He's got the last Pumpkin Spice scone! Rush him! |
I cannot stress this enough, but EVERY aspect of the cover should be indicative of what's happening in the comic especially when it's as "OhMyGodThisIsEpic" as Marvel would have you believe it is. Having said that, of the seven notable Marvel characters on this cover, only three of them are actually found in this book. No Captain Marvel, No Daredevil, No Iron Fist, No Mister Fantastic. You can't even say it's an huge exaggeration of something happening in the comic. It's just plain lying. One good example of a well done, symbolic cover (even though I got some shit from a few of you guys for using this example last time) is Identity Crisis.
Here you've got the Justice League which, at this time in the DC universe, was always characterized very much as a family. Everything about this picture conveys a very familial vibe. The broken picture is obviously representing the tragedies and breaches of trust that leave this family broken and divided.
Or if you want to make the comparison against another Marvel event, take Civil War.
Aside from the time honored trope of defeated heroes sprawled across a mount of rubble, it doesn't get much more literal than this. Captain America
and Iron Man, two generals on opposite ends of a major conflict, finally come head to head and beat the unholy hell out of one another. Simple. No hyperbole necessary.
But going back to the Original Sin cover, it says across the bottom "The Final Judgment." What the fuck does that mean? Anyone? Are the Watchers pointing down supposed to be the judges in this case? The Watchers aren't judges. They're Watchers....who just watch stuff. Their whole job description is the antithesis of judging. So, seriously....who's being judged and how? I shouldn't be asking MORE questions going into an event's finale.
And, holy shit, did this book ever leave the audience asking questions. For example....
"Take him apart. So I may drink his blood and consume his knowledge, one bite at a time."
Umm....what? This was the whole problem with Dr. Midas as a villain. Everything was so vague and unexplained. What occurred in this entire series that would lead him to believe that eating a corpse would make him all powerful?
Why have the Watcher's eyes suddenly turned murderous? Does this mean the Watcher's body parts can work independently of one another after he's dead? Is the Watcher a Castlevania villain? What the fucking fuck?
Now, it's a rarity that I would actively shit on the usually immaculate artwork of Mike Deodato, but he screwed the pooch a couple of times here. First of all, this is Black Panther, Dr. Strange and the rest of the heroes who teamed up (for some reason) busting in to fight...umm....someone.
Now, here's Black Panther and Dr. Strange at the end of the book in full outer space gear. Huh?
Also, if you look closely, here's Thor with his hammer firmly in hand. But wait a minute....in issue 7, Nick Fury whispered something to Thor that made him suddenly unworthy to hold the hammer. Now, he's totally holding the hammer.
And now later as the heroes are all leaving, Thor is left back where he was in the last issue trying to pick his hammer up. Shenanigans.
And when exactly did it get decided that Bucky was the new "Man on the Wall"? Did Fury choose him? When did he choose him exactly? The last thing he ever said to Bucky was "Get everyone back." You can't even dismiss that as saying it was unspoken tough guy talk and "he just knew."
Or this. So, Dr. Midas' severed hand turned the snake to gold when he bit it, but not the Exterminatrix (man, villains are really exhausting the shit out of the Big Book of Bad Guy Names) when she stole it? What?
Granted, I'm not saying there shouldn't be room to leave elements as "implied" in a story. But in an event like this where much of your story is extremely contained and doesn't need tie-ins to explain every fringe element (which is something that Marvel has been really good about in recent years)....it's okay to hold your reader's hand just a little bit. And inevitably, the fallacies here will laid at another writer's doorstep to explain how exactly Bucky became The Man on the Wall or who this new Watcher (I'm guessing that's who the glowing old man at the end is supposed to be) is. DC was really bad about this shit last year with Trinity War turning into a promo that basically forced you to buy Justice League and Forever Evil (which, to be fair, was pretty good) just to understand what happened in a 6 or 7 issue miniseries.
Making someone interested enough in your characters to buy more comics is what a good comic should do. Insisting upon your reader buying comics to properly understand the vague collision of words and images that took place in another comic borderlines on extortion.
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