The Week In Geek 2/4/15

This week, Netflix announced they're developing a Legend of Zelda live action television series. It's awesome that this came along in the wake of the Daredevil trailer because it sends a strong message that Netflix wants to be in the nerd business in a big way. These sort of projects have way more opportunities than they did when I was growing. I remember when we were stuck with Captain Lou Albano as Super Mario inviting pro wrestlers and Cyndi Lauper over to his fake house in between short Zelda cartoons (remember when Link was basically a rapey dudebro with a sword?).

Also, Brian Bendis announced he'd be leaving the X-Men books after he finishes the current arcs. Despite my being a huge Bendis fan, I think it's good that he's getting out. The longer a high profile writer stays on a book, the stronger the trolls get. For everyone out there that exalts Chris Claremont for his tenure on X-Men, there are people (like me) who struggle to understand what the big deal is. My only regret is that it looks like he won't get around to explaining how the hell Charles Xavier got into bed (literally) with Mystique.

My comic reviews for the week are up and available on Black Nerd Problems for your viewing enjoyment. Feel free to like, share, comment or whatever makes you happy. This week, I took a look at....

Batman Eternal: ACO's art was incredible this week. Great follow up to David LaFuente's turn at bad. As far as the writing, I ge t that there's the impulse to throw material at the reader rapid fire to close all accounts, but this sort of thing got easily convoluted in the middle of the series and you definitely don't want anymore tangles in the cords towards the end.

Star Wars: Considering the fact that John Cassaday managed to crank out not only one but two books on time (early, in fact), it's only appropriate to say that lightning has offcially struck twice with this book. It's very quickly becoming one of the absolute best titles in comics. Jason Aaron's Darth Vader is just about pitch perfect right down to his asking Luke Skywalker "Who sent you here to die like this?" 

The Week In Geek 1/21/15

So, this week Marvel broke the internet by announcing that the "end of the Marvel Universe as we know it." It turns out the end of Jonathan Hickman's run is the prologue to Secret War, which will put the 616 Marvel U and the Ultimate Universe in "Battleworld." The outcome will be "All New Marvel." People should really calm down. It's highly doubtful Marvel will do a full reboot and risk sucking like DC's New 52 did for the first year or two. At best, this is just going to fold a few Ultimate characters into the 616 and by "a few Ultimate characters," I'm really talking about Miles Morales Spider-Man. After all, the Ultimate line spent so much time killing their characters, there's not a whole lot of them left to throw into 616 continuity. Marvel's gotten pretty good at "soft" reboots, so I say it's not going to be that big a deal.

My reviews for the week are up and available on Black Nerd Problems for your viewing pleasure. As always, feel free to like, share, comment and share again at your leisure. This week, I took a look at...

Batman Eternal: As much as I LOVE this book, this week's "thing" is The Whole Thing with this series. The writing has mainly been consistently good and running according to Scott Snyder's master plan. Now, it's great that DC is letting some different talent get their feet wet on a medium to high profile series and all, but getting experimental with the artwork is always going to be the thing that makes or breaks this book. Putting three different people with prevailing weaknesses in their styles on the same issue just turned out to be a profoundly bad idea.

All New X-Men: It's nice that Bendis' story arc has picked up speed again, but I can't help but feel like Marvel kinda took the wind out of this plot's sails by announcing that they're about to phase out the Ultimate line completely (I mean, let's face it....Ultimate Spider Man's the only book that isn't absolute trash anyway, so...). The crossovers aren't as exciting when you know they're going to meet again soon anyhow. And Young Jean's transformation from "a hair's breath away from losing her shit, going Phoenix and ending mankind" to "Damn, I have to do absolutely everything around here" is a little bizarre. I do like that Bendis has taken this opportunity to give agency to a character that, historically speaking, hasn't had a whole lot in the past. On the other hand, it's kinda diminished some really strong characters that have to stand next to her (Professor Kitty, for one).

The Week In Geek 12/17/14

My comic reviews for the week are up and available on Black Nerd Problems for your viewing enjoyment. As always, feel free to click, like, dislike, agree, disagree and share at your leisure (and your supreme leader's bidding). This week, I took a look at.....

Batman: I love what Scott Snyder's doing with what I call "The Last Joker Story," but I have to say I feel bad for whoever has to come after him. It was a couple of years after "Death in the Family" before Snyder himself could use Joker again just to give him the proper gravitas. If Endgame is headed towards an appropriately horrifying conclusion like I think it is, it's going to be tough to follow up.

Batman Eternal: So, the issue slowed the main plotline down a little bit, but the creative team definitely has a better handle on juggling multiple storylines. However, Jason Bard's character feels a little too whiny now that he doesn't have any real power and basically bungled his takedown of Batman. It was a good move to create some degree of sympathy for the character, but this version of Bard that seems to kick himself when he's down and is desperate for friends now that he's fucked up is a little depressing.

All New X-Men: For a story that has been moving so slowly, this book is SUPER entertaining. Young Beast taken captive by Doctor Doom, spilling his feelings for Jean Grey is worth its weight in gold. And Young Iceman versus the Mole Man's monsters was outstanding. Young Bobby Drake is proving to be this book's Spider Man (because every Bendis book needs a voice like Spider-Man's).

The Week In Geek 11/19/14

My reviews for the week are up and available on Black Nerd Problems for your viewing pleasure. You know the drill. As always, feel free to love, hate, comment, like, share as you see fit. This week, I took a look at.....

Uncanny X-Men: Brian Bendis' work doesn't move as fast for some as they'd like but honestly, I think this particular story arc is probably the strongest structured of his tenure so far. I really do hope both X-titles delve more into the Fall of Hank McCoy. It's actually reminiscent of Doctor Strange's arc recently where he started channeling the Dark Arts to be more powerful which was awesome (would have been more awesome had Marvel not done that already during World War Hulk). This story has been powerful because we've seen certain characters (Cyclops, Iceman, Beast) at their most vulnerable and in a book where the principle characters are basically family, that's an important aspect to show, moreso than these grand, repetitive action beats every 9 pages.

Batman Eternal: You would think Batman would have learned his lesson with making heavy artillery for all these Defcon 1 scenarios just for someone to steal from under his nose. Alas, Gotham is under siege once again thanks to a Batman plan. And, of course, Wayne Enterprises is going to up to its nose in legal red tape because Bruce Wayne funds Batman Inc. And Batman wouldn't be Batman if he didn't leave Lucius Fox holding the bag.

The Week In Geek 8/27/14

So, one of this week's Geeky Things That People Were Talking About was the announcement that, Donald Glover, to the apparently overwhelming joy of Twitter, will be voicing Miles Morales in an episode of Ultimate Spider-Man. On one hand, it's cool that the social media campaign that inspired Miles in the first place gets a (kinda) win in seeing their idol on screen in some form. I'm just not entirely sure this is that much of a "win." Mainly because Ultimate Spider-Man is a uniquely awful half hour of television. The thing that makes it so notably bad is that a). Spectacular Spider-Man, a perfectly decent show got bumped for this and b). it's a titled after a Brian Michael Bendis work but follows it in the same way the latest batch of X-Men movies follow the comics (meaning there are characters with similar names and attributes, but aside from that....nope). I could go into everything this show does wrong but I digress. Donald Glover.

I'll say this for Marvel: They draw we better
edge-ups than DC (sorry, Mister Terrific).

Let me just say right away that I like Donald Glover. As this is being written, I'm actually listening to his Because the Internet album. I respect that he (as I've found out in the past couple of months) has a fanbase that is, to say the least, rabid. So, I don't have any personal distaste for the guy (I'm really trying hard to save myself any fan backlash here because I've seen them in action).

With that said, he's no Spider-Man, cartoon or otherwise. Black, white, whatever...there's a certain atmosphere of iconic, dormant heroism to everyone to play/voice Marvel's poster child. Tobey Maguire had a wide-eyed, nebbish Luke Skywalker quality to him. Andrew Garfield is a dorky smartass more like the Ultimate Peter from the comics. Even Christopher Daniel Barnes from the animated series that dominated most of the 90s had an unassuming everyman quality. Donald Glover is....well, Troy Barnes. Putting Troy Barnes in a Spider-Man costume is nothing less than fan service. And that's okay. With superhero comics, if they run long enough, it's inevitable that they're all subjected to a degree of fan service. It's just that sometimes, that works out for the better (Dick Grayson as Batman, Bucky Barnes as Captain America, Wolverine being on virtually every major Marvel team possible) and sometimes you get Childish Gambino being snarky in a Disney cartoon for 30 minutes.

Then again, I really could have stopped this little analysis at "Ultimate Spider-Man is a uniquely awful cartoon" anyway.

Anywho, my comic reviews for the week are available on Black Nerd Problems for your perusal. As always, feel free to comment, like, share and troll as you see fit. This week, I took a look at.....

All New X-Men: I have to say that I like the groove Bendis has found for his take on the X-franchise. The Original X-Men are at their best when they're getting into trouble while the staff isn't around. I like the direction of the whole "different factions fighting for different aspects of the dream" thing, but the Originals, not having all of that baggage, serve as a nice break from all that without completely departing from it either.

Batman Eternal: Finally, some major plotline payoff!!! This is definitely one of the top 3 best issues of the book. James Tynion IV did a pretty good job of balancing all the plotlines he had to work with. Granted, he conveniently didn't have as many to juggle as pretty much every other writer has, but still. Masterful job getting to Gotham's big upheaval. I'm VERY excited about what's next.

The Week in Geek 8/13/14

My comic reviews for the week are available on Black Nerd Problems for your viewing pleasure. As always feel free to like, share, comment, fling poo at anything you love or hate. This week, I took a look at.....

Batman Eternal: Just in terms of going from last week to this week, this has mainly gotten back to being a good book to look at. A story that was mainly about Batman skulking around in the sewers looking for a killer shouldn't be so visually vanilla. This week was a huge improvement....except for two things.

First of all, this is the second week in a row where this book has made Jason Bard look like a complete doofus for the greater good of making Batman look cool.

Look at this:

You've got Batman going all headfirst into action. Killer Croc looking as menacing as ever like he's about to "Hulk Smash" whoever the fuck they're about to fight. And there Jason Bard, Gotham's new top cop, carefully rappelling down the fucking chasm. Granted, there's virtually no way to make a regular guy look cool while climbing, but still. They couldn't have given him a rope or something?

Second: Red Hood's mask. This is a problem and I'm not sure why its disquieted my soul so thoroughly but, goddamnit, it has. It's just gaudy as fuck. I mean, look!!!

You can't tell me that doesn't provoke some questions. Does it mold to his lips? Does he talk through the mouth? Is that mouth supposed to be  moving and we're missing it? I shouldn't be spending this much time asking this many questions about a mouth that doesn't belong to Rosario Dawson. I'm just sayin. Fix this shit, DC.

Batman: Okay, this is a nice way to follow up Zero Year. Instead of throwing us right into the next thing, Scott Snyder and Gerry Duggan give us a grace period and use this mainly one-shot issue to get us used to not having Greg Capullo around. Duggan's style is tailor made for hard boiled detective shit which is exactly what Bats gets down to here. I'm very much looking forward to what this creative team has in store.

All New X-Men: I thought I was going to miss Stuart Immonen on this book because, as much as I love Brian Bendis, he did the title a lot of favors visually. But Sara Pichelli has taken the torch and carried the fucking thing like she's been there all along. There are going to be some people that don't like this book because they feel every issue of a superhero book HAS to be about people beating the shit out of each other (though, in fairness, it's been so long since the X-family got along, readers might have forgotten what that looks like and doesn't really know how to respond). This is really no different than an episode of a television show devoted to character development. If you can sit through a whole hour of Heisenberg trying to kill a fly, I don't see why you can't read through this.

And now, in closing, the most awkward but necessary transition EVER....

So, with the turmoil in Ferguson and the untimely departure of Robin Williams, it's safe to say that this week was a particularly maudlin one. This doesn't have much to do with comics and I hate to feel like I'm ambushing you guys with some soapbox shit at the end of an emotional week, but suicide strikes a certain nerve with me, so you're gonna have to bare with me today.

If you know someone who's having a tough time to a point where they might consider hurting themselves or if you're having a hard time, hear me now. Tell someone. Tell anyone. Tell me if you have to. The only way we make it to tomorrow is together and trust me when I say this: We Want You Here. There's too many wonders in this world for us to not want to share them. There's no shame in reaching the end of your rope if there's someone waiting at the end of it to catch you. Don't let the darkness consume you. Don't wait. Don't stay silent. Don't hesitate. There's love all around if you look for it. 

1-800-273-TALK
suicide.org
crisistextline.org

The Week In Geek 7/30/14

I'll have some San Diego Comic Con follow up stuff ready to go for you guys tomorrow since people asking me about certain events took up the better part of my time this week. It's flattering and a little surreal that you people seem to care so much about my opinion on these things lately. I literally can't even go on a date these days without running into a reader who says some shit like "Hey, man, your whiskey sour is on the house....but you're dead wrong about X-Men this week." Anyway, my reviews for Black Nerd Problems are up and available for your viewing pleasure. Feel free to click, share, comment and troll at your convenience. This week, I reviewed....

Batman Eternal: Listen, folks, I know this book, despite my praising it, has had some problems along the way, but this Ray Fawkes and Dustin Nguyen fall very perfectly into this supernatural, "creepy shit afoot" groove with the greatest of ease. Bringing back the Roman was awesome early in the series, but making Deacon Blackfire matter again is setting up to be a good look. I could definitely see the events of this storyline spilling out into the rest of the Bat-books just in time for some fun Halloween related books.

Uncanny X-Men: Listen, not only is this book back to being brilliant, but it's surpassed its previous brilliance. The thing about X-Men books in general is that there are often times when they work better not focusing on superhero antics. Their whole thing is making the public perception of mutants a little more upbeat, but they don't get to do that very often because most of the time, they're fighting with each other on one level or another. And even if they're not fighting each other and actually saving the world, they take it on the chin so often, they never really get around to changing minds. I think Bendis understands that X-books are at their most poignant when they centered around the idea of the X-Men as a family...sometimes fractured, always dysfunctional.

The Week in Geek 7/16/14

A few things this week....

If you're interested and not already tired of hearing about the new Thor, I wrote an article about why some of the outrage is....well, stupid. It hasn't even been a week since the news got out and I've already talked about Thor enough to last a lifetime. I honestly believe the trolls were only rubbed the wrong way because Marvel made a big deal in the press about it. If this had just been a par-for-the-course part of Jason Aaron's story arc, I'm pretty sure it would have gone unmarked or at least been a lot more low key in making its rounds in the press. But if you really want to talk about Marvel and making statements about gender or, according to some, "forcing them down our throats"....I think this would be a good way to go about it. If you really want to appear open minded about women in superhero comics, sure, you could make "that" statement quietly and create an alternative "that" audience can pick up over here in "that" little subsection where it won't bother your primary demographic. OR you can take a character who (let's face it), despite his corresponding movies basically being romcoms, is the quintessential avatar of all things stereotypically "manly", move him to the side and (this part is pure conjecture because we haven't read it yet) give all of those qualities to a woman. Why? Because making sociopolitical statements are only truly effective when you've shoved it in someone's face and made them uncomfortable. Otherwise, why even open your mouth? But I could be wrong.

I also wrote an op-ed on the treatment of women in Nerd Culture. By the way, let me just thank the trolls for giving me a break on that one. As I'm writing this, the Thor article has been out for barely 24 hours now and you're already going to work. I can't combat the ignorance on two fronts.

In addition, my reviews for the week are up and available on Black Nerd Problems for your viewing pleasure as well as your scorn and derision. Whatever comes first. This week, I took a look at....

Ms. Marvel: I genuinely don't understand the whole "Instead of changing a popular characters' gender, just make better female centric books" complaint when you have a book like this on the shelves (or Black Widow or the all female X-Men book or the Mighty Avengers book where women on the team outnumber men, etc.). This is easily one of the BEST books in comics this year without question. Teaming the perpetually hopeful Kamala Khan up with curmudgeonly ass Wolverine was a brilliant move on G. Willow Wilson's part. I'm more excited to see if Wilson facilitates the inevitable team up with Captain Marvel, her favorite her.

Batman Eternal: Not much to say outside of the review this week, but this was mainly a fantastic way to start a new volume of the series. And bringing in Dustin Nguyen is always a plus. I'd pretty much call him one of the quintessential Batman artists of the 2000s. His use of shadow and anime-esque art deco type lines have always stuck out to me and made for a dynamic read.

Uncanny X-Men: Now, THIS is how you bounce back after a lackluster issue. Brian Bendis and Kris Anka make such a good creative team, I hardly recognized this book from the previous run. I was really impressed with the clean, drastically different style employed here. As much as I love Chris Bachalo, the "Vs. SHIELD" story had a lot of chaotic moments that made it easy to get lost in the action. Anka's clean, straightforward panels are reminiscent of Chris Samnee's work on Daredevil....which is always a compliment.

Stuff I Read This Week 6/18/14

My reviews for the week are available for you internet adventuring/critiquing/trolling pleasure on Black Nerd Problems. Visit, comment, say hello, pass it around at your leisure. This week, I looked at....

Batman Eternal: I realized that my review for this book has basically become my weekly column for BNP. When you look closely enough, a weekly comic can be like a master class in everything that can go right AND wrong. As much as I love this book, it's been something of a balancing act. A lot of the reason what bring you to this book is Scott Snyder's basic plot. What's got to find some normality is the visuals. Don't get me wrong: Ian Bertram's artwork was fucking awesome and you can never go wrong when your primary influences are Frank Quitely and Robert Crumb. But last week's artwork was such a travesty, it's going to take at LEAST three weeks of strong visuals to make up for it. For the most part, the story/script is strong enough (even when it's cramming a lot of material into one issue) that it keeps things going. Even good television shows have episodes that aren't as strong as others, but don't take away from the overall quality of the series.

Uncanny X-Men: Okay, it's no secret that Brian Bendis is probably one of my favorite writers. His voice for a lot of characters is very distinct and entertaining. Having said that, he dropped the ball this week. The "big reveal" of the villain was an utter fail. First of all, it was as if they spun a game show wheel at the Marvel office and THAT'S what they came up with. Second of all, if that's who he came up with, there was so much potential for symbolism and dialog about the duality and Beast having to face the fact that he's the center of so much going awry in the X-family lately (being that he's the one who brought the Original X-Men from the past and now, for some reason, he doesn't know how to send them back). Instead, all this got swept under the rug in favor of a satisfying but rushed quick fix resolution.

Stuff I Read This Week 6/11/14

My comic reviews for this week on Black Nerd Problems are now up and available for public consumption.

Batman Eternal: Okay, I think I'm developing a crush on this book. I mentioned this in the review, but it's sort of addictive in the same way a weekly television show is. One problem is that there are issues where it feels like it crams an hour worth a material into a half hour format. This can be disorienting depending on who's handling script duties that week, but it's sort of a minor problem so far. I can see that the REAL issue with this book from week to week is going to be artwork. Different artists trying to maintain the same aesthetic has has mixed results at best. The visuals have been mainly fantastic lately, but this week's character designs were unforgivable. This is still a solid book, but being a weekly title sort of subjects it to having more issues than a conventional monthly or biweekly book.


All New X-Men: This has been a strong book from the start but this particular run is stellar. It's a really great balance of action and exposition. As much as I love Brian Bendis, he has a habit of leaning heavy one way or the other. He did a great job of keeping things exciting while giving some real gravitas to Charles Xavier Jr (they've REALLY got to come up with some kind of codename for that guy).

Uncanny X-Men Special: Look, I'm not bashing this book, per se. You'll know when I'm bashing a book. It's very apparent. So, no, I don't hate this book. It's really funny and it's a good example of maintaining elements of another writer's aesthetic. But the first issue of any good comic should be the one that justifies the book's existence. It should say right away, "This is why I've gathered you all here today." This book didn't. I hope it at least tries to not seem like a cash grab and an excuse to put Iron Man in stuff (since his own book was a very well put-together "meh" the last time I read it).

Stuff I Read This Week 4/2/14

Aquaman and The Others #1: Well, Geoff Johns kicked off the New 52 by doing what once seemed impossible on two fronts: keeping Green Lantern awesome, making Justice League silly and unreadable while making Aquaman, of all characters, fun and engaging AT THE SAME DAMN TIME. Right out the gate, Johns made a hero who'd been a well documented running joke in pop culture matter again. More than that, Aquaman has kept a title consistently now for two years which is better treatment than he's gotten in some time. Well, it seems that this has given rise to a comic equivalent to the Curse of the Bambino. Johns left Green Lantern and in his place is Robert Venditti who is....well, trying his damnedest.

And now, This Week In Things We Didn't Ask For, DC has seen fit to bless us with another Aquaman title with questionable results. It's appropriate that this book is titled "Aquaman and The Others" because that's precisely how treated Arthur Curry's supporting cast. His comrades, despite some a couple of enjoyable action here and there, feel terribly vanilla, uninteresting and their introductions do almost nothing to deviate from conventional "assemble the team" opening cliches. By the way, Prisoner of War might be the WORST codename of all time. I understand that this title picks up where Geoff Johns' second arc left off, so some degree of a refresher course is, of course, necessary, but the fact that we KNOW these "Others" know Aquaman as well as the events of past stories make his explanation feel awkward and shoehorned. It's sort of farfetched that there's a part of America that's so "middle of nowhere" that someone wouldn't know Atlanteans tried to flood the country. Meanwhile, the book comes across with a nasty case of multiple personality disorder. It meanders, not knowing whether it wants to be a superhero team-up or some globetrotting Johnny Quest-esque action/adventure. There's potential here, but first there must be an identity. 

Lan Medina pencils certainly work in the book's favor, however. The action is engaging and fun thanks to his unique sense of perspective and moments of urgency. During the fights, you can easily tell when some attacks are loosed more fiercely than others and at no point are you confused about where characters are in the fight.

Bottom Line: It'll be an interesting book to read once it figures out what type of book it's going to be. Kinda like Kanye West. Until then...meh. 6.5 out of 10

Ultimate Spider-Man #200: The Ultimate Universe has carried on for just about 15 years now. There have been some particularly high points, many of which have greatly influenced the Marvel Cineverse. There have also been a substantial number of low points (I'm mainly looking at you, Ultimates 3) from a black, drug lord version of the Hulk to Ultimate Mister Sinister basically being a pokemon that levels up to Ultimate Apocalypse. The line has manage to go through several overhaul, limping on while one book in particular has consistently stood out and maintained a pretty high standard sometimes outdoing it's 616 continuity counterpart: Ultimate Spider Man.

Three years later, Bendis writes a fitting goodbye to Peter Parker, who sacrificed himself valiantly defending his family against a last ditch effort from Norman Osborn. This issue sees Aunt May inviting Peter's closest friends over to celebrate their fallen friend. This brings about a hefty cast of characters in a single book which would usually end up being problematic, but Bendis handles it as well as could possibly be expected. This, after all, is where he should excel if nowhere else. The man raised this book like a baby so it makes sense that he would have such a masterful handle on these characters. Bobby Drake, Johnny Storm and Kitty Pryde, for example have all been principal characters in other Ultimate books, but it's alongside Spider-Man as his amazing friends (see what I did there?) where they've truly shined with some of their best moments in this universe. There have been superhero books where he would have a lot to exposition, conversation and character development without much action which, admittedly, is not always what someone reading a superhero book expects when they pick up an issue of the Avengers or something of that nature. However, this book pulled off being a meaningful page turner full of superheroes without a single fight....and with a hilarious Tony Stark moment. With such a Who's Who of artists as Mark Bagley, Sara Pichelli, David Lafluente, Mark Brooks and Andrew Hennessey working on this book, it almost goes without saying that the visuals were stunning.

Bottom Line: A gorgeous, heartwarming remembrance of Ultimate Marvel's flagship character. 9 out of 10

Stuff I Read This Week: March 5, 2014

Jupiter's Legacy #4: Mark Millar sure takes his time getting a book out which is probably what loses some of his readers. Be that as it may, many of his books tend to be worth the wait in the long run....most of the time, anyway (sorry, Kick Ass 3). In the case of Jupiter's Legacy, I think I can find a way to forgive him.

This issue picks up nine years after Walter Sampson orchestrated an epic coup against his revered superhero brother, the Utopian. The fast forward gives an abridged tour of a more totalitarian sort of world in the wake of the "supers," also introducing yet another generation of hero to Millar's saga. This installment makes the lofty generational sprawl he's shooting for obvious, mirroring that of ancient Roman mythology. There will be readers familiar with his previous work who will be somewhat unimpressed by the deconstruction of superhero culture since Millar seems to have practically made his own genre out of it at this point. However, Jupiter's Legacy seems to hold up pretty well if you don't hold his other books against him.

Though Millar's plot might be divisive among some readers, Frank Quitely's artwork is beyond undeniable. Anyone who's read All Star Superman will tell you that Quitely is king when it comes to broad landscapes, broad shoulders and viceral battles among godlike beings. His rendering of a brave new world under the rule of the supers is absolutely beautiful and takes up a good deal of the issue which works well in it's favor.

Bottom Line: If you're not burned out on Millar's brand of superhero story telling, this is definitely a gorgeous book worthy of consideration. 7.75 out of 10.


Uncanny X-Men #18: Brian Bendis' run of All New and Uncanny have received a lot of praise from me over the past year and rightfully so. With the years of backstory to sift through and team rosters that rotate more than Taylor Swift's dating schedule, it's nice to have a set of X-books that are accessible to anyone who wants to dive right in and get a decent read without consulting Wikipedia every ten minutes. They're funny, relatable and easy on the eyes. Having said that....

...this issue isn't Bendis' best work. It has the best of intentions, trying to be equal parts chronicling the some moments in the arrival of the Original X-Men to the New Xavier School, catching awkwardness between Young Cyclops and Old Cyclops, and catching Old Scott's reaction to the disappearance of the Kitty Pryde and the original five. The flashbacks and flashforwards just aren't as tight here as they should be. The issue meanders with little direction, dipping out of one plot point and into the next almost randomly. Still, there are some instances in the story that makes this very random rollercoaster worth the ride. Watching Kitty and Cyke hash out their guilt over the death of Charles Xavier was an intriguing piece of reading. And Emma Frost's Jean Grey issues are always nothing short of hilarious. However, this issue in particular doesn't leave a whole lot of air in the room for the young recruits which is weird considering they're a man short as of the issue before.

The art in this book has been eclectic to say the least and Marco Rudy seems to keep that tradition going very well. Using Cyclops' recently uncontrollable optic blasts as borders between panels is a stroke of genius. And every unorthodox panel seems to jump right off of the page thanks to Rudy interchanging inks and watercolors.

Bottom Line: A wonderful, good looking concept....that feels really rushed in execution. 7 out of 10

Stuff I Read This Week: The Stuff Returns

Guardians of the Galaxy #12: Refresher: In case you've missed it, Original Jean Grey (from the first days of the X-Men) is stuck in the present day, learning about the checkered future ahead of her. Of course, the Shi'ar is still pissed about how she grew up to kill a few planets...so they'd like to "talk" to her about that.

Marvel's crossover events don't always hit the bullseye the way they should (looking at you, Age of Ultron) and sometimes, if they go on long enough, they seem to lose steam (that means you, Battle of the Atom), but this one seems to have a wild card in that regard: Brian Michael Bendis. "The Trial of Jean Grey" story arc takes two titles that have flourishes during the Bendis era and amplifies the things that work the best about his books in particular. He likes to go back and highlight certain aspects of superheroes that comics, in their long history and often fast paced nature, glaze over.

Anyone whose read any X-comics in the past couple of years can see that Cyclops clearly has prevailing daddy issues (He's all "wah wah, my daddy was dead and then in space"....pussy). Now, it probably wouldn't be a great idea to have Grown Up Cyclops pissing and whining about his father, but watching Young Scott Summers experience catharsis while on his way to fight space aliens to save the future love of his life? Yeah, that might be kinda awesome.

Still, the BEST part of this issue was watching Gladiator and the dissent in the ranks of his Imperial Guard. Oracle is an intriguing character and works well, unwittingly serving as the Gladiator's nagging conscience. That'll definitely be a lot to see play out in the last two issues. Sara Pichelli and Stuart Immonen's respective art styles play well off of each other. Granted, Pichelli did the majority of the pencils, but the expressive faces came in very handy for this issue which featured some pivotal emotional responses.

Bottom Line: Although it took four out of six issues to get down to the titular event, Bendis has made some rather entertaining detours that make for an engaging crossover. 8 out of 10.

Origin II: Refresher: A look into the early beginnings of James Howlett aka Logan aka Wolverine's time in the wild, led to believe his feral nature left him unable to belong among civilization.

Okay, quite honestly, I have NO idea why this series needs to exist. In the past ten years or so, Wolverine has gone from being an enigma to being the most mysterious figure in the Marvel Universe that we know damn near everything about. We've seen some backstories in the past year that we were better off not knowing (Thanos Rising) and others that work purely off the steam of a good writer's fresh eyes (Batman's "Zero Year"). If ever there were a comic book character who NEVER really needs another flashback story ever again, it's Wolverine.

Having said that, this follow up to the decade old Andy Kubert masterpiece "Origin" is actually pretty good. In for Paul Jenkins is Kieron Gillen at the helm with Andy Kubert's artwork duties passed on to his brother Adam. The result is pretty satisfying. For the most part, it picks up where the first one left off with Logan silently living in the wilderness with wolves. However, as anyone who has ever read a Wolverine comic knows....peace doesn't last very long for this guy. This issue in particular highlights the bond forming between Logan and gentle hearted animal tracker, Clara as well as Victor Creed, the callous tool who come be known as Sabertooth.

This is an enjoyable read with framework comparable to that of Tarzan or maybe even Princess Mononoke. It serves as a nice break from the psuedo-superhero/father figure of the Jean Grey school we've known from recent years and reminds us of what's most intriguing about Wolverine in the first place. Adam Kubert's pencils manage to maintain his brother's aesthetic tone. Every panel looks extremely clean in a very old fashioned way we don't see very much of these days with some of the best facial expressions I've seen all week.

Bottom Line: Even though the concept as whole feels extremely "been there," it's still a really good read. 8 out of 10

Stuff I Read This Week Episode 21 or Ridley Scott Should Buy Us All Comics As An Apology For Prometheus....

The Wake #3: This is quickly becoming one of my favorite books to pick up because it does sci-fi horror better than a lot of sci fi horror films (I'm looking at you, Prometheus AKA The Dumbest Scientists in the Universe). With the right writer, it's pretty hard to fuck up an "scientists trapped underwater with a killer sea creature" concept. There are ten issues in this series, it's issue three and we've already entered the "Holy Shit" phase of the story.

The evil-mermaid-sea monster-thing has gotten loose to the surprise of no one and has Dr. Lee Archer and the rest of her crew on the run. The strongest aspect of this book gets much stronger as the spotlight is placed heavily on the claustrophobic tension of this quickly escalating situation, reminiscent of Alien (as I mentioned in the first issue's review). Archer's survival meets sympathy attitude makes for an enjoyable female lead, but the MVP award for this issue has to go to the prize hunter, Meeks. Anyone who was a fan of Robert Shaw's character in Jaws will get a kick out of Meeks' "fuck yeah" moment here. There's a little more exposition in this issue than you would normally want out of a story like this, but yet again, Scott Snyder manages to keep the book moving while maintaining tension. Sean Murphy's attention to detail only gets better as the series goes on. Mix that with Matt Hollingsworth's coloring and you have one of the most consistently gorgeous books running right now. Every moment on most panel turns you into an asshole movie goer, virtually screaming at every page, "Oh my God...GET THE FUCK OUT OF THERE!!!!"

Bottom Line: This book is going from good to great in no time at all. Shit is getting creepy really quick. This is what you should be setting your calendar for each month. 9.5 out of 10

Guardians of the Galaxy #5: Okay, in a way, this book has double duty. In addition to the pressure for it not to suck because it's going to be a movie pretty soon, it also has to successfully shove Angela, Spawn's angel girlfriend (or whatever) down our throats. Fortunately, it has succeeded on both counts so far.

Since they've been in space doing space shit, The Guardians don't know that time and space have become slightly unglued because people on Earth keep fucking with it and there's no such thing as Doctor Who in Marvel continuity. Basically, this issue sees our heroes catching up with the major events going on in the rest of the universe which is a strength and a weakness. If you didn't read Age of Ultron (which you really shouldn't unless you're trapped in line at the DMV), you're not going to have any idea why any of this is happening. Brian Bendis actually wrote Age of Ultron and I'm convinced that HE doesn't even know what happened. Nonetheless, he seems to have plenty of fun with his characters leading up to the confrontation advertised on the cover which, by the way, was satisfying enough. The addition of Iron Man to the team has been a welcome one thus far. It was a good idea to have a more familiar mainstream hero be our guide through the rules and pitfalls of Marvel's galactic continuity, someone we can discover (or for more seasoned readers, rediscover) comic book outer space with. Bendis has really succeeded in giving these characters distinctive voices that manage to make you laugh and make you slightly uncomfortable at times as good characters should while still driving the plot forward this time around. Sara Pichelli's artwork serves its purpose well enough, but I really wish she wouldn't leave the backgrounds so lifeless during close-ups. It makes some of the more serious moments a bit cartoonish like something I would expect from Deadpool.

Bottom Line: Even if you're not up to date on current events in the Marvel U, this is a good book in a good series serving as a crash course for the developing movie event. 8 out of 10.

Uncanny X-Men #9: Well, I'm really glad this book has picked up speed again. The whole "X-Men vs Hell" story had me a little worried, but Bendis has managed to get back to what readers seems to like about this title: Outlaw X-Men versus S.H.I.E.L.D. Continuing where we left off last issue, we're reintroduced to long time X-Man and former disco performer (No, I'm not kidding), Dazzler working for Maria Hill and being a lot less perky than the heroine we're used to. I'm interested to see whether or not Brian Bendis will elaborate on what's happened since we last saw her that would bring her to the government's doorstep for a makeover into, as Cyclops called her, the "Uncle Tom of mutants." She doesn't seem to be a completely treacherous character here, but considering her treatment of underage detainees, it's easy to see where both sides are coming from. Bendis does what Bendis does best here: characterization. Scott Summers' young recruits find a little more of an identity in this book. We especially get a nice "coming of age" moment here with the Stepford Sisters discovering togetherness in their budding individualities. It's very refreshing to have such strong growth in new characters, offering endearing, lighthearted moments while maintaining this book's status as the "Dark Avengers" of the X-Universe. Though Chris Bachalo's style took some getting used to for me with this title, his designs are really interesting and his willingness to use all of the space is nice. However, the panels that deal with a larger cast of characters can feel cluttered and distracting at times. Still, this is an X-title that has had some bumps but is really coming around.

Bottom Line: I expected just a little more from Bachalo's artwork, but it's still looks good enough, combined with the strong "this is who we are" focus on this installment, to make the whole thing work. 8 out of 10.

Stuff I Read This Week Episode 16 or Cautionary Tales for Fanboys and Crazy People....

Kick-Ass 3 #1: Okay, I'm just going to go ahead and say it. Kick-Ass needs to die. I'm not quite talking about the character. I mean this story needs to be drowned in the bathtub quickly. The thing that's wrong with everything after the first Kick Ass is that writing satire is like telling a joke. The only real rule is to just tell the joke. Don't explain it. Once you have to explain the joke, it's immediately not funny anymore. When you get bogged down on explaining satire, it becomes obvious you're trying to say something about something.

This story was awesome when Mark Millar simply saying "A guy trying to be Batman in real life would either be dead or in the ICU in a day." It's become painfully obvious that, in its evolution, this series has become a platform for Millar to shoot fanboys in the kneecaps. In parts 1 and 2, at least our protagonists were likeable. In this issue, we get Dave Lizewski standing over his parents' graves in what should have been a sobering reflective moment of character development. Instead, he and his friend are musing about how must look awesome like Batman did. Taking brooding pictures by a family member's tombstone because he thinks it looks badass doesn't make your character relatable or realistic. It makes him an extinction-level asshole. The big upside to this book is, as usual, John Romita Jr.'s artwork, offering the right amount of levity to serious moments and awkwardness to funnier moments. Ultimately, time will tell whether or not Millar can bring closure to something that's really already run its course.

Bottom Line: One part entertaining....two parts beating a dead horse. 7 out of 10.


Daredevil: End of Days #8: Considering the fact that David Mack retweeted and reposted my review of this book last month (No, I'm NEVER going to stop talking about that...deal with it, humans...), I considered the idea that the cool thing to do would be to not review the finale, that it would be like the hero in a movie who kisses the girl, says goodbye and walks away without looking back. But I'm a writer, a blogger and a comic book nerd which is, more or less, a willing forfeit of the chance to be cool. No need to break tradition now.

There are more great things to say about End of Days than there are adjectives meandering about  the English language. It could be argued that the much sought meaning of the word "mapone" came across as slightly anti climactic, but with a book like this, the last thing readers deserved was something they actually expected. Besides, much like in life, the destination wasn't nearly as important as the journey that brought us there. It could be argued (and it almost certainly is) that this miniseries ended on more of a bang than a whimper, but this series ended in a way many superhero titles wouldn't dare to: with a prevailing sense of finality. With many of Marvel's "The End" future vision concepts, although they stay somewhat true to the essence of the highlighted protagonist, at times, they have a tendency to feel dated depending on the changes that character endures. With End of Days, we are offered a story that manages to offer closure while preserving the hard truths that we've come to know of a hero who concerns himself very little with the traditional tropes of heroism when it comes to justice. No matter what crossovers and costume changes may come from other writers over the years, this book makes a timeless, definitive statement about who Daredevil is even if it's not always a trite one.

We see cast of characters who have been as much a part of defining who this character is than the character himself saying goodbye in their own ways, some of which are clear even if they're not reflected through dialogue or action beats. Having said that, one of this issue's biggest weaknesses is the absence of journalist Ben Urich's internal narrative that has been the perfect voice to carry us through this semi-dystopic wasteland of an eulogy to the Man Without Fear. Still, no matter what point of view they offer us, Brian Michael Bendis and David Mack's voices are like old friends taking you for a drive through that part of town you grew up in, showing you how it's changed as well as how it hasn't and never will. And after reviewing two other issues of this book, there is virtually nothing left to say about the top shelf artwork from Klaus Janson and Bill Sienkiewicz. Rarely is there a comic where any given panel or page, if left by itself, could be a poster or printed on a t-shirt. There are no artists better suited to help tell a story like this. If they taught comic books in high school, rest assured that Daredevil: End of Days would be required reading.

Bottom Line: This book raised the bar for comics like a school bully playing "keep away" with your lunchbox. 9.5 out of 10.