Having said that, it wasn't much of a showdown. In fact, you would think these two would have had much more to talk about even if it was in the middle of all time and space becoming unraveled (or whatever the actual conflict was in this story). Also, being from the future, why doesn't Future Spider-Man know that Peter Parker isn't really Peter Parker if all of this has already happened? In fact, the whole resolution to this time crisis seemed a bit anti-climatic, essentially giving Doctor Octopus another stage where he can call everyone inferior. The spiel has gone from Spider-Man being a weird mix of Batman and Sheldon Cooper to just outright being Doctor Doom in a different outfit. There are a couple of scenes where Spider-Man declares his unrivaled intellect and it just leaves you groaning "Oh, for fuck's sake, man." The great thing about Spider-Man has always been that he's semi-relatable and, despite him being a flawed character, you could see yourself having a beer with the guy. If you knew someone like Doctor Spiderpus in real life, you'd have pushed him down a flight of stairs or eaten the lo mein he kept in the fridge at work. I understand that Tony Stark and Spider Jerusalem prove there's a market for charming, douchebag do-gooders, but I don't see the point in reading about an unlovable hero whose day-saving seems completely incidental compared to him "bwahaha"ing all over the place.
Ryan Stegman's artwork is definitely something to marvel at (no pun intended). Although his rendering of "chronotons" screwing up time and space (I guess that's what was happening) make some of the panels feel a bit claustrophobic unnecessarily, he has a style that's just perfect for the 2099 environment. It actually makes you feel like maybe there could be an opportunity here to resurrect the old Spider-Man 2099. This story arc has been impressive and it could ended that way if Slott hadn't seen fit to cop out and once again leave the moral of the story being "Because I'm Spider-Man, bitch."
Bottom Line: I honestly thought there were enough unlovable jackasses on The Walking Dead that we didn't need to read about one in a Spider-Man comic. Sadly, I was mistaken. 7 out of 10.
Avengers #21: It's a fortunate thing that the Infinity event is coming closer to its end because there's only so many ways I can say "Goddamn, this is good shit!" Jonathan Hickman very clearly has a great appreciation for the sandbox of a universe he's been given to play in and it radiates off of every page whether it's a victory for the villains or a loss for the heroes.
This issue mainly deals with the aftermath of Thor's bold stand against the Builders and the liberation of Hala, the Kree homeworld. There are definitely things to like about how Hickman has handled this. For one thing, despite the fact that it's usually enjoyable to see the reverence alien civilizations show towards Captain America, I found it a nice change a page to focus on a character whose general opinion was "You know, that was kind of a dick move." Another great thing about this issue is the return of Captain Universe to the battlefield in a semi spectacular fashion. Some people don't like that there wasn't much of the actual Avengers in this issue, but I actually appreciate that. A theme that Infinity highlights well is that Earth and, by extension, the Avengers are not the center of the universe and when they are, it's usually not in a good way (this means you, Kanye West). There are characters in the galactic Marvel U who believe that Earth is the Wild West of space and will eventually lead to the whole of creation being wiped out probably by accident and that deserves some exploration, too. Also, there are too many non-Avengers that play a role in this story to not highlight them.
To the surprise of absolutely NOBODY, Lenil Francis Yu's artwork hits all the right marks here. The real treat here was the scene in which (minor spoiler...sorry) the Alliance lets loose the Annihilation Wave... goddamned Annihilation Wave upon an almost victorious Builder fleet. You have to appreciate Yu's penchant for crafting a good "holy shit" moment.
Bottom Line: If you want an Avenger focused book, it might feel out of place, but this is still really good sci-fi storytelling. 8 out of 10.
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