Saturday, January 25, 2014

Leading From Nowhere

Preface: This is a slight detour from my usual content that I don't usually take because I don't want to alienate readers, but after some things I've seen, heard and read the past few weeks, this needs to be said. I'll be back to just pissing off nerds next week.

So, I was having a discussion a while back in one of the comic forums I'm in. In the midst of the rumor mill behind the production and casting in Man of Steel 2: Steel Harder, the internet has casted everyone from Denzel Washington to the Rock as Green Lantern (whom we're not even completely sure is going to make an appearance in this movie, by the way). Most of these rumors are the made-up, wishful thinking of nerd blogs, but the ongoing trend is that people seemed to be really into the idea of John Stewart, a Green Lantern of color. At first, I dismissed this trend as fans wanting DC's cinematic universe to distance itself as far from Ryan Reynolds and Movie Hal Jordan as possible. Not completely unreasonable. I could not care which Green Lantern they use if they use one at all. I've learned that casting news and press releases don't drive me nearly as crazy as it drives my nerd brethren. I also thought about the long-standing, underlying call for more black superheroes to take their place in the forefront in comic book culture (even though Wesley Snipes pretty much BECAME Blade in the collective consciousness and Samuel L. Jackson IS Nick Fury to such a degree that Marvel killed White Nick Fury, who'd been around in the comics for 50 years).

Then, I found myself thinking about it a little more. I came home from the day job as the Golden Globes was taking place. Now, I don't actually watch award shows simply because, 90% of the time I'm not terribly invested in any of the shows or films nominated. However, I DO glance at my news feed on Facebook periodically. It's not just the fact that the sheer outrage at black nominees not winning a particular award borderlined on the kind of zealotry that could even throw a Texan like myself for a loop (given the fact that church and football are like cash crops here). But it's the fact that people are so disappointed at their prize fighter not winning, it brings them to hate the people that did win like Jennifer Lawrence, who, to my mind, hasn't done anything harmful to anyone aside from maybe being in X-Men: First Class. I didn't quite understand the fanaticism. After all, it's not just rhetoric when they say you should be happy just to be nominated. Granted, wanting to win is an unavoidable part of the human condition and, yeah, prestigious accolades do seem to allow actors to bag big roles. However, in this case, being "Golden Globe Award nominated Kerry Washington or Lupita Nyong'o" will probably work just as well as being "Golden Globe Award winning Kerry Washington or Lupita Nyong'o." So, why all the outrage?

Then, I turned on the television a while later to see that the news cycle was practically making an internet meme out of Seattle Seahawks cornerback, Richard Sherman, who, in the process of beating his chest during post game coverage, scared the living shit out of Erin Andrews . As a result of his (sort of understandable) outburst, a few media outlets took to using the word "thug" to describe his on-camera behavior. And the internet, the community, the universe....fucking LOST IT. On one hand, an athlete taunting another athlete after winning a very important game does NOT constitute as "thug" behavior. Does it make him a bit of a dick? Sure, but that can be excused considering he just won a very important game and no self-respecting news outlet should have characterized him the way they did. I mean, let's be honest...I freak the fuck out when I get home from the store and find out that I saved money because the cashier forgot to charge me for my beer. This guy clinched his team's spot in the Super Goddamned Bowl with an epic play that will be talked about for years to come. Also, this isn't really anything new. The Seahawks' secondary has talked so much utterly reckless shit to EVERYONE all season, they may as well be the Floyd Mayweather of professional football.

On the other hand, the countless articles and op-eds lionizing this kid? Bill Maher comparing him to Muhammad Ali? The community (by the way, I am absolutely talking about the African American community...my community) putting this kid on their backs like a dead Russell Crowe at the end of Gladiator? Why? Don't get me wrong. I'm excited for the kid getting endorsements and his team getting their chance to go on to the big show and (personal prediction) get crushed by Peyton Manning, but let's put this in the proper context. Ali stood up against the Vietnam War. Richard Sherman stood up for the greater good of Richard Sherman.

So, why the big deal? Why all the sociopolitical theater? Movie stars, jocks and comic book characters....when did these things become THIS important in black culture? I've always been a little lenient on Hollywood and comic culture giving us black heroes because, as far as I'm concerned, black people already have heroes. Why do I give a shit if Santa Claus is black when Amiri Fucking Baraka was?




Then, it hit me. We superimpose ourselves onto these people, celebrities and larger than life fictional archetypes to build Black Nation up because, now that I think about it, Black Nation is running short on leaders, aren't we? Let's take a good, honest look at the state of things.

We just lost Nelson Mandela and Amiri Baraka. With all due affection for Barack Obama, he has said several times that being President of an entire country doesn't allow him the time nor privilege nor leeway from conservatives to single out civil rights as a cause and he's not entirely wrong. As long as we're ALL in bad shape socially and financially, that has to be the leader of the country's primary focus. And those from the early days of the Civil Rights movement....well, I'm not going to say they're a bit off base, but I WILL say that Al Sharpton is a talk show host.

It's safe to say that I myself have gotten old enough to consider myself a member of a generation that is immensely hard on the generation behind me as far as their resolve in combating racism, but I'm also here to admit that the absence of leadership and isn't entirely their fault. (Because I must clearly hate myself) I was flipping channels, came across The Real Housewives of SomethingOrAnother and decided to keep it there a few minutes. In the duration, a woman, who I was later informed is the granddaughter of Hosea Williams, sincerely thought the Underground Railroad was--I shit you not--an ACTUAL TRAIN. I'm not particularly looking down on Porsha Williams. I am, however, sorely disappointed in those around her in the course of her upbringing. It really does take a village to raise any one child. And her village failed her.

I want it to be clear that I'm not shooting slugs at pop culture or current trends. I enjoy Scandal and football just as much as the next person. I say that to tell you....in fact, this whole post has been to tell you that any movement, any democracy and any group that feels unrepresented ONLY benefits from being well informed. If the youth behind you don't know (what we so affectionately refer to as) "our story"....it's because YOU didn't tell it properly and enforce that it be remembered. Improving any people's way of life doesn't come from going on CNN, telling the to pull their pants up and throw their trash away (I'm looking at you, Don Lemon). It doesn't come from condescending from telling women that what they do with their vaginas knocks their race two steps back (I am absolutely looking at you, "Dr" Boyce Watkins). It comes from knowing who came before them and what they sacrificed for the freedoms you have now. It comes from knowledge. With that knowledge comes pride in their lineage and with that pride comes a lust to preserve it unencumbered by journalist drama queens and bloggers and (becoming) old men like myself telling them what's what. Maybe then, we won't have to wonder why Storm from the X-Men doesn't have her own show or why Mister Terrific's book didn't last a year (probably because it was shitty) or why Kerry Washington didn't win a Golden Globe. Then again, I could be wrong.

Saturday, January 18, 2014

My Favorite Things of 2013: Television

Avatar: The Legend of Korra- Was Book Two as good as Book One across the board? No. But it was still pretty fucking awesome. Switching animation studios was the best thing that could have happened to this show. Episodes 7 and 8 may very well be the best looking episodes ever seen in the Avatar franchise thus far. The writers clearly pulled a couple of "uncharacteristic" stunts with the characters in the first half to shake things up, but the second half more than makes up for it.

The Walking Dead- For a show that never seems to get the comic to tv translation quite right, this show still manages to be the best ongoing survival horror series (maybe) ever.

The Newsroom- The second season of Aaron Sorkin's news media melodrama managed to highlight the fact that a). even fictional liberal media can't ever catch a break and b). no matter how much viewers like him, critics will never be happy with any non-West Wing thing Sorkin ever does "because fuck him, that's why." Granted, I don't agree with changing his format in season 2 just to pacify critics who whine about its preachy tone (funny how those same critics never seemed to have a problem with 24's overall theme of "America is awesome because America"), but the Operation Genoa story arc was a very intriguing experiment in the potential of Sorkin drama (at this point, Sorkin drama is a genre unto itself) to highlight that journalism, in reality, is less draconian and conspiratorial and more incompetent and rushed. Yes, Jeff Daniels, more or less carries this show and sure, there are a couple of plot points that can go ahead and die, but this is still one of the best shows on HBO that isn't Game of Thrones....or Girls....or Boardwalk Empire. You get what I'm saying.

Arrow- This one is on my good side mainly because I consider it like the "most improved student" in the classroom of comic-based media. When it debuted in 2012, I was highly unimpressed with the lackluster pilot and dismissed it. However, I eventually came back to it out of curiosity, shocked to see that, despite a couple of episodes clearly being written by Geoff Johns (I like the guy but Explainer's Disease), the show grew on me quickly. This show is a good example of what I was talking about in an earlier opinion piece when I mentioned that movie/television ideas can enhance a character and make them digestible for the collective consciousness. Although he's a personal favorite of mine, Green Arrow is definitely a character who I've always believed would benefit from some retooling. I think it was a smart move to basically turn him into a primetime Batman surrogate (since it's been plainly obvious for years that DC has wanted Batman on primetime tv soooooo badly). I also like this show because it seems to be every bit as polarizing among fans as Man of Steel was. Arrow is either either fanboys love about comic book television or it's the bane of their existence. My hypothesis is that the nerds who hate it subconsciously hate that it has the stigma of CW tween-vision, land of shirtless men and feelings, hanging over it. But let's be honest; how are the things fans complain about ANY different from Thor or Spartacus which seem to be immensely popular?

-"Oh, it's so melodramatic. It's obviously pandering to women."

Something based on a comic book that's been around since the 40's has "Damsel in Distress Disease" and pretty people in it? The hell you say. How awful. Gee whiz, why can't Arrow be more like Thor, where homely men like Chris Hemsworth stand next to homely women like Natalie Portman who don't ever get themselves into danger, bludgeon their relentless enemies to their vomit inducing deaths and would NEVER spend half of a movie making pouty doe eyes at each other?

You know where I first saw the trailer for Thor: the Dark World? During the previews before Baggage Claim, a myopic piece of syrupy romantic comedy Kool-Aid that my girlfriend at the time dragged me to. You know what other trailers were featured? Black Nativity, a musical bastardization of Langston Hughes' play followed by About Last Night, a rom-com with Kevin Hart in it. I was one of maybe 7 other men in a packed theater. Thor: The Dark World currently holds at 65% on Rotten Tomatoes. The Thor movie before that one is at 77%. I hate to break it to you, fellas, but comic book movies beat you to the pandering punch. Try again.

-"He's always got his shirt off for no reason. And the women always look like models."

Oh, please. Because we all know hit action shows like Spartacus are such winners because the heroes and heroines are all such fully clothed bastions of modesty and virtue. And remind me again how Thor is known for his long sleeved, baggy shirted adventures.

I said all that to say....suck it up and learn to let go. Arrow is awesome.

Saturday, January 11, 2014

My Favorite Things of 2013: Comics and Movies

Movies:

Man of Steel- Oh, goddamn, I love this movie. Superman's return to the big screen is one of my favorite things to happen to nerd media in a while, but not because it was the best comic book movie DC has to offer. It wasn't. It was orange and strangely paced. Zak Snyder's incarnation piqued my interest mainly because it was one of the most divisive film among nerds I've seen in years. They either LOVED this movie or completely LOATHED this movie. The fact of the matter is the love or hate for Man of Steel is completely dependent upon what kind of Superman you think Superman should be. If you think Superman should be a wise, alien demi god who gets everything right when nobody else can or should, then you may cringe a little watching it (although, let's be honest...Zak Snyder Superman is set up to be, more or less, the DC version of Chris Evans Captain America and that's worked out so far). If you're okay with a story about a guy who falls right off the "new guy on the superhero block" tree and hits every branch, car, building and orbital satellite on the way down, you'll fit right in with this one.



Gravity- This one gets special mention because I was so skeptical going into it. On one hand, I've never hated anything I've seen from Alfonso Cuaron, so it wasn't like watching a M. Night Shyamalan movie where I have ALMOST EVERYTHING HE'S EVER DONE to hold against him. On the other hand, I wasn't exactly sold on the idea of Open Water...In Space. With that said, this one pulled me in almost immediately. I'm not even going to waste a lot of time harping on how gorgeous this movie is or the fact that this is ONLY movie I have EVER liked in 3D because these are obvious things for anyone who watches this movie with eyes and a brain. First of all, I didn't know there were so many Sandra Bullock haters and I'm not sure I understand why, but let me be the first to invite them all over for a family sized helping of "Stop That Shit." There's pretty much nobody else in Hollywood that does "Everyday woman in a supremely fucked up situation" quite like Sandra Bullock (except maybe Anne Hathaway...maybe). I'm unashamed in saying that this is easily one of the best "...in space" movies in years. You know you have a good movie in your hands when Neil Degrasse Tyson can write a days long Twitter dissertation about all of its scientific inconsistencies....and he STILL loves it.

Comics: 
"Yes, I'm breast feeding. Yes, I'm okay with that."

Saga- After all the praise I've given this book via reviews, I really shouldn't have to praise this book ever again. But I will anyway. In a year's time, I've told probably every person I know who would actually listen to me talk about comics (or anything, really) to read this. Brian K. Vaughn and Fiona Staples' space epic dwarfs pretty much anything else happening in comics right now. Vaughn does something here that not every writer can do: He succeeds in making an intergalactic story accessible and relatable while still maintaining a sense of bizarre sci-fi without it ever falling flat (Take notes...I'm looking at you, Thanos Rising). When it's exciting, the action practically turns each page itself. When it's weird, the artwork is practically weird enough to leap right out of the panels and slap you with a rubber dildo while still not chasing you away. The engaging character development is the closest I've seen a comic book come to being on par with television shows like Breaking Bad and Walking Dead (on its good days). If it keeps going at the quality it's at now, Saga will go on to be talked about in the same conversations as titles like Transmetropolitan, DMZ and Y The Last Man (another Vaughn book).


Hawkeye- Quiet as kept, since Daredevil: End of Days (by David Mack, who praised my blog, by the way...I'll probably NEVER stop talking about that) wrapped up, Matt Fraction's Eisner Award winning story about what Clint Barton does when he's not being an Avenger is probably the BEST thing Marvel has in its arsenal. If you've seen the Avengers movie (and honestly, even if you haven't), you don't need to know much about this character going into it. Clint Barton is an Avenger, he has a bow and arrow...and his personal life is kind of a mess. Except for the Avenger part, everyone knows a guy who's kind of a sad case like Hawkeye and that's the vibe that powers this book through each page. Also, Fraction's characterization of Kate Bishop, Hawkeye's apprentice/bff/little sister figure/handler, makes me think that a). she should have a solo title (which she kinda does at times in this book) and b). should absolutely be played by Ellen Page if the opportunity ever arises.