a building and took countless lives, a day that most of us will probably not forget. This happened so close to the first Spider-Man film that they had to go back and delete the Twin Towers from the posters and certain scenes.

Odds are good we'll probably not see a movie anytime soon where a guy saves hundreds of people from a guy throwing exploding jack o' lanterns or a guy made out of sand only to have trash thrown at his head while he's being called a bum.

Because, as cynical as this generation can be, mainstream moviegoers want to see heroes win. (This is probably why Watchmen had such mixed reactions from people. It's hard to sell people a superhero movie that's primarily about failure.) They want them to be loved because, ultimately, they're blank slates for the viewer. They want to be able to paste themselves the point of superheroes is to give us some semblance of hope that doing the right thing can have a semi-happy ending.

Unless, of course, you're Batman. Because Batman doesn't give a fuck if you like him.