How the Village Failed David Walker

So, recently, David Walker announced on Facebook that Marvel had left his Nighthawk series out of the November solicitations….meaning it was being canceled. Walker went on to soothe his savage fans (this includes myself), being as candid and classy about the whole thing as he could. After all, he still has his Luke Cage and Iron Fist series as well as the upcoming Occupy Avengers, so I'm sure he's not crying himself to sleep. Honestly, this is why I don’t take the complaints about blackwashing characters seriously.

Fans will whine and cry and moan about how the Big Two should focus on building up existing characters of color or creating new characters instead of having them take up the monikers of white heroes. And sure, this is valid but the problem here is that when the industry listens to the audience and gives us what we want, nobody buys it. This has been the case with Static Shock, Mister Terrific, Deathlok, Black Panther: Man Without Fear (though that last one was probably canceled more because it was meh) and the list goes on.

Nighthawk was essentially every single thing the audience has been calling for. Walker delivered an honest, upfront, challenging book that dusted off a black character that people really enjoyed from Supreme Power/Squadron Supreme. I mean, a Batman analog beating the shit out of corrupt cops in Chicago? That’s worth its weight in vibranium. And David Walker is a solid, prolific writer, so you can’t really say that Marvel didn’t put quality talent into it. We let books go to the wayside and then complain that we’re not getting what we want. We can’t have it both ways. At some point, a company (because it’s not unreasonable for Marvel to want to make money) is eventually going to go with what makes money and if that means the Falcon gets to be Captain America (which makes more sense than detractors are willing to admit) or that Kamala Khan gets to take Carol Danvers’ old name (in an Eisner award winning book, by the way), so be it. Meanwhile, if you want to whine about Marvel not being original, sure, that argument can be had. But if you’re going to complain, you have to at least meet the industry half way when they actually make a consorted effort to give you what you want. It takes a village to raise our own heroes up, but when we let decent material pass us by after complaining that it doesn't exist, I wonder if there was ever a village to begin with. Just thinking out loud. My review on the finale of Tokyo Ghost is available on Black Nerd Problems for your viewing enjoyment. And don't forget about my webcomic collaboration with Katie Coats, Neverland: The Untold as well

The Week in Geek 6/8/16: A DC Reboot Is Problematic or Water Is Wet.

As much as I tried to avoid talking about this, here I am giving my limited viewpoint of DC Rebirth, DC's attempt to fix something that used to be broken but isn't really THAT broken anymore but made a lot of people mad back when it was broken. First of all, trying to undo the sins of the New 52, something fans were pissed about five years ago, now that it turns out Big Two comic sales are looking down recently is like an abusive spouse taking you to Red Lobster because they remembered you asked for it five years ago when you met: Thanks but you'd still appreciate it if they stopped abusing you. (From this point, I discuss actual events that have taken place in certain DC comics, so if you're not at least two weeks up to date and you actually care about spoilers, go ahead and stop here. For everyone else, further discussion happens after the jump.)

The Week in Geek 8/26/15

So, This Week in Things The Nerd Sites Aren't Talking Nearly Enough About, Marvel just signed Ashley A. Woods, a woman of color. Now, it could very well be that this is in response to the somewhat deserved (and maybe not completely deserved) backlash they've received about not having as much black talent as they could. But honestly, a step in the right direction is a step in the right direction. And after seeing a sample of her work from Niobe, the comic she's doing with Rue from the Hunger Games, this is an impressive step in the right direction. I would direct you to more of her work, but apparently, her site is down due to all the traffic she's gotten since the announcement, so yeah, there's that.

And This Week In The Internet, anytime you feel down, any moment you feel as though life is giving you entirely too much burden to bare, watch this and I guarantee you will instantly feel better about your own bullshit. This happened for me. It will happen for you.

Also, This Week In Promoting My Own Shit, I was very happy to announce that my webcomic, Neverland: The Untold, is scheduled for its debut on September 15th. Katie Coats and I are unbelievably excited to be sharing this story with you guys. We promise to try and keep it as compelling as possible for you. The first story is unlike anything else I've ever tried my hand at. The website is just about finished, so thank you for all the email inquiries. We'll start building a database so I can keep you guys updated on everything including, events, new pages, fan art, etc. Thank you all for the outpour of support going into September. It means more to us than we can express. 

My review on David Walker's EXCELLENT Cyborg solo comic is up and available on Black Nerd Problems for your viewing enjoyment. Feel free to read, comment, share at your leisure as always. You know the drill.

It's Just Hair, Folks....

Mighty Avengers is a very special treat and if you're not reading it, you're missing out on some damn good reading with a lineup mostly comprised of heroes of color. If someone had told me I'd be reading a comic that builds on the Blue Marvel's story in such a compelling way, I'd have laughed right in their face. For all the fanwhining about a lack of focus on diversity and gender politics, this title (and some others) is one that breaks a lot of those rules.

One of my personal favorite things about this book (other than Luke Cage) is the addition of Monica Rambeau. Every once in a blue moon, someone finds a decent venue to bring her back and this is probably as good as premise as any. She's one of these characters that has basically had her entire history built upon being "that hero that's quietly been around for years." One major complaint has been Spectrum (as she now calls herself) now appearing with relaxed hair after most of the character's lifespan being her with either a fro or locs. One comment I read even went so far as to say that Marvel had "whitewashed" her (which, by the way, is ABSOLUTELY NOT what whitewashing means).

You know, as a nerd of color, I tend to get excited about and welcome when "our" issues are addressed in comic culture. That's an enormous part of why I signed on to work at Black Nerd Problems. However, there are a couple of issues that get way too much airtime from the Black Blogsphere I prayed would not creep into comics. Chief among them is the "natural hair vs. permed hair" wars. Extreme "natural" ideologues shout down the people who perm their hair and those who perm their chastise the "naturals", believing them to be elitist. This argument is older than many of us realize and, to my great disappointment, isn't going anywhere any time soon.

Now, we're not going to talk about that because I don't have the time or the energy this week to open myself up to yet another brand of trolling. We WILL talk about the merits of attaching such a debate to a fictional character.

Spoiler Alert: There are none.

It's the same problem as I've explained previously about Superman. Once you begin inventing values for a character (which, often times, means you're attaching your own) because they can't speak for themselves unless the writer makes it so, you start internalizing the narrative you've had a hand in creating. And it's a rather flawed narrative. I mean, as far as I can tell (and you're free to correct me if I'm wrong), I've never read a comic in which Monica Rambeau said anything that would leave me to believe she stood on either side of the natural/perm argument or that she even acknowledges it at all. I mean, Luke Cage used to have an afro, he shaved all his hair off and I don't remember there being any backlash about that.

Then again, it's best to not get me started on the strange double standard forced upon women, fictional or otherwise in nerd culture. That's a whole other post

Honestly, I think making Monica/Captain Marvel/Photon/Spectrum's hair was a fiercely bold move on Marvel's part. Because if you want to accurately depict people of color in your medium, you have to capture all sides of the spectrum realistically. Some of us stand fierce to certain hairstyles, some of us use our hair to make statements, some of us just don't give a shit. But like Monica, ALL of us can't, won't, and shouldn't be defined completely by our hair. Because it's just hair.