Update: Arrow is Still Trash

Since I haven’t done a post in a while, I might as well check back in with comic based television. I know I said I was done with Arrow last season, but after seeing the trailer for the new season, I got curious as to where they were headed. The result is my first real hate-watch since Smallville. I mean….there are just so many bad things taking place, but the small handful of good things keep me interested in how they’re going to maintain them.

First off, I talked about this before but the whole thing with Oliver Queen maybe/maybe not doing murder is just getting silly. The whole point of a superhero is that they stand on a very basic code of morals, whatever that code may be. It’s hard to know if you’re the kind of superhero these people want to stand behind if that code is changing from season to season. If the writers are going to be so deadset on modeling the Green Arrow after Batman, he’s gotta be less indecisive than that.

And this whole Arrow Academy storyline wavers between “trash” and “kinda tolerable fan service.” And the main problem isn’t that the new team is garbage (although the new team IS garbage); it’s that the only reason there’s a new team is because the writers realized they’ve written all of the old team into a corner. Diggle has fallen so far from awesomeness, he had to run off to the Army just to have a sense of identity. A SUPERHERO had to quit superheroing and rejoin the Army just to feel like somebody. That’s a problem. Meanwhile, Ollie’s sister, Thea has quit being Speedy/Red Arrow to join her brother in politics just to have a credible storyline that isn’t focused on either a). her daddy issues or b). her consistently terrible choices in boyfriends. And Felicity is sick of being Oliver’s enabler even though she stuck around to continue serving as Oliver’s enabler. Because make no mistake, one of the primary reasons that the Green Arrow is an asshole is because Felicity spent four seasons telling him that his best, most dickish self is the key to beating the bad guys. Granted, this week’s episode was probably the best one thus far simply because the scene of Team Arrow assembling was epic (not to mention Stephen Amell settling his wrestling beef yet again with Cory “Stardust” Rhodes who played the villain of the week).

The problem with this show digging so hard into the Batman well is that Batman doesn’t work in a weekly CW show. Batman works well in comics and movies because either you’re not reminded constantly of what an irredeemable douche he is.

In any case, the show is probably going to crawl along on this redemption run until the Green Arrow finally throws down with Prometheus because there’s only room for one Impossible White Man in Star City. But for the most part, it feels like the show is trying so hard to gain its viewers trust back, it's just a reminder of how much they've fucked up.

The Week in Geek: 5/25/16 or My Breakup With Arrow

So, This Week in Superhero Television.....I think I'm done with Arrow. For those of you that don't follow me on Twitter, I do the weekly livetweet for Flash and Arrow under the Black Nerd Problems account. One of my editors, Omar Holmon, used to do it, but I think his neighbors found out he was stealing cable and he had to shut that shit down. Anyway, I'd usually be honored by the opportunity, but Arrow's redemption season has been a painful trudge to the middle of the road. I mean, the show has maintained a steady standard of "not as good as The Flash but better than Legends of Tomorrow" but let's be honest; that's not a high bar to clear in the first place.

When this season started, there seemed to be some light at the end of the tunnel, an attempt to right some of the creative wrongs committed in the previous season. But the writers seemed to make an almost deliberate attempt to solve those problems by either highlighting everything that's been wrong with the show or stepping over said problems altogether. Case in point, the Black Canary II. There has been no one more against Laurel Lance taking her sister's mantle than me. They choreographed her fight choreography terribly and she spent the past two seasons being unnecessarily unlikeable. So, you would think I would be happy they killed her off. But then, her Earth 2 doppelganger shows up on The Flash and she stole the whole episode. She was an amazingly fun villain as the Black Siren, it brought into realization that the writers just plain squandered her on Arrow as opposed to the thought that she'd fallen so hard, she couldn't be written back into glory again. It was just a waste, retrospectively.

The finale was like a window display of everything that's been wrong with this show. Much of this show has been about Oliver Queen's fight against his darker nature and the killer instincts that he picked up during his time on The Island From LOST. For a few episodes, they telegraphed to viewers that the way to combat Damian Dahrk's Sith Lord Magic was for him to expel the darkness in his own heart and embrace the light. But in the end....after Dahrk's magic was nullified by the people of Star City using The Third Act In Dark Knight Rises against him...Oliver ended up succumbing to the darkness by killing Dahrk after he was clearly beaten. Even Diggle, the Arrow's moral compass ended up giving into his dark side by murdering the older brother whose soul he'd been trying to save all season because Andy trolled him a little in defeat. I mean, really, Diggle had turned to the dark side when he tried to kidnap his enemy's wife and pistol whipped her in broad daylight, but hey....who's counting at this point? It's just strange that the show has spent all this time cloning Batman (more blatantly in the finale than ever before) and yet picked the strangest time to step out of Batman's shadow. One of the big problems with American shows like this is that they go on past their structural shelf life. In a perfect world, Arrow would have ended after Season Two when he defeated Slade Wilson and conquered the darkness within the second time (he's gone back and forth about killing no less than four times not including his useless flashbacks to The Island From LOST). But because the endgame is to monopolize CW with entire blocks of the Arrowverse (as is more evident by the inclusion of Supergirl), these shows have to go on being built far away from the foundations they were built on and the past season is the resulting category 4 shit storm. Rest In Peace, Arrow. We will never forget. But we will try.

My comic reviews for the week on Star Wars and The Mighty Thor are available on Black Nerd Problems. And don't forget my ongoing webcomic series with Katie Coats, Neverland: The Untold.

The Week In Geek 3/9/2016

It's been a while since I've done This Week In Superhero Television and it's seems like good time to catch up now that most of the shows worth talking about are on break at the moment.

As it stands, The Flash might still be some of the most compelling comic based television right now. The absolute best thing about this show is that it's not about to embrace its own hamfisted insanity. Usually, shows go to absolute shit when they start fucking with time travel and parallel dimensions, but Flash full on owns it in a way reminiscent of the strong points of Lost (the strong points it actually had). Delving into Earth 2 has been major fun and Zoom has been enigmatic to the point of ridiculousness and hilarity. Also, I feel obligated to point out that Jesse L. Martin has been a powerhouse as Joe West, superhero father of the decade. The way he doesn't allow himself to be overwhelmed with all the sensational superpowers and whatnot is refreshingly human almost in a Jim Gordon sort of way. I also have to applaud the writers for at least TRYING

Meanwhile, Arrow is still trying to atone for the sins of last season but it's a long way back to the top. For one thing, the Arrowverse is trying its damnedest to make Diggle a relevant character again by introducing his evil brother Itachi...I mean Andy. John trying to make what's left of his family whole again is a noble effort to re-establish him as the moral compass of thais show. And, MY GOD, does Arrow ever need a moral compass? Because TV Oliver Queen, being a Batman surrogate and all, is a great superhero but a dreadful man. And to my great dismay, Felicity Smoak has become just as bad thanks to the writing team. She used to be such a steadfast, grounded figure, but now her plotlines have mainly devolved into her crying over things that really don't deserve the tears. When Oliver admitted that the only way he was allowed to see his son was to keep him a secret, Felicity was fully aware that her fiance was placed in an impossible situation and walked out on him as he sent his son away for his own safety (since he'd been kidnapped by his nemesis and all). Now, sure, he could have told Felicity without anyone knowing, but a person trying to be a better man openly lying to the mother of his only child for his girlfriend is still asking a lot. It's the entire problem they keep creating with her character: "I know you were faced with an impossible, no-win situation where anyone else would have folded, but goddamnit, what about ME?" It borderlines on the stereotypical nagging wife of an old 50's sitcom.

As for Legends of Tomorrow, I actually haven't watched the show since the pilot episode and I'm not entirely sure if I intend to try. It's great that the Arrowverse is stretching its legs and trying things, but this particular attempt is just too much. The strong points are all there. The show is basically going to live and die off of the return of Sarah Lance, The Doct....I mean, Rip Hunter and Wentworth Miller's amazingly ridiculous performance as Captain Cold. But there were just too many problems to ignore right from the start. For one thing, I'm used to Hawkman being characterized as an asshole. But for fuck's sake, he proposed beating Hawkgirl up to settle a dispute. Also, he's supposed to be Egyptian and is as lily white as Ron Howard (as is Vandal Savage). Also, there's the matter of Professor Martin Stein giving his other half of the Firestorm matrix a date rape roofie to make him come on the trip to stop Savage. I won't even touch that.

"Where's the black guy, though?"

My comic review for The Mighty Thor is available on Black Nerd Problems for viewing enjoyment. Feel free to like, comment and share as you see fit.

The Week In Geek 10/21/15

This Week In Superhero Television.... Agents of SHIELD is really coming around. It's nice that this has finally turned into a full fledged show with an identity. Some people still aren't as excited about Daisy Johnson (formerly Skye) still being the focus, but I think if they look closer, they won't see the same character they did before. In fact, Quake was a character that mostly fun but never really got to see her potential reached.

I mean, really....what the fuck ever happened to Quake? I mean, she had this great setup as Nick Fury's protege that "will go on to do great things and be one of the best agents ever." She had her own team of young, DIVERSE superpowered agents, most of which we've never heard from again including Phobos, the goddamned god of fear. This is one of those cases where Marvel could have BEEN doing the All New All Different thing ages ago. As a matter of fact, I'm going to go ahead and take that, in retrospect, as a direct attempt on Marvel's part to not let Brian Bendis OR Jonathan Hickman be great (even though they are both clearly allowed to be great now), but I digress. I think the complaining about Daisy wouldn't be so vocal if it weren't for the fact that the Most Interesting Story On The Show (What the Fuck Happened to Simmons) has been relegated to the side story.

Meanwhile, on The Flash, some of the sins of Season 1 have come back to bite this show in the ass. This week's episode mostly dealt with Captain Cold's abusive father blackmailing him into a crime spree. Since the writers have essentially defanged Cold, making any episode with him involved into anime filler (at least until Legends of Tomorrow finally debuts) it took them bringing The Voice of Darkseid in to give The Flash a reason to get shot with the cold gun. It's always interesting to jump into the minds of villains and their vulnerabilities, but the fact that it's a CW show means there's always the possibility that the writers will give into their urges to pander to the Lowest Common Denominator. In this case, that means having Golden Glider sit in the hero's lair and make doe eyes at Cisco. By the way....if your sister is a supervillain that can turn things to gold, why the fuck are you still robbing banks?

And then there's Arrow.... Last time we talked, Arrow was at least TRYING to move back to a palatable direction that isn't Oliver Queen becoming an assassin god. Now, things have picked up speed and the writers have begun to inoculate the show against sins of the past. It makes sense for the characters, given the events of last season, but come on, Oliver and Diggle starting off the new season in a bromance quarrel is not quite the nail biter we'd like. So, Felicity locks them in a room and basically orders them to suck it up. This barely takes an entire five minutes to accomplish before the duo are back on the streets, kicking butt again. So, they're speaking again and Felicity solved a problem by doing something other than crying. Two birds in one stone. They even got rid of Oliver's horrible flashback wig (despite the ever looming problem that these flashbacks are still happening even though nobody really cares at this point). Now, if only someone would do something about Diggle's awful welding helmet. I mean, his superpower is a gun. Don't you need depth perception to effectively shoot people? The show started off with him missing a bad guy directly at his side and I can't help but think maybe the narrow ass slits might have been an obstacle. Oh, well. I guess we can't have everything we want.

My comic reviews for the week on Tokyo Ghost and The Invincible Iron Man are available on Black Nerd Problems for your viewing pleasure. And don't forget about my webcomic, Neverland: The Untold. As always, feel free to like, share, comment and spread the word at your leisure.

The Week In Geek 10/14/15

This week in Superhero Television....Arrow seems to be getting back on the right path so far. Season Three's heart was in the right place even though it got a little existential "when is the Arrow not the Arrow". Granted, it looks like the writers are taking the long way around, but it's nice that the new season is getting back to the good old fashioned swashbuckling action we loved this show for originally. I also have to appreciate the fact that John Diggle's concerns about Oliver Queen coming out of retirement and his disdain for the Arrow's behavior (I mean, he kidnapped the guy's wife, for fuck's sake) basically mirrors our own. The show fell pretty far...like Robin Thicke level far...and still has a lot of making up to do, but it's off to a decent start. So, there's that. 

This Week In MCU News We Would Have Rather Been Surprised With.... It's finally been confirmed that the Mark Ruffalo will make an appearance as the Hulk in Thor: Ragnarok, scheduled for July 28, 2017. This is a big thing because up until this point, it was said that we wouldn't see the Hulk again after Age of Ultron for a long while. The rumored plot is Thor and the Hulk somehow teaming up with Valkyrie for what Marvel has promised to be the darkest Thor story yet. First of all, let me stop right there and establish that "a dark Thor story" is NOT a very high bar to clear. As much as I enjoyed the previously two movies, in the sense of the scope that Marvel builds at, they're essentially romcoms (The Dark World moreso than its predecessor). Also, I get the addition of Valkyrie in the interest of adding some spice to the already shaky gender politics, but what about Lady Sif? She's pretty badass in the comics, she's already established in the previous movies and the only real notable screentime she's seen is her basically getting friend zoned for Jane "I Don't Need Saving Until I Totally Do" Foster (not to mention her appearances on Agents of SHIELD...gotta love her referring to Agent Coulson as "Phil, Son of Coul"). Hopefully, Ragnarok makes more of an effort to shine more of a light on existing female characters before trying to bring new ones into the fold.

My comic reviews for the week on Ms. Marvel and Batman are up and available on Black Nerd Problems for your viewing enjoyment. Also, don't forget about my ongoing fantasy webcomic, Neverland: The Untold. As always, feel free to like and share and comment at your leisure.

The Week In Geek 4/15/15

Since Daredevil dropped last week, it's basically re-polarized the way a lot of people are looking at superheroes on the small screen. Jordan Calhoun wrote a pretty comprehensive opinion piece summing up the overall sentiment and it's really good. But I'm not so sure it's completely fair. It's one thing to say that Daredevil has altered the standards for grittiness in the genre. I mean, it really is the best superhero television show out there. It does dwarf everything else in terms of a writing, casting and production. But it doesn't necessarily make it's rivals trash. Arrow and Daredevil both draw parallels to the more hardcore aspects of Batman, but they serve very different purposes. Daredevil is an elevator ride to the ground floor, the cracks and crevices of a world that thunder gods and super soldiers can't always see because of the latest alien invasion or robot uprising. Arrow was the beginning of a universe that very much takes that same elevator up to the fantastic. I dunno. I feel like you can accept Daredevil and Arrow simultaneously the same way people accept Arrow and The Flash. But that's just me. I could be wrong.

Anyway, you can check out my comic reviews for the week on Thor, Ms. Marvel and Uncanny X-Men as well as my recaps for this week episodes of Arrow and The Flash on Black Nerd Problems. You know the drill. Feel free to comment, share or whatever. Enjoy.

My Favorite Things 2014: Movies and TV

Television

True Detective: If someone had told me a year ago that "American Horror Story For Murder Mysteries" would be one of the most awesome things to happen to television in 2014, I would have laughed heartily at them. And I would have been dead wrong. Nic Pizzolato took everything that's enjoyable about the experience of a hard boiled mystery novel and packaged it into a well-produced, streamlined series. I mean, these were some of the most beautifully shot parts of Louisiana I've ever seen. And it took full advantage of Matthew McConaughey's new season in the limelight. Rustin Cohle is one of the most compelling (at times, confounding) characters I've seen on a show like this in years. The only sin committed was that we didn't get to spend more time with these backwater super sleuths.

The Flash: I have to say this one took just about everyone by surprise. CW finally has the expanded superhero franchise its wanted so badly. The best thing about the Scarlet Speedster's series is that it never attempts to capitalize off of Arrow's success with creating a dark, gritty, Nolan-esque universe for it's lead to play in. In fact, it does the opposite. It's genuinely hopeful and intentionally trite, making Grant Gustin's Scarlet Speedster a Superman surrogate of sorts. And Jesse L. Martin playing Joe West does this show so many favors on so many levels.

Movies-

Captain America: The Winter Soldier- TWS is easily the best representation of where Marvel is in terms of production quality and representation of source material on the screen. This is what it looks like when you manage to tell a decent story and still deliver fast paced action without really compromising either element. Who would have thought the same guy who killed it as Johnny Storm (the only real standout aspect of the Fantastic Four movies) would go on to become and, basically, OWN the role of Captain America?

No, I'm NOT Calling The Flash and Arrow "Flarrow"......

So, this week was the big two night "Flash vs. Arrow" crossover event and despite my mild skepticism (a "versus" scenario would have been a bit more plausible a few weeks ago before Barry did Mach One to put Not-Quite-Colossus on his ass), it was actually much better than I expected. One thing it did very well was establish a clear tone for each respective show in this one universe. And love or hate them, you can at least say that these two shows know exactly what kind of shows they want to be. You've got a shitshow like Gotham that has virtually no identity and, at the same time, EVERY identity. Sometimes, it wants to be a by-the-book procedural cop drama set in a famous fictional city. Every once in a while, it's a Batman prequel when it needs to bring back viewers. Other times, it wants to be Boardwalk Empire set in a famous fictional city. Some days, it's Rise of the Penguin. And sometimes, as evident by the many larval stages of Jada Pinkett Smith's wig, it wants to be a Bronner Bros. hair show in Atlanta. Arrow, makes a very clear statement in almost every scene that it's a primetime Batman surrogate. The Flash is obviously meant to be a Superman replacement (because we will NOT see Superman on primetime television again for a while; Thanks for nothing, Smallville), far more hopeful and cartoonishly optimistic than his gritty counterpart. It's actually the kind of dynamic I hope will take place in Batman vs. Superman: Dawn of Justice (despite Henry Cavil's sad eyes). DC gets a lot of crap for being so slow to the starter blocks in competing with Marvel's unstoppable engine of movies, but as far as TV goes, they know how to sell a product. Then again, I could be wrong.

Is Harley Quinn The New Deadpool?

So, the Suicide Squad recently got rebooted AGAIN. At this point, I think it's hot on the Legion of Superheroes' heels for "most times canceled by DC Comics." In fact, I'm pretty sure they're both at least one more cancellation away from a free Firehouse sub. I was really ready to give it a chance and decide on it myself except 1). I think I'm getting to the age where I don't have to test out every single thing that shows up out of curiosity (I still haven't seen Battleship because I KNOW it's trash) and 2). I've never seen a book that was voted off the island so unanimously. I mean, I haven't seen or heard a single positive thing about Suicide Squad this time around. And now, it's got me wondering: What is it that DC is getting SO wrong about the Suicide Squad? Honestly, the team seems to get generally positive responses in their appearances on Justice League Unlimited and, recently, Arrow. But the book never catches fire for very long.

It so happened that, as I was contemplating this, I ran into one of my readers (Yes, on occasion, I do indeed run into people who read the blog and engage them about what they've read) who'd noticed the same thing I had that the book just can't seem to get lightning to strike for some reason. Now, both of us are stumped on the franchise in general, but he had an idea about this incarnation in particular: Harley Quinn. I don't read as much DC as he does to have noticed it, but hypothesized that Harley Quinn is slowly becoming the new Deadpool. And he kinda had a point. I remember reading issue zero of her solo series and most of it was basically her breaking the fourth wall interacting with the readers and the writers, very similar to Deadpool's knowledge that he's a comic character in a fictional world. In DC's need to give her an identity aside from being the Joker's girl Friday (since Joker has been intentionally absent), she's become sort of a gag character. On one hand, if this is a mandated plot on DC's part, there is a chance it's not going to fly because the problem with DC's mandated plots is that they usually feel like mandated plots. It's as there are a bunch of old white men sitting in a boardroom listening to an intern talk about way to increase their humor quotient by 35 percent (Because let's face it, DC is the GOP to Marvel's Democrats).

On the other hand, DC could use some levity. I've remarked before that the problem with the New 52 from the start has been that it's not nearly as fun as it could be. Lobo used to be their joke character, but in keeping with the whole "the New 52 is because because it's all hardcore" thing, they've taken Lobo and allowed him to win enough pokebattles to evolve into Chris Cornell, so he's out of the "fun" column.

He just looks like he's saying,
"Lobo will sex you now."

So, in truth, there's the possibility that Harley Quinn COULD be DC's answer to Deadpool as long as they remember to value the character for actual gags and over just being there. The problem with Deadpool is that Marvel rarely uses him for actual jokes anymore. His just being on the cover of a book he has nothing to do with or appearing in the the book to break the fourth wall is joke enough for the writers even when Deadpool isn't actually doing anything funny. From what little I've read (and I invite any of you who've read more of her stuff to fill me in a bit more), it seems like she could go this route if left unchecked and, in turn, become unfunny really quickly.


They also have to put a cap on oversexualizing her. The amazing thing about Deadpool is that he is (or has the potential to be when he's not Marvel one trick pony gag) a hilarious character despite a rather depressing backstory. (Granted, Spider-Man is pretty funny despite a laundry list of horrible shit happening to him, but you can always fall back on the idea that he's laughing to keep from crying or pissing his pants that he's fighting a guy who throws exploding jack-o-lanterns. Deadpool is laughing because he's just plain crazy.) DC caught a lot of bullshit because of a fan art contest a while back where you had to draw Harley Quinn dying in these horrible ways. Never mind that DC was making light of suicide at one of the worst possible times of this generation to make fun of suicide. That's a whole other post. The problem was the context. Usually, you can get away with this shit when it's done under the "crazy" umbrella, but it wasn't. The main context was that Quinn is a ditzy blonde who giggles and squeals and doesn't know much better (although, the Bruce Timm version from Batman: The Animated Series was a big contribution to that, but that's also another post). Play up the crazy and it might work out, but we all know how horrible DC is with gender politics.

Is Harley Quinn becoming the new Deadpool? Not yet, but she could be. Then again, I could be wrong.  

Is It Time To Start Taking Fan Made Work Seriously?

So, this week, I wrote a review on the fan made project, Nightwing: The Series and I actually ran into some difficulty evaluating it. If you've read this blog before or if you've read Black Nerd Problem, you know reviewing stuff is something I do pretty often. In this case, it was sort of awkward taking a close look at Nightwing because I couldn't exactly take a jab at the project for being fan service. It's fan made, so of course it's going to be fan service. Teasing fans with Oracle's wheelchair, Nightwing's costume looking like it came out of Young Justice, the borrowed Dark Knight belt....all of this is textbook fan service.

I know this is a sin in professional circles, but where the superhero genre of film and television is concerned, you really do have to consider a whole other manner of approaching a review of its quality level. This is what I had trouble with originally and this is what I think other critics who aren't, shall we say, initiated in the comic world have trouble with. The genre itself has reached a point of variety where it's difficult to compare one project to the other. Because, more often than not, their goals are different. Agents of SHIELD is, of course, spun from The Avengers, but they're as different from one another as night and day (which seems like what fans are STILL having trouble understanding). As the production quality improves over time, Marvel gets better all the time at giving its audience the best cinematic representation of a comic book humanly possible, Guardians of the Galaxy being one of the best examples. With that in mind, Marvel films are comic book crossover events and Agents of SHIELD is a tie-in. Rarely in such tie-in comics do you ever see major characters like Captain America showing up to beat up Deathlok or Iron Man flying by to save Phil Coulson everytime he gets into something he can't get out of on his own. The purpose of The Avengers is to be the cinematic version of a superhero team-up (something I don't think had even been done before). The purpose of Agents of SHIELD is to keep Marvel on your mind and continue selling you their brand in between movies even if it's on a dog and pony level. Arrow has less of these restraints because it doesn't ever tie itself directly to any other property, but you see what I mean here, right? Nightwing's purpose, much like several projects like it (no matter how shitty they are), thus far seems to specifically be to give fans a piece of the DC Universe that live action movies and television seem to have made a point to steer around.

The other thing about Nightwing that makes it noteworthy is that its Kickstarter roots make it a good example of a trend fans should start looking at. I often hear people talking about how there's no good options in hip hop anymore. Usually, these people are waxing poetic about an easier time while listening to the radio. My suggestion to them is usually to find non-mainstream alternatives. I haven't given the radio a serious listen in almost ten years. I get along just fine. Truth be told, the same could be said for the superhero genre. Fans await their favorite hero's time in the spotlight in a feature length blockbuster film. I've written quite a bit recent about how it shouldn't be hard for Marvel to churn out a decent Black Panther film and I stand by that statement, but in The Era of Kickstarter, viable independent superhero films should really be explored.  I mean, how awesome would it be to see one of Christopher Bird's "Why I Should Write Doctor Strange" treatments brought to life with Kickstarter money? Besides, at the end of the day, a LOT of the things fans complain that their favorite superhero movies are lacking are basically things that would be considered fan service. And what venue for fan service could possibly be better than fan made shorts?

It's happened with Star Wars and Star Trek....both of which had perfectly satisfying results. Gaming culture has already tapped into this in the absence of watchable mainstream video game movies and given rise to projects like Mortal Kombat: Rebirth and Street Fighter: Assassin's Fist. At this point, there's really no reason aside from "It's Not Canon" (and even then, there's plenty of comics referred to as "source material" that aren't canon that are still considered gospel) that we couldn't start seeing more projects like Nightwing from fans.

Of course, I suppose there is always the possibility that if this did become a lucrative enough industry in itself, the Big Two (namely Marvel since they're working on exclusive Netflix content and you could imagine they're big enough at this point to just crush opposing clicks in the courtroom instead of competing if they so wanted) might intervene and step on fandom's neck by Falcon Punching independent creators with copyright infringement suits like the record industry did, but to do so would come across as a direct affront to fandom that might just move a number of readers to hit them in pockets. Marvel and DC do their share of stupid shit, but I don't see them giving fans the finger outright like that. Then again, I could be wrong.

Stuff I Read This Week 4/30/14

Avengers #28: Avengers came off of having a really good run during and after Infinity. Jonathan Hickman's penchant for world building gave rise to some goddamn good superheroing in the past year. The latest story from the past few issues involving alternate universe Avengers coming into the 616 dimension has had some potential, but has also some weird pacing, making for a strange read. 

Fortunately, business starts to pick up again in this issue that mainly centers on Bruce Banner in an awkward sitdown with Tony Stark. This leads to some hard truths about the manner of the Avengers' new format as well as some of the threats the Illuminati has kept at bay from the shadows in Hickman's New Avengers series (which, by the way, has gotten so slow, I'm not sure it's actually moving anymore). This is awesome because a). it gets back to displaying the world building elements that Hickman does so well and b). because we get to see more of the cunning Bruce Banner that fans have really wanted to see over the years from Hulk lore. It's nice to see that his place in the Marvel Cineverse has inspired a more fleshed out presence from Green Goliath's more enlightened side. Salvador Larroca's pencils are as strong as they've ever been. He gives off a very clean, almost cinematic storyboard style that pulls off some truly engaging scenes. The look of Banner keeping his anger in check, holding back "the other guy" is compelling and ominous.

Bottom Line: Delightful art, coherent, nicely paced tie in to New Avengers....it's nice to see Hickman getting back on track. 8.5 out of 10

Silver Surfer #2: Dan Slott and Michael Allred got the new Silver Surfer off to a strong start. Slott borrows a lot from Doctor Who, but as any Whovian can tell you, there are certainly worse places to draw inspiration from. After all, while comics have the capacity to act as gospel and lead in parts of pop culture, they also have a history of, to their benefit, being very derivative as well. 

This issue picks up with the Surfer flying off under duress to combat the mysterious Never Queen that threatens the people of the Impericon. We gain some insight into exactly what makes our hero's foe such a threatening one. Meanwhile, Slott also gives us ample time with his accidental partner, Dawn Greenwood, displaying what makes her such an appropriate companion (see what I did there, Whovians?) for the Surfer. In many ways, she's reminiscent of Clara, the Doctor's latest traveling buddy. It's great to see a female character take herself out of the damsel in distress box for a change (looking at you, Laurel Lance from Arrow) and take charge of a situation. There's a page in particular where Slott teases readers with a few possibilities of things to come for this unconventional team-up of sorts. There is simply NOTHING complain about art-wise in this book. Some fans have complained about the more visually lighthearted it takes, but honestly, Marvel could use a little more of that. Dawn is portrayed in a way that's stylish but isn't oversexualized and the Surfer has very dynamic poses that jumps right out at you. 

Bottom Line: Another great installment that makes future adventures out to be very promising. Thus far, this is one of the best relaunches of the Marvel NOW initiative. 9.5 out of 10.

My Favorite Things of 2013: Television

Avatar: The Legend of Korra- Was Book Two as good as Book One across the board? No. But it was still pretty fucking awesome. Switching animation studios was the best thing that could have happened to this show. Episodes 7 and 8 may very well be the best looking episodes ever seen in the Avatar franchise thus far. The writers clearly pulled a couple of "uncharacteristic" stunts with the characters in the first half to shake things up, but the second half more than makes up for it.

The Walking Dead- For a show that never seems to get the comic to tv translation quite right, this show still manages to be the best ongoing survival horror series (maybe) ever.

The Newsroom- The second season of Aaron Sorkin's news media melodrama managed to highlight the fact that a). even fictional liberal media can't ever catch a break and b). no matter how much viewers like him, critics will never be happy with any non-West Wing thing Sorkin ever does "because fuck him, that's why." Granted, I don't agree with changing his format in season 2 just to pacify critics who whine about its preachy tone (funny how those same critics never seemed to have a problem with 24's overall theme of "America is awesome because America"), but the Operation Genoa story arc was a very intriguing experiment in the potential of Sorkin drama (at this point, Sorkin drama is a genre unto itself) to highlight that journalism, in reality, is less draconian and conspiratorial and more incompetent and rushed. Yes, Jeff Daniels, more or less carries this show and sure, there are a couple of plot points that can go ahead and die, but this is still one of the best shows on HBO that isn't Game of Thrones....or Girls....or Boardwalk Empire. You get what I'm saying.

Arrow- This one is on my good side mainly because I consider it like the "most improved student" in the classroom of comic-based media. When it debuted in 2012, I was highly unimpressed with the lackluster pilot and dismissed it. However, I eventually came back to it out of curiosity, shocked to see that, despite a couple of episodes clearly being written by Geoff Johns (I like the guy but Explainer's Disease), the show grew on me quickly. This show is a good example of what I was talking about in an earlier opinion piece when I mentioned that movie/television ideas can enhance a character and make them digestible for the collective consciousness. Although he's a personal favorite of mine, Green Arrow is definitely a character who I've always believed would benefit from some retooling. I think it was a smart move to basically turn him into a primetime Batman surrogate (since it's been plainly obvious for years that DC has wanted Batman on primetime tv soooooo badly). I also like this show because it seems to be every bit as polarizing among fans as Man of Steel was. Arrow is either either fanboys love about comic book television or it's the bane of their existence. My hypothesis is that the nerds who hate it subconsciously hate that it has the stigma of CW tween-vision, land of shirtless men and feelings, hanging over it. But let's be honest; how are the things fans complain about ANY different from Thor or Spartacus which seem to be immensely popular?

-"Oh, it's so melodramatic. It's obviously pandering to women."

Something based on a comic book that's been around since the 40's has "Damsel in Distress Disease" and pretty people in it? The hell you say. How awful. Gee whiz, why can't Arrow be more like Thor, where homely men like Chris Hemsworth stand next to homely women like Natalie Portman who don't ever get themselves into danger, bludgeon their relentless enemies to their vomit inducing deaths and would NEVER spend half of a movie making pouty doe eyes at each other?

You know where I first saw the trailer for Thor: the Dark World? During the previews before Baggage Claim, a myopic piece of syrupy romantic comedy Kool-Aid that my girlfriend at the time dragged me to. You know what other trailers were featured? Black Nativity, a musical bastardization of Langston Hughes' play followed by About Last Night, a rom-com with Kevin Hart in it. I was one of maybe 7 other men in a packed theater. Thor: The Dark World currently holds at 65% on Rotten Tomatoes. The Thor movie before that one is at 77%. I hate to break it to you, fellas, but comic book movies beat you to the pandering punch. Try again.

-"He's always got his shirt off for no reason. And the women always look like models."

Oh, please. Because we all know hit action shows like Spartacus are such winners because the heroes and heroines are all such fully clothed bastions of modesty and virtue. And remind me again how Thor is known for his long sleeved, baggy shirted adventures.

I said all that to say....suck it up and learn to let go. Arrow is awesome.