Is Harley Quinn The New Deadpool?

So, the Suicide Squad recently got rebooted AGAIN. At this point, I think it's hot on the Legion of Superheroes' heels for "most times canceled by DC Comics." In fact, I'm pretty sure they're both at least one more cancellation away from a free Firehouse sub. I was really ready to give it a chance and decide on it myself except 1). I think I'm getting to the age where I don't have to test out every single thing that shows up out of curiosity (I still haven't seen Battleship because I KNOW it's trash) and 2). I've never seen a book that was voted off the island so unanimously. I mean, I haven't seen or heard a single positive thing about Suicide Squad this time around. And now, it's got me wondering: What is it that DC is getting SO wrong about the Suicide Squad? Honestly, the team seems to get generally positive responses in their appearances on Justice League Unlimited and, recently, Arrow. But the book never catches fire for very long.

It so happened that, as I was contemplating this, I ran into one of my readers (Yes, on occasion, I do indeed run into people who read the blog and engage them about what they've read) who'd noticed the same thing I had that the book just can't seem to get lightning to strike for some reason. Now, both of us are stumped on the franchise in general, but he had an idea about this incarnation in particular: Harley Quinn. I don't read as much DC as he does to have noticed it, but hypothesized that Harley Quinn is slowly becoming the new Deadpool. And he kinda had a point. I remember reading issue zero of her solo series and most of it was basically her breaking the fourth wall interacting with the readers and the writers, very similar to Deadpool's knowledge that he's a comic character in a fictional world. In DC's need to give her an identity aside from being the Joker's girl Friday (since Joker has been intentionally absent), she's become sort of a gag character. On one hand, if this is a mandated plot on DC's part, there is a chance it's not going to fly because the problem with DC's mandated plots is that they usually feel like mandated plots. It's as there are a bunch of old white men sitting in a boardroom listening to an intern talk about way to increase their humor quotient by 35 percent (Because let's face it, DC is the GOP to Marvel's Democrats).

On the other hand, DC could use some levity. I've remarked before that the problem with the New 52 from the start has been that it's not nearly as fun as it could be. Lobo used to be their joke character, but in keeping with the whole "the New 52 is because because it's all hardcore" thing, they've taken Lobo and allowed him to win enough pokebattles to evolve into Chris Cornell, so he's out of the "fun" column.

He just looks like he's saying,
"Lobo will sex you now."

So, in truth, there's the possibility that Harley Quinn COULD be DC's answer to Deadpool as long as they remember to value the character for actual gags and over just being there. The problem with Deadpool is that Marvel rarely uses him for actual jokes anymore. His just being on the cover of a book he has nothing to do with or appearing in the the book to break the fourth wall is joke enough for the writers even when Deadpool isn't actually doing anything funny. From what little I've read (and I invite any of you who've read more of her stuff to fill me in a bit more), it seems like she could go this route if left unchecked and, in turn, become unfunny really quickly.


They also have to put a cap on oversexualizing her. The amazing thing about Deadpool is that he is (or has the potential to be when he's not Marvel one trick pony gag) a hilarious character despite a rather depressing backstory. (Granted, Spider-Man is pretty funny despite a laundry list of horrible shit happening to him, but you can always fall back on the idea that he's laughing to keep from crying or pissing his pants that he's fighting a guy who throws exploding jack-o-lanterns. Deadpool is laughing because he's just plain crazy.) DC caught a lot of bullshit because of a fan art contest a while back where you had to draw Harley Quinn dying in these horrible ways. Never mind that DC was making light of suicide at one of the worst possible times of this generation to make fun of suicide. That's a whole other post. The problem was the context. Usually, you can get away with this shit when it's done under the "crazy" umbrella, but it wasn't. The main context was that Quinn is a ditzy blonde who giggles and squeals and doesn't know much better (although, the Bruce Timm version from Batman: The Animated Series was a big contribution to that, but that's also another post). Play up the crazy and it might work out, but we all know how horrible DC is with gender politics.

Is Harley Quinn becoming the new Deadpool? Not yet, but she could be. Then again, I could be wrong.  

Stuff I Read This Week Episode 27 or Villains Are People, Too.....

Batman 23.2 (Riddler): Honestly, with the exception of Geoff Johns' Forever Evil, I was ready to let DC's "Villains Month" go by unmarked and I'm actually glad I didn't. After all, the success of dedicating a comic to each of the prominent baddies of the DC universe is entirely dependent upon how interesting they are. And let's face it: DC doesn't have that many interesting bad guys. Then again, I suppose the point of having a month dedicated to villains (aside from trying to siphon money from readers like a beer tap) is to get readers interested in them if they weren't already. Fortunately, this issue of Batman gives us something to smile about unlike the Joker's rather maudlin turn at the spotlight.

The Riddler has always been a difficult character to pin a definitive characterization on because, aside from the whole riddle motif, it's hard to separate his crazy from the rest of Gotham's crazy. But Ray Fawkes (with help from Scott Snyder) manages to construct a man who works according to a planned sort of bedlam, who makes you wonder whether he's crazy....or just a douchebag. Nygma's internal narrative serves as a perfect "behind the scenes" for his riddle laden, one man attack on Wayne Enterprises much like a magician revealing how the thought processes behind his tricks. Here in this issue, we see a Riddler whose small fits of rage are every bit as haunting and entertaining as his premeditation keeping him one step ahead of Bruce Wayne's security. It's also refreshing that not all of his victims are not made to be completely incompetent just to make Nygma look smarter. Jeremy Haun's pencils are a definite enhancement here. Scenes are intimate, neat and obsessed with symmetry in every panel. It's artwork that suits a Big Bad as meticulous as the Riddler. This is completely understands the point of Villains Month and exceeds expectations to become one of the best books this week.

Bottom Line: A story like this that makes you sort of afraid of the Riddler can't help but be a winner. 9.5 out of 10.


Justice League #23.2 (Lobo): I just found out this week that theouthousers.com actually has a counter that keeps track of the number of days since the last time DC Comics did something stupid. Well, the poor bastard intern in charge of updating it can go ahead and get back to work because Dan Didio's brain trust has done it again.

Recently, it was announced that the hulking, chain toting villain we've all known as Lobo was indeed NOT the "real" Lobo. He is, in fact, an imposter that has been trading on the name and style of slimmer, martini drinking killer who looks like Jack from the White Stripes finally won enough Pokemon battles to evolve to his ultimate form. 

Sidenote: I'm sure many of you didn't know that Lobo had been reintroduced in the New 52. This is because DC did a really good job of hiding him where NOBODY will ever find him....in the pages of Stormwatch and Deathstroke. 

Marguerite Bennett is given the task of introducing us to this emo redux of the Main Man and doesn't drop the ball so much as hold the ball and gain no yardage. He didn't seem to do anything terribly badass. He talked tough, got in a fight with a couple of nobodies and that was really about it. By that criteria, he may as well be Chris Brown. Aside from being modeled after a lost member of the street team for 30 Seconds to Mars, there is almost NOTHING new separating the new Lobo from the old Lobo except maybe the fact that this one comes across as completely humorless. The thing people seemed to like about this character in the past is that he's served as DC's version of Deadpool, cracking jokes and breaking the fourth wall. He was fun. However, as we all know, there is NO fun in the New 52 era of DC. Nobody ever smiles. Everything's for the fate of the world...even when it's not. Ben Oliver and Cliff Richards' artwork is probably the one saving grace (not really saving, though) to this catastrophe. Some of the designs for the aliens and spaceships are really inspired. The Lobo we get here is a more muscular step up from the initial concept designs that got released a few weeks ago. But I could have done without so many of tilted panels throughout the book.

Bottom Line: A really good looking 30 page exercise in pointless violence compliments of the new Mickey Rourke version of a perfectly "meh" character. 5 out of 10.

Action Comics 23.2 (Zod): As divisive as Man of Steel was among fans, I am personally thankful for Zak Snyder resurrecting one of my favorite characters from Superman lore. Michael Shannon's portrayal was just as memorable as that of Terrance Stamp and is bound to have some lasting effect on the version we get in the comics to come. The first note of that is in Greg Pak's addition to Villains Month. 

This issue serves as a refreshing (and somewhat chilling) crash course in what led to a child growing up to be Krypton's greatest criminal. Although still human at his core, this is a Zod who wasn't necessarily born bad as fans of the original might come to surmise. This is a guy who seems to feel more comfortable among jungle animals with nothing but a bow and arrow than he does hobnobbing or shaking hands with politicians and dignitaries. One sympathizes. He's a determined, ambitious man who is the product of circumstances and the lessons of his father....not unlike the man who he will, one day, know as his mortal nemesis. Pak's incarnation is right on while never coming across as cartoonish or contrived. Ken Lashley's art mostly fails to disappoint in painting a diverse strange portrait of the outskirts of Krypton. He manages to make Zod's ominous gaze the creepiest part of every panel he's in. Every. Single. Panel. He offers up some truly awesome monster designs and a delightful scene of young Zod found alone surviving in the woods against vicious wildlife reminiscent. the opening scene of Arrow. The only real drawback is that the attention to detail and color suffers slightly from panels, at times, feeling a little too cluttered. Still, considering how strong this issue is, it comes across as a small flaw.

Bottom Line: This is a great primer to prepare readers for what's to come from Greg Pak's run on Action Comics. 9 out of 10.