Don't get me wrong. As a member of "New Media", I recognized how much progress has been made as far as independent property being circulated and having so many options for alternatives to hoping for the old mainstream venues to notice you. However, for the mainstream big budget films, I remember seeing nothing more than a thirty second trailer and maybe an endorsement from some fast food joint and being able to go into a movie cold with an open mind about what I was about to see. BvS is a prime example of how there is a headline now to tell you every single level of the production process to the point where there's no mystery anymore. Marvel is a pretty good example of an outfit that knows how to use the media engine to its advantage, control what gets out and treat their fanbase to some quality tidbits for its loyalty, but even with that in mind, I still basically walked into Guardians of the Galaxy KNOWING it's going to be awesome as opposed to the degree of wonder that should come from a Marvel movie that doesn't feature conventional superheroes (though, yes, I get that it's in a superhero filled universe). In any case, I'm not exactly #TeamZackSnyder, but I think I've seen enough that movie deserves a we'll see.
Also, I'll have a few thoughts about Guardians of the Galaxy up some time tomorrow.
My comic reviews for the week are up and available on Black Nerd Problems for your viewing pleasure. This week, I took a look at.....
Why the FUCK would you point your flashlight at Killer Croc and NOT YOUR GUN?! |
Batman Eternal: I think every comic has a make/break issue that can harm the quality at any given time. With Warren Ellis books, it's the overall patience of the reader. With Jonathan Hickman books, it's his tendency to meander in the world he builds for the reader. With Greg Land books, it's Greg Land. With Batman Eternal, at any given time, the artwork can easily sink this boat for that week. The gift AND the curse of having Dustin Nguyen on the title was that it raised the bar. Anyone who's seen his previous work on Batman books knows that his style feels so natural for this universe. Then, for Andy Clarke to have to follow up behind Nguyen's gorgeous work was rough. It was a decent job, but after a plot where some of the panels were simply terrifying, chasing monsters in the sewers should have felt much scarier and atmospheric than this did. Hopefully, this improves next week.
Iron Fist, The Living Weapon: I'm really having a hard time deciding whether we're going to look back in a couple of months and find this to be a sleeper hit by the time Kaare Andrews is done....or if Marvel is going to cancel it prematurely and leave us wondering what happened to this run in a few years when someone else comes along and gives it the Shang Chi treatment (I'm sorry, but that book is awful).
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