Something Something Hot Trailers

So, two long awaited trailers dropped this week.

The first was for Thor: Ragnarok which looks incredible. This looks like the sort of epic scale the Thor movies should have always been aiming for. Thus far, the series has been, let’s face it, a series of well produced romcoms with fantasy elements not unlike the white thirst cinema that is Starz’ Outlander. Jane and Thor make doe eyes at each other, Kat Dennings looks hot and cracks jokes, Tom Hiddleston steals the show, Kat Dennings looks hot and…..you get the idea. Rinse and repeat. Thor is one of those properties where each and every adventure should have all of existence hanging in the balance. This franchise and the Hulk’s movies should always be about super destructive epic god battles. For context, Jason Aaron’s God of Thunder series features a future vision in which an older, war worn Thor who now rules Asgard gets into a fist fight with Galactus where he thrown into the moon so hard he comes flying out the other side. I shit you not. So, a slugfest with the Hulk is more than welcome.

Until now, the movies never had that sense of scale and urgency. The trailer alludes to that and it also manages to look fun which, at the end of the day, is really the most important element to maintaining the kind of audience these movies attract or should attract (are you listening, DC?). A movie about a thunder god should go for broke AT LEAST and Ragnarok looks like it does just that.

Then, there was The Last Jedi….

Though I could geek the fuck out about every detail, I’m going to try not to go on very long about about it because I have a feeling I’m going to be talking about Star Wars a lot in the near future. First of all, the Tron inspired poster look spectacular and really gives Rey that epic hero look she needed in the Force Awakens poster.

The trailer was epic, though. I mean, it was only a minute and a half and it threw out thrills and questions to be answered faster than Janet Hubert tweeting during a Fresh Prince marathon. The part I’m most interested in is the part at the end where Luke said, “It’s time for the Jedi to end.” That line alone opens up potential for some interesting directions for Luke’s character to go. Even though the Jedi are mostly about order and learning to center your emotions and letting go of earthly attachments and shit, Skywalkers tend to have a complicated relationship with the Force. With him being literally the LAST of the Jedi, there’s no telling what secrets he learned once he found the Jedi temple. He could have learned the truth of how his father was seduced by the dark side (and how his mother was dating Anakin when he was clearly still a minor) which would be enough to give anyone resentment issues. Who knows? I’ve even heard some theories that we might get introduced to the beginning of the “Grey Order”, something we’ve never seen in mainstream canon. Also, make sure you get a good look at Poe Dameron’s black X-Wing. The ball’s in your court to pump out some quality toys and model kits, Disney. I’ll be waiting.

My review of Hal Jordan and the Green Lantern Corps is available on Black Nerd Problems for your viewing pleasure.

Night of the Awful Slavery/Zombie Episode.....

So, you’ll notice one comic related show I never talk about is Legends of Tomorrow. It’s not because I don’t find time to watch it or because I ration out my television time among select shows. It’s because, last I checked, Legends of Tomorrow was a generally terrible show. Of all the shows that make up CW’s Arrowverse, Legends is the one that most resembles Fox’s approach towards the X-Men movies. Take a few fan favorite characters, some good looking actors, a nerdy premise, shake well and the result is….well...a fucking mess.

For those of you that had the good sense to skip the show up to now, there are people out there fucking up space and time for various and sometimes, undefined reasons. So, the Doctor Rip Hunter went against the wishes of the Time Masters Lords came to the present day to ask Oliver Queen and Barry Allen to vouch for him so he could recruit a team of misfits including Firestorm, Heatwave and Not Quite Tony Stark the Atom. They call themselves the Legends (despite this being among the silliest team names of all time). So, this is the part where I go into a recap of the worst episode of anything I've watched in at least the past two months. There are spoilers, so if you're brave enough to still watch this horseshit after said recap, just know that there are spoilers after the jump.

Update: Arrow is Still Trash

Since I haven’t done a post in a while, I might as well check back in with comic based television. I know I said I was done with Arrow last season, but after seeing the trailer for the new season, I got curious as to where they were headed. The result is my first real hate-watch since Smallville. I mean….there are just so many bad things taking place, but the small handful of good things keep me interested in how they’re going to maintain them.

First off, I talked about this before but the whole thing with Oliver Queen maybe/maybe not doing murder is just getting silly. The whole point of a superhero is that they stand on a very basic code of morals, whatever that code may be. It’s hard to know if you’re the kind of superhero these people want to stand behind if that code is changing from season to season. If the writers are going to be so deadset on modeling the Green Arrow after Batman, he’s gotta be less indecisive than that.

And this whole Arrow Academy storyline wavers between “trash” and “kinda tolerable fan service.” And the main problem isn’t that the new team is garbage (although the new team IS garbage); it’s that the only reason there’s a new team is because the writers realized they’ve written all of the old team into a corner. Diggle has fallen so far from awesomeness, he had to run off to the Army just to have a sense of identity. A SUPERHERO had to quit superheroing and rejoin the Army just to feel like somebody. That’s a problem. Meanwhile, Ollie’s sister, Thea has quit being Speedy/Red Arrow to join her brother in politics just to have a credible storyline that isn’t focused on either a). her daddy issues or b). her consistently terrible choices in boyfriends. And Felicity is sick of being Oliver’s enabler even though she stuck around to continue serving as Oliver’s enabler. Because make no mistake, one of the primary reasons that the Green Arrow is an asshole is because Felicity spent four seasons telling him that his best, most dickish self is the key to beating the bad guys. Granted, this week’s episode was probably the best one thus far simply because the scene of Team Arrow assembling was epic (not to mention Stephen Amell settling his wrestling beef yet again with Cory “Stardust” Rhodes who played the villain of the week).

The problem with this show digging so hard into the Batman well is that Batman doesn’t work in a weekly CW show. Batman works well in comics and movies because either you’re not reminded constantly of what an irredeemable douche he is.

In any case, the show is probably going to crawl along on this redemption run until the Green Arrow finally throws down with Prometheus because there’s only room for one Impossible White Man in Star City. But for the most part, it feels like the show is trying so hard to gain its viewers trust back, it's just a reminder of how much they've fucked up.

Update: Civil War II Still Sucks

So, for those of you keeping up and those of you who haven't, I just wanted to check in and remind you that Civil War II is still a thing that's going on and it's still pretty stupid. I mean, granted, it's not nearly as stupid as DC fans starting to petition to end a website for keeping count of how many people think a movie they like is good or bad (because that's all Rotten Tomatoes is, really), but it's still pretty stupid for reasons other than the ones we've already discussed. So, it merits at least some discussion....which will occur after the jump.

The Week In Geek 6/22/16: Civil War II Is Stupid So Far

So, Civil War II: Civil Harder, has begun in the Marvel Universe and we're two issues in so that's as good a place as any to start talking about it.

Disclaimer: I'm talking about Civil War II, so I'm talking directly about the plot which means there are spoilers. So, if you guys don't want to hear about it, go ahead and jump ship now. Otherwise, there are spoilers after the jump. I've warned you.

The Week in Geek 6/8/16: A DC Reboot Is Problematic or Water Is Wet.

As much as I tried to avoid talking about this, here I am giving my limited viewpoint of DC Rebirth, DC's attempt to fix something that used to be broken but isn't really THAT broken anymore but made a lot of people mad back when it was broken. First of all, trying to undo the sins of the New 52, something fans were pissed about five years ago, now that it turns out Big Two comic sales are looking down recently is like an abusive spouse taking you to Red Lobster because they remembered you asked for it five years ago when you met: Thanks but you'd still appreciate it if they stopped abusing you. (From this point, I discuss actual events that have taken place in certain DC comics, so if you're not at least two weeks up to date and you actually care about spoilers, go ahead and stop here. For everyone else, further discussion happens after the jump.)

The Week in Geek: 5/25/16 or My Breakup With Arrow

So, This Week in Superhero Television.....I think I'm done with Arrow. For those of you that don't follow me on Twitter, I do the weekly livetweet for Flash and Arrow under the Black Nerd Problems account. One of my editors, Omar Holmon, used to do it, but I think his neighbors found out he was stealing cable and he had to shut that shit down. Anyway, I'd usually be honored by the opportunity, but Arrow's redemption season has been a painful trudge to the middle of the road. I mean, the show has maintained a steady standard of "not as good as The Flash but better than Legends of Tomorrow" but let's be honest; that's not a high bar to clear in the first place.

When this season started, there seemed to be some light at the end of the tunnel, an attempt to right some of the creative wrongs committed in the previous season. But the writers seemed to make an almost deliberate attempt to solve those problems by either highlighting everything that's been wrong with the show or stepping over said problems altogether. Case in point, the Black Canary II. There has been no one more against Laurel Lance taking her sister's mantle than me. They choreographed her fight choreography terribly and she spent the past two seasons being unnecessarily unlikeable. So, you would think I would be happy they killed her off. But then, her Earth 2 doppelganger shows up on The Flash and she stole the whole episode. She was an amazingly fun villain as the Black Siren, it brought into realization that the writers just plain squandered her on Arrow as opposed to the thought that she'd fallen so hard, she couldn't be written back into glory again. It was just a waste, retrospectively.

The finale was like a window display of everything that's been wrong with this show. Much of this show has been about Oliver Queen's fight against his darker nature and the killer instincts that he picked up during his time on The Island From LOST. For a few episodes, they telegraphed to viewers that the way to combat Damian Dahrk's Sith Lord Magic was for him to expel the darkness in his own heart and embrace the light. But in the end....after Dahrk's magic was nullified by the people of Star City using The Third Act In Dark Knight Rises against him...Oliver ended up succumbing to the darkness by killing Dahrk after he was clearly beaten. Even Diggle, the Arrow's moral compass ended up giving into his dark side by murdering the older brother whose soul he'd been trying to save all season because Andy trolled him a little in defeat. I mean, really, Diggle had turned to the dark side when he tried to kidnap his enemy's wife and pistol whipped her in broad daylight, but hey....who's counting at this point? It's just strange that the show has spent all this time cloning Batman (more blatantly in the finale than ever before) and yet picked the strangest time to step out of Batman's shadow. One of the big problems with American shows like this is that they go on past their structural shelf life. In a perfect world, Arrow would have ended after Season Two when he defeated Slade Wilson and conquered the darkness within the second time (he's gone back and forth about killing no less than four times not including his useless flashbacks to The Island From LOST). But because the endgame is to monopolize CW with entire blocks of the Arrowverse (as is more evident by the inclusion of Supergirl), these shows have to go on being built far away from the foundations they were built on and the past season is the resulting category 4 shit storm. Rest In Peace, Arrow. We will never forget. But we will try.

My comic reviews for the week on Star Wars and The Mighty Thor are available on Black Nerd Problems. And don't forget my ongoing webcomic series with Katie Coats, Neverland: The Untold.

The New Game of Thrones Trolling Experience

So, Game of Thrones happened in the past couple of weeks. I was going to do a post about it after the season premiere but I wanted to wait until two episodes had passed because GoT has a habit dedicating one episode purely to set-up for what's to come. And that's basically what happened.

For those of you keeping score, that's that kid's uncle. He's also
that kid's father AND he fucked the boy's mom in that same spot.

I'm glad I waited until after the second episode to form an opinion because it's plainly obvious now that the format has changed. Obviously (except for the Iron Islands stuff), the showrunners have run out of book material to follow and honestly, it's the best goddamned thing to happen to this show in the past two seasons. See, there was a time when the showrunners made an attempt at a 1:1 representation of the source material as established by George R. R. Martin and before anything else, Martin is an extinction level troll. He loves that people lose their collective shit when someone who may or may not have deserved it gets killed off. That said, the source material can be long and torturous to its characters. So, "staying faithful" to it means we would have had to sit through half a season of Roose Bolton telling Ramsey to get his shit together after he does something unforgivably evil and macabre or no less than six episodes of Tyrion Lannister realizing that he is the smartest person in the room and STILL has to be the one to do the legwork nobody else wants to do in the service of saving the day. But now that the ship is set on "sail", the showrunners get to advance the plot at their leisure. So, now, Arya only has to go through a couple episodes of Daredevil training before we see some payoff. Just two episodes before Ramsey finally gets sick of his father's shit and does the thing we all knew he should have done a season ago (Jesus Christ, he had his JUST BORN baby brother fed to dogs on sight before even washing his father's blood off the dagger). As the writer of a comic whose first issue is primarily set-up, I appreciate the time it takes to create a universe and lay groundwork, but I feel like we're at a point where the training wheels can be taken off and viewers can all have an experience together without being divided by people who are on the edge of their seat and people who've read the books and are just waiting for one shoe or another to drop. We can all be trolled together and that's a good thing....unless they start with that rape shit again.

My comic review for the week on Invincible Iron Man is up and available on Black Nerd Problems for your viewing enjoyment. Feel free to like, share or comment at your own discretion

The Week In Geek 4/20/16

So, This Week In Excuses to Move On From Batman v Superman.....It's recently been announced that Marvel/Disney's Inhumans movie, previously scheduled for a July 2019 release, no longer has a release date. That's not to say that it's no longer on the schedule but usually when things like this happen, it's because the studio has to make room for an impending franchise (**cough** Spider Man) because his appearance in the previews for a certain upcoming film (**cough** Civil War) has tested well thus far, so it's probably a good thing that they're staying flexible with this Marvel Cinematic Universe. After all, they should probably have time to rethink whatever they had in mind for the film since Agents of SHIELD has spent the past two seasons mining the whole Inhumans thing with their Secret Warriors plotline (which has successfully reinvigorated the show with a new sense of identity).

Also, there's the whole rumor that Marvel might be coming to an mutual X-Men deal with Fox to use them....but I don't believe that shit just yet, so we'll move on.

This Week in Superhero Television.....It turns out there is a script in the can for Krypton, a Gotham style Superman prequel show. Apparently, the pilot is set two generations before Krypton's destruction where Superman's grandfather tries to bring honor back to the House of El. Here's why this is stupid. Why the FUCK are we doing a show about a planet we KNOW is going to die. I mean, we actually know how this is going to end. There are literally NO STAKES involved. Now, there is a chance that they could take this in a psuedo-Game of Thrones direction where upper crust Kryptonians wrestle for political and military power, which would wipe away the time honored "We were a peaceful, technologically advanced and unilaterally boring as fuck civilization that basically sets the stage to let our future protagonist grow up with abandonment issues" approach we've seen for God knows how long. However, this premise as is has the same problem Gotham has: primetime superhero television's compulsive need to appeal to the Lowest Common Denominator viewer that will be perfect happy just to name drop popular names from the comics wherever possible (which, in a show two generations before anything relatively Superman happens, consists exclusively of Zod, Jor-El and maybe Brainiac depending on what version you're going with). And sure, Titanic took place in an ill fated setting too and it made tons of money, but this is primetime (probably broadcast basic cable at best) television so it's highly doubtful that any network that falls under that umbrella is willing to shell out that level of production quality to a show about Superman's grandfather. So, we'll see.

My comic reviews for the week on Tokyo Ghost, The Mighty Thor and Superman: American Alien are up and available on Black Nerd Problems for your viewing pleasure.

And don't forget about my the latest page of my comic collaboration with Katie Coats, Neverland: The Untold. As always feel free to like, share and comment at your leisure. You know the drill.

The Week In Geek 3/9/2016

It's been a while since I've done This Week In Superhero Television and it's seems like good time to catch up now that most of the shows worth talking about are on break at the moment.

As it stands, The Flash might still be some of the most compelling comic based television right now. The absolute best thing about this show is that it's not about to embrace its own hamfisted insanity. Usually, shows go to absolute shit when they start fucking with time travel and parallel dimensions, but Flash full on owns it in a way reminiscent of the strong points of Lost (the strong points it actually had). Delving into Earth 2 has been major fun and Zoom has been enigmatic to the point of ridiculousness and hilarity. Also, I feel obligated to point out that Jesse L. Martin has been a powerhouse as Joe West, superhero father of the decade. The way he doesn't allow himself to be overwhelmed with all the sensational superpowers and whatnot is refreshingly human almost in a Jim Gordon sort of way. I also have to applaud the writers for at least TRYING

Meanwhile, Arrow is still trying to atone for the sins of last season but it's a long way back to the top. For one thing, the Arrowverse is trying its damnedest to make Diggle a relevant character again by introducing his evil brother Itachi...I mean Andy. John trying to make what's left of his family whole again is a noble effort to re-establish him as the moral compass of thais show. And, MY GOD, does Arrow ever need a moral compass? Because TV Oliver Queen, being a Batman surrogate and all, is a great superhero but a dreadful man. And to my great dismay, Felicity Smoak has become just as bad thanks to the writing team. She used to be such a steadfast, grounded figure, but now her plotlines have mainly devolved into her crying over things that really don't deserve the tears. When Oliver admitted that the only way he was allowed to see his son was to keep him a secret, Felicity was fully aware that her fiance was placed in an impossible situation and walked out on him as he sent his son away for his own safety (since he'd been kidnapped by his nemesis and all). Now, sure, he could have told Felicity without anyone knowing, but a person trying to be a better man openly lying to the mother of his only child for his girlfriend is still asking a lot. It's the entire problem they keep creating with her character: "I know you were faced with an impossible, no-win situation where anyone else would have folded, but goddamnit, what about ME?" It borderlines on the stereotypical nagging wife of an old 50's sitcom.

As for Legends of Tomorrow, I actually haven't watched the show since the pilot episode and I'm not entirely sure if I intend to try. It's great that the Arrowverse is stretching its legs and trying things, but this particular attempt is just too much. The strong points are all there. The show is basically going to live and die off of the return of Sarah Lance, The Doct....I mean, Rip Hunter and Wentworth Miller's amazingly ridiculous performance as Captain Cold. But there were just too many problems to ignore right from the start. For one thing, I'm used to Hawkman being characterized as an asshole. But for fuck's sake, he proposed beating Hawkgirl up to settle a dispute. Also, he's supposed to be Egyptian and is as lily white as Ron Howard (as is Vandal Savage). Also, there's the matter of Professor Martin Stein giving his other half of the Firestorm matrix a date rape roofie to make him come on the trip to stop Savage. I won't even touch that.

"Where's the black guy, though?"

My comic review for The Mighty Thor is available on Black Nerd Problems for viewing enjoyment. Feel free to like, comment and share as you see fit.

Maybe We Don't Have to Be THAT Hard On Marvel

So, the story lately in the comic world has been how The Big Two's sales are down lately and everyone has their various opinions on why that is because fanboys. It's pretty much standard operating procedure to howl endless platitudes about how mainstream comics are coming to an end as we know it or whatever. The main complaint is that DC is changing their characters too much, and "he doesn't look like MY Batman" and basically everything change averse readers over 40 would whine about no matter what. And honestly, things over there aren't as bad as comic retailers would have you believe. I mean, Batman is still going strong, Superman is shaky but Superman has been shaky since before the New 52 reboot and Green Lantern has a strong premise going but Robert Venditti is just no Geoff Johns. Also, Justice League, Midnighter, Doctor Fate and Black Canary are all really strong titles that are just not getting enough press because it's cool to hate DC.

The complaint that bothers me the most actually comes from Marvel readers, though. Now, granted...it's only fair to say that Marvel DID kinda shit the bed by launching their rebooted universe before finishing the event that causes the the universe to be rebooted in the first place. And it was a bit annoying that Secret Wars was an 8 issue event that started in early Spring 2015 and didn't end until early 2016, but this All New All Different Marvel isn't as gagworthy as people are making it out to be. The main gripe seems to be that the House of Ideas seems to be throwing way too many titles at the wall to see what sticks. But the truth is THAT'S WHAT THEY'RE SUPPOSED TO BE DOING. A year ago, the complaint was that they were so busy gender/race bending old characters, they weren't focusing on pushing existing non binary characters. Now, we have them trying out books like "Silk" (which is, in fairness, bad....last time I checked, anyway), The Ultimates, an almost completely non binary team of Avengers, David Walker writing a Power Man/Iron Fist team up book to get readers acquainted with the former Heroes for Hire before their respective Netflix shows debut. These are things that deserve mention. G. Willow Wilson's writing on Ms. Marvel has easily been some of the best in the business, redefining the superhero genre for young millenials. All New Hawkeye, though aiming a little higher than Matt Fraction's strictly everyman approach, has maintained its status as a fun, sometimes heartwarming character study of a guy who's good at being a hero and not as great at being a person. Bendis is doing compelling work on Invincible Iron Man, depicting a less morose Tony Stark trying his hand at having a normal life while facing abnormal problems. And I shouldn't even have to explain the importance of Moon Girl and Devil Dinosaur.

It's easy to get caught up in the problems, but it's important to mark the interesting things happening over at Marvel right now because there's a reawakening of the confidence in the industry to try some different things that run the risk of sucking. Or we can just go back to have ten X-Men titles and five Wolverine books. I know we all love that shit. Just thinking out loud. 

My comic review of David Walker's Cyborg is up and available on Black Nerd Problems for your viewing enjoyment.

The Week In Geek 12/30/15

This Week In Things Too Geeky To Discuss With Your Friends.....No matter how you feel about Star Wars: The Force Awakens (sorry, but I'd be happy if my movie had a 94% on Rotten Tomatoes), you have to admit it's nice to have the nerd community geeking out about Star Wars again in a less abstract, fan fictiony way. It's also nice that the introduction of John Boyega's rogue trooper character, Finn, has created a reinvigorated sense of community within the Star Wars blerd fandom. I was personally getting tired of debating over Samuel L. Jackson no matter how awesome it was that he repelled an entire enemy platoon singlehandedly. My favorite thing is that, since Star Wars is a very self sustaining marketing engine that responds to its fans, you end up getting cool shit like this action figure based on everyone's favorite electro baton wielding stormtrooper. 

He wasn't a huge part of the initial marketing campaign, but after the movie released and the internet lost their shit (though I still don't understand why...I mean, he lasted for half a lightsaber fight). Now, the movie is barely two weeks old, ready to surpass Titanic sales and now he has his own action figure. He doesn't even have a name but he has an action figure. Disney wastes no time.

And the amount of detail that goes into this universe is ridiculously geeky. Nerds....we have a cross section book. My relationship with bookstores over the years has left me privy to some wildly geeky shit, but after all this time, sci-fi cross section books still stand firm in my pantheon of the geekiest shit a human being can purchase in public in front of other people. I mean, it's basically an automotive manual for vehicles that don't actually exist. Neil Degrasse Tyson is basically America's wacky Science Uncle and even he isn't THAT geeky. Isn't it fucking awesome?  

This Week In Wonderfully Nerdy Women That Don't Know I Exist.... Readers, there is simply not a higher note to start the year on than talking about Ariell Johnson, the sister from Philly who is opening up her own comic shop. The idea behind Amalgam Comics & Coffeehouse is to build a sense of community in the Kensington part of Philly around two things that a). get blerds through the day and b). are both not Meek Mill: comics and coffee. It feels like the next logical step, given that the past couple of years in the industry have really been focused on creating more conversations about diversity in comics as well as the way geekdom treats women. The fact that safe spaces are happening on a physical level as well as a conversational one is an exciting prospect and a wonderful omen for the possibilities of things to come in the blerd community.

The Week In Geek: Star Wars Edition

So, This Week In Star Wars....Star Wars happened this week. So, it's should be pretty obvious that this week, I am going to be discussing Star Wars. With that in mind, if you haven't watched The Force Awakens yet, now is the time to jump ship because there are going to be spoilers after the jump. Last chance so there's no excuses.

The Week in Geek 11/17/15

This Week In Superhero Television....Jessica Jones premiered this Friday as part of the Netflix division of Marvel's Cinematic Universe. Of course, I haven't finished the series because it's 13 episodes and my geek devotion only goes so far in one day, but thus far, it rates as "pretty damn good." There have been attempts at recapturing the feminist narrative feel we got from Buffy (some of them, unsurprisingly, from Joss Whedon), but few have actually succeeded. Now, I'm not saying that Jessica Jones completely succeeds. It's not quite a perfect show and it definitely does not surpass Daredevil (because Daredevil didn't have too much of the burden of selling other possible properties), but if I had to make a list of shows that rate alongside JJ, it would probably rate in the top 5 above maybe Agent Carter. The ways the series differs from the Alias comic series are basically either minor or necessary for television, but they create so many layers for modern day gender politics and themes. From Jeri Hogarth being the catalyst for a toxic relationship or Jessica Jones herself being victimized in an abusive one, modern day womanism is alive and well in this show.

I mean, who better to play Killgrave, a somewhat charming man who is driven by his need to control everything and ends up remorselessly hurting everyone he allegedly cares about....than David Tennant, the guy who played the Tenth Doctor, a somewhat charming man who is driven by his need to control (or fix, as it were) everything and ends up hurting people he cares about.

Also, the whole thing's got me excited to see Luke Cage's show. Mike Colter is playing a very layered version of Cage. The whole hardened "Shaft with superpowers" deal works well with the version Brian Bendis established in the comics back in 2000, but it's nice (necessary, in fact) to see characters of color with multiple dimensions, who are taken out of their comfort zones while still not compromising their principles. And Luke Cage is nothing, if not a man of principle.

All in all, this makes for an excellent piece of standalone superhero noir as well as a fantastic addition to the Marvel Cinematic Universe. Plenty of replay value.

My review for the week on The Mighty Thor is available on Black Nerd Problems for your viewing enjoyment. And don't forget about my weekly webcomic with Katie Coats, Neverland: The Untold, which updates weekly. Feel free to like, comment, share and spread the word as you see fit.

The Week In Geek: 11/4/15

This Week In Bad Journalism....Complex Magazine just established themselves as the most irrelevant rag in hip hop right now. Recently, Complex just dropped an article basically slandering Kendrick Lamar's latest album To Pimp A Butterfly in a roundabout fashion. In response, the internet lost its shit as it tends to do. Granted, social media is a breeding ground for kneejerk reactions, but it hasn't even been a year yet and we already have think pieces looking back on an album that dropped a little more than six months ago, dissecting it the way Vulture examines The Karate Kid or The Breakfast Club. 

It's reflective of the overall problem with hip hop journalism. Even if you're just reporting on the bullshit like how Rapper A was seen at a club with Rapper B's girlfriend, journalism is meant to inform. Now, YES, I clearly understand (as is evident by this blog) the allure in the human element of op-ed writing. After all, information is only so useful without context. But when you're trashing an album that your own publication JUST GAVE 4.5 STARS OUT OF FIVE, it's blatantly disingenuous. I'm not going to go through and redline the whole article but this one passage sums up the overall problem pretty well.

"Why, in 2015, would a recently platinum-selling rapper make a jazz album with Lalah Hathaway, Ron Isley, and George Clinton?" 

I've read enough of Complex to know that they're not stupid, that they know their roots. They knew how powerful it was to have such greats as George Clinton and Lalah Hathaway on an album tailor made for an African American Studies course in college. So, why throw such "old fogey" shade? The answer is simple: somewhere along the way, Complex found it to be more profitable to become the inexperienced 19 year olds they're supposed to be informing. They might have had more credibility if this weren't an album they'd previously lauded for its chaotic sound, but then, this was clearly an attempt to be contrary for contrary's sake to fuel the fire of a conversation that isn't really happening. As much as we hate comment sections on the internet, we are bizarrely drawn to them at the same time. They're the new "train wreck". Gawker does opinion pieces about poignant exchanges within them all the time. The human equivalent of a comment section is not only running for President, but blue shelling his counterparts in the polls. So, it's only natural that, in the interest of selling clicks, there will be some organizations that become the Lowest Common Denominator and invoke a comment section mentality. But then, this is the way of hip hop publications. The Source handed out 5 mic ratings like free samples until they glad handed themselves right out of relevance. As hip hop evolves, the people chronicling it should evolve as well. Otherwise, you have old fogeys sitting on the mountaintop, preaching about a culture they're not actively trying to understand in its present form.

My review for the week on The Invincible Iron Man is available on Black Nerd Problems for your viewing enjoyment. As always, feel free to read, view, comment and share at your leisure. And don't forget about my ongoing webcomic, Neverland: The Untold.

The Week In Geek 10/21/15

This Week In Superhero Television.... Agents of SHIELD is really coming around. It's nice that this has finally turned into a full fledged show with an identity. Some people still aren't as excited about Daisy Johnson (formerly Skye) still being the focus, but I think if they look closer, they won't see the same character they did before. In fact, Quake was a character that mostly fun but never really got to see her potential reached.

I mean, really....what the fuck ever happened to Quake? I mean, she had this great setup as Nick Fury's protege that "will go on to do great things and be one of the best agents ever." She had her own team of young, DIVERSE superpowered agents, most of which we've never heard from again including Phobos, the goddamned god of fear. This is one of those cases where Marvel could have BEEN doing the All New All Different thing ages ago. As a matter of fact, I'm going to go ahead and take that, in retrospect, as a direct attempt on Marvel's part to not let Brian Bendis OR Jonathan Hickman be great (even though they are both clearly allowed to be great now), but I digress. I think the complaining about Daisy wouldn't be so vocal if it weren't for the fact that the Most Interesting Story On The Show (What the Fuck Happened to Simmons) has been relegated to the side story.

Meanwhile, on The Flash, some of the sins of Season 1 have come back to bite this show in the ass. This week's episode mostly dealt with Captain Cold's abusive father blackmailing him into a crime spree. Since the writers have essentially defanged Cold, making any episode with him involved into anime filler (at least until Legends of Tomorrow finally debuts) it took them bringing The Voice of Darkseid in to give The Flash a reason to get shot with the cold gun. It's always interesting to jump into the minds of villains and their vulnerabilities, but the fact that it's a CW show means there's always the possibility that the writers will give into their urges to pander to the Lowest Common Denominator. In this case, that means having Golden Glider sit in the hero's lair and make doe eyes at Cisco. By the way....if your sister is a supervillain that can turn things to gold, why the fuck are you still robbing banks?

And then there's Arrow.... Last time we talked, Arrow was at least TRYING to move back to a palatable direction that isn't Oliver Queen becoming an assassin god. Now, things have picked up speed and the writers have begun to inoculate the show against sins of the past. It makes sense for the characters, given the events of last season, but come on, Oliver and Diggle starting off the new season in a bromance quarrel is not quite the nail biter we'd like. So, Felicity locks them in a room and basically orders them to suck it up. This barely takes an entire five minutes to accomplish before the duo are back on the streets, kicking butt again. So, they're speaking again and Felicity solved a problem by doing something other than crying. Two birds in one stone. They even got rid of Oliver's horrible flashback wig (despite the ever looming problem that these flashbacks are still happening even though nobody really cares at this point). Now, if only someone would do something about Diggle's awful welding helmet. I mean, his superpower is a gun. Don't you need depth perception to effectively shoot people? The show started off with him missing a bad guy directly at his side and I can't help but think maybe the narrow ass slits might have been an obstacle. Oh, well. I guess we can't have everything we want.

My comic reviews for the week on Tokyo Ghost and The Invincible Iron Man are available on Black Nerd Problems for your viewing pleasure. And don't forget about my webcomic, Neverland: The Untold. As always, feel free to like, share, comment and spread the word at your leisure.

The Week In Geek 10/14/15

This week in Superhero Television....Arrow seems to be getting back on the right path so far. Season Three's heart was in the right place even though it got a little existential "when is the Arrow not the Arrow". Granted, it looks like the writers are taking the long way around, but it's nice that the new season is getting back to the good old fashioned swashbuckling action we loved this show for originally. I also have to appreciate the fact that John Diggle's concerns about Oliver Queen coming out of retirement and his disdain for the Arrow's behavior (I mean, he kidnapped the guy's wife, for fuck's sake) basically mirrors our own. The show fell pretty far...like Robin Thicke level far...and still has a lot of making up to do, but it's off to a decent start. So, there's that. 

This Week In MCU News We Would Have Rather Been Surprised With.... It's finally been confirmed that the Mark Ruffalo will make an appearance as the Hulk in Thor: Ragnarok, scheduled for July 28, 2017. This is a big thing because up until this point, it was said that we wouldn't see the Hulk again after Age of Ultron for a long while. The rumored plot is Thor and the Hulk somehow teaming up with Valkyrie for what Marvel has promised to be the darkest Thor story yet. First of all, let me stop right there and establish that "a dark Thor story" is NOT a very high bar to clear. As much as I enjoyed the previously two movies, in the sense of the scope that Marvel builds at, they're essentially romcoms (The Dark World moreso than its predecessor). Also, I get the addition of Valkyrie in the interest of adding some spice to the already shaky gender politics, but what about Lady Sif? She's pretty badass in the comics, she's already established in the previous movies and the only real notable screentime she's seen is her basically getting friend zoned for Jane "I Don't Need Saving Until I Totally Do" Foster (not to mention her appearances on Agents of SHIELD...gotta love her referring to Agent Coulson as "Phil, Son of Coul"). Hopefully, Ragnarok makes more of an effort to shine more of a light on existing female characters before trying to bring new ones into the fold.

My comic reviews for the week on Ms. Marvel and Batman are up and available on Black Nerd Problems for your viewing enjoyment. Also, don't forget about my ongoing fantasy webcomic, Neverland: The Untold. As always, feel free to like and share and comment at your leisure.

The Week In Geek 9/30/15

So, This Week In MCU Excess.... The new rumor is that ABC is planning to make a comedy show based on Damage Control, the construction crew that ends up having to clean up after superhuman attacks. This has a 50/50 shot of either being outstanding or terrible. I mean, sure, Agent Carter was pretty much a win across the board, but Agents of SHIELD is pretty damn entertaining NOW, but it took them a long time and the best movie in the Marvel Cinematic Universe (Winter Soldier) to get there. It's nice that Marvel is branching out to infuse live action comedy in their Unstoppable Fan Service Engine, but it's still pretty dicey.

This Week In Female Solo Titles.... Mark Waid and Chris Samnee are going to be dearly missed on Daredevil, but it's awesome that they're going to be working on the new Black Widow series under the "All New All Different Marvel" banner. It's awesome that BW is finally getting some A list talent on one of her books. Don't get me wrong; I've enjoyed the previous runs that I've read and I appreciate that they lended a hand in expanding her backstory a bit, but they've started hitting a lot of the same beats reminiscent of the Avengers movies ("I've got red in my ledger") and it'll be nice to see some fresh eyes on this project.

This week in Music Saving the World.... Erykah Badu covered Drake's "Hotline Bling" and Childish Gambino covered Tamia's "So Into You." I don't really have any commentary about that. I just kinda wanted to put you people onto some good music.

My comic reviews for the week on Ghost Racers and Batman Annual #4 are available on Black Nerd Problems for your viewing pleasure. Also, don't forget the latest page in my ongoing webcomic series, Neverland: The Untold. As always, feel free to like, comment and share at your leisure.

The Week In Geek 9/9/15

This Week in Fan Appreciation....Praise the comic gods. Bitch Planet returned at long last after a lot of delays and scheduling issues. Though the ending had some readers pretty fucked up in their feelings, the real attraction that deserves discussion is the letter column. In addition to a lengthy blog-type entry from Kelly Sue Deconnick, there was a pretty legit essay on victimhood from a GQ writer. Last week, Grant Morrison's series, 18 Days, included a letter column that included an essay from the Supergods author himself on the differences in the Eastern superhero myths and the post 9/11, militarized superhero films of the West. And, of course, there's Brian K. Vaughn's always engaging, charming "To Be Continued" section at the end of the Saga. It's probably the only time I've ever heard of a fan proposing to his girlfriend via an editorial section in the back of an indie comic before Saga came around. Guys, letter columns are starting to matter again. It was really just a matter of time, too. In the era of social media, readers like knowing the creators are accessible. It maintains the feeling that they're grounded. They also help to build the foundation, a watering hole for the fan base, if you will. And it's funny that the best letter columns seem to come from creator owned books. As much as I like Marvel and DC, the indie stuff seems to be vastly more adept at keeping an open line of communication with the fans. 

My comic reviews on Batman and Planet Hulk are up and available on Black Nerd Problems for your viewing pleasure. Like, comment and share at your discretion.

The Week In Geek 9/2/15

So, This Week In Black Girl Magic, Netflix casted Simone Missick to play (very likely) Misty Knight in Marvel's Luke Cage series. The fact that Misty Knight is going to be in this show at all makes this one a promising venture....though I'm not counting on it being as awesome as Season One of Daredevil. But I'm more than open to being proven wrong. Luke Cage is also a great character that's overdue for another upgrade in visibility, so the show deserves a win.

This Week In Geeky Non Stories That People Lose Their Fucking Shit Over....Force Friday is a thing that happened. Basically, it was the first big reveal of the new toy line for the upcoming Star Wars movie, The Force Awakens. Now, I won't talk about the fact that most toy retailers were so vastly understocked, fans almost started an uprising at their local Toys R Us. I won't talk about the fact that an 18 hour live stream of people taking toys out of the fucking box is easily one of the most psychotic thing I've ever heard of since the first Saw movie was in theaters. No, I'm going to talk about the questionable nature of some of these toys like this fucking thing, for instance....

Masque #CaptainPhasma #ForceFriday #StarWars pic.twitter.com/y6H1xdt25k

— David Popineau (@davidpopineau) September 3, 2015

Look, I'm really excited that Gwendoline Christie is involved enough in the plot to merit her own toy. I'm just as glad that they're bringing back the voice changer face masks like the Darth Vader ones they had when I was a kid. But I don't feel like kids want toys that say generic shit like "On my command, fire" or the ever iconic "Submit your blaster."

On the other hand, this is unbearably cool. It's highly promising when you go in expecting a few toys to get you hyped for what is already the most hyped movie of the year (short of Age of Ultron) and come out with a droid that could very well be the future of robotics to a certain degree. Voice commands, personality, intuitive app controls? Sign me up! Disney is pulling no punches for this ad campaign! And it's not even Fall yet.

My review for the week on Thors is available on Black Nerd Problems for your viewing pleasure. Feel free to like, comment and share as you see fit.