The Obligatory Iron Fist Post

So, in case you haven’t heard, Marvel’s long anticipated Netflix series Iron Fist….is garbage. Even by Arrow season 4 standards, it’s pretty rough. The worst part about wasn’t even that Iron Fist was a white guy. Matt Fraction’s version was pretty awesome and featured a white guy but also many Iron Fists of color that, Marvel seems to have completely overlooked for reasons unknown. It’s a bad thing but not the worst thing.

It was that it was painfully obvious that Marvel had been putting the development off because they had no idea what angle they wanted to approach the story from so they went with a paint by numbers origin story that, good or bad, just didn’t feel genuine at all. Granted, I realize that “heart” isn’t really quantifiable but you can definitely tell when a writer has something to say and the writers for Iron Fist didn’t.

No matter what you think of any given Spider-Man film, it’s very clear in each installment that the writers have a clear understanding of the fact that Spider Man’s most prevailing themes is “doing the right thing even when it sucks.” Hell, even Kung Fu Panda seems to run with the theme that “Being a hero isn’t about where you come from so much as who you choose to be.” Nothing about Iron Fist seems to convey an overall theme aside from “because kung fu” which is pretty rudimentary considering how far along we are in telling of the superhero myth.

Honestly, Marvel had a chance to beat DC to the punch of something they do well because they’ve been doing legacy stories forever (Reminder: There have been four Flashes, three Batmen and three Green Lanterns in one sector). They could have easily done a Book of the Iron Fist series about various wielders of the power throughout the years. Introduce a new Iron Fist, preferably an Asian one and have the show be about him returning to the world to fight the Hand when someone else emerges who controls the Iron Fist simultaneously, a white man named Danny Rand (because there is precedent in the comics of two people having the power at the same time), let them do an obligatory team up and have Danny go away and let Lewis Tan or Collin Chow or whoever be in the Defenders.

So yeah, I’m not as mad about Iron Fist being racially problematic and silly. There’s plenty of that. I’m salty because it’s structurally silly and full of missed opportunities. No matter WHO plays Iron Fist….the show would have still been bad. The only difference is that we’d be drowning in think pieces about how (Enter Much Better Actor Here) is way too good to be in it.

The Defenders seems promising, though. So, there’s that. Check out my review on the Green Lantern/Space Ghost crossover on Black Nerd Problems

Maybe We Don't Have to Be THAT Hard On Marvel

So, the story lately in the comic world has been how The Big Two's sales are down lately and everyone has their various opinions on why that is because fanboys. It's pretty much standard operating procedure to howl endless platitudes about how mainstream comics are coming to an end as we know it or whatever. The main complaint is that DC is changing their characters too much, and "he doesn't look like MY Batman" and basically everything change averse readers over 40 would whine about no matter what. And honestly, things over there aren't as bad as comic retailers would have you believe. I mean, Batman is still going strong, Superman is shaky but Superman has been shaky since before the New 52 reboot and Green Lantern has a strong premise going but Robert Venditti is just no Geoff Johns. Also, Justice League, Midnighter, Doctor Fate and Black Canary are all really strong titles that are just not getting enough press because it's cool to hate DC.

The complaint that bothers me the most actually comes from Marvel readers, though. Now, granted...it's only fair to say that Marvel DID kinda shit the bed by launching their rebooted universe before finishing the event that causes the the universe to be rebooted in the first place. And it was a bit annoying that Secret Wars was an 8 issue event that started in early Spring 2015 and didn't end until early 2016, but this All New All Different Marvel isn't as gagworthy as people are making it out to be. The main gripe seems to be that the House of Ideas seems to be throwing way too many titles at the wall to see what sticks. But the truth is THAT'S WHAT THEY'RE SUPPOSED TO BE DOING. A year ago, the complaint was that they were so busy gender/race bending old characters, they weren't focusing on pushing existing non binary characters. Now, we have them trying out books like "Silk" (which is, in fairness, bad....last time I checked, anyway), The Ultimates, an almost completely non binary team of Avengers, David Walker writing a Power Man/Iron Fist team up book to get readers acquainted with the former Heroes for Hire before their respective Netflix shows debut. These are things that deserve mention. G. Willow Wilson's writing on Ms. Marvel has easily been some of the best in the business, redefining the superhero genre for young millenials. All New Hawkeye, though aiming a little higher than Matt Fraction's strictly everyman approach, has maintained its status as a fun, sometimes heartwarming character study of a guy who's good at being a hero and not as great at being a person. Bendis is doing compelling work on Invincible Iron Man, depicting a less morose Tony Stark trying his hand at having a normal life while facing abnormal problems. And I shouldn't even have to explain the importance of Moon Girl and Devil Dinosaur.

It's easy to get caught up in the problems, but it's important to mark the interesting things happening over at Marvel right now because there's a reawakening of the confidence in the industry to try some different things that run the risk of sucking. Or we can just go back to have ten X-Men titles and five Wolverine books. I know we all love that shit. Just thinking out loud. 

My comic review of David Walker's Cyborg is up and available on Black Nerd Problems for your viewing enjoyment.

The Week In Geek 9/3/14

So, this week the announcement finally went out officially that Dwayne "The Rock" Johnson will be playing Black Adam in an upcoming Shazam movie. He's been screwing with fanboys on Twitter for months, posting pictures of possible characters he could have been playing, but it's nice to have officially have confimation. Arguably, this is the first no-brainer DC has actually gotten right in the casting department. Truthfully, they needed a win after a few lackluster choices that weren't necessarily bad but don't really leave anyone camping out in front of the theater.

Granted, I was almost sure he was going to end up being Shazam (because playing a 10 year old in a superhero's body is the kind of shit Johnson can do in his sleep) but I could see his Black Adam being fucking menacing. There's an argument that it's a miscast because Dwayne Johnson's thing is that he plays heroes and would be a great addition to DC's cinematic hero roster. Normally, the fact that this is an opinion that came from IGN would be more than enough to make it inadmissible evidence because most opinions that come out of IGN either come from a). bad information or b). a lack of information. The argument of "I don't want to see The Rock as a bad guy because he's not a bad guy" is, at best a sort of hilarious stance to take. Anyone who holds this logic will have to come to the realization eventually that Dwayne Johnson is, in fact, NOT an actual superhero that DC is actually adding to some list of actual superheroes. He's an actor. He's a wrestler. Even then, the Rock was actually a heel back in the day just before the pinnacle of his wrestling career. He was also a bad guy (a shitty one, but still...) in The Mummy Returns and, before eventually becoming a hero (because Universal would have been stupid to give him up), he was the guy the Fast and Furious team was on the run from. These are nitpicks, but still....to say that an actor should always be a hero just because he's done it well before sort of misses the point of acting, especially when said actor is one of the rare cases in which a wrestler has enough range and charisma to keep getting decent work. Besides, Black Adam's path in the comics has gone for unapologetically evil to kinda-sorta-antihero. And we all know how well that's worked out with Loki over in the Marvel Cinematic Universe. It's entirely possible that we could get that kind of popularity for this character over at DC.

Anyway, I'll talk a little about the scourge of fuckery in the nerd community known as #GamerGate tomorrow mainly because I'm in a good mood today and would like to remain so. Until then, my comic reviews for the week are up on Black Nerd Problems and available for your viewing pleasure. As always, feel free to comment, like, share at your discretion. This week, I took a look at:

Iron Fist, The Living Weapon: As much as I enjoy this book, I think they've done the whole "break the hero down as much as possible" thing enough. I think everyone reading this book should be just about ready to see the hero win a little bit. I mean, I doubt the the payoff is going to (or can afford to) suck when the titular hero has a Netflix series in production.

Uncanny X-Men: Okay, I wasn't too happy about Chris Bachalo's return to this comic. I mean, I like his style, but honestly, I felt like it served its purpose in previous issues. In fairness, it wasn't that much of a bother because there wasn't a lot of action this time around (because sometimes his action beats are difficult to follow), but Kris Anka just raised the bar so high, it's hard to forget. Aside from that, Bendis' dyfunctional family narrative is still working out well.

Batman Eternal: Let me just say....a villain called the Architect whose outfit theme is clockwork is a little silly. DC really runs the gamut of costumed villains as if there's a compendium of names versus a list of themes and they just close their eyes and pick one from each list. Other than that, this was a pretty good issue.

The Week in Geek 8/6/14

So, this week, Black Nerd Problems published an exchange between me and my editor, Will Evans about Batman v Superman: Dawn of Justice and whether it's a Pass or a Play. Granted, I argued for seeing the movie mainly because thus far, I haven't personally seen any aspect of it that makes the whole thing a "non starter" like it has with some. In truth, I think the thing that has hindered the movie before we even got a trailer is the perpetual press junket. I harped on this a little bit in my Comic Con commentary last week but as a whole, (running the risk of sounding like an old man) I think cinema in general has been somewhat hindered in the era of social media.

Don't get me wrong. As a member of "New Media", I recognized how much progress has been made as far as independent property being circulated and having so many options for alternatives to hoping for the old mainstream venues to notice you. However, for the mainstream big budget films, I remember seeing nothing more than a thirty second trailer and maybe an endorsement from some fast food joint and being able to go into a movie cold with an open mind about what I was about to see. BvS is a prime example of how there is a headline now to tell you every single level of the production process to the point where there's no mystery anymore. Marvel is a pretty good example of an outfit that knows how to use the media engine to its advantage, control what gets out and treat their fanbase to some quality tidbits for its loyalty, but even with that in mind, I still basically walked into Guardians of the Galaxy KNOWING it's going to be awesome as opposed to the degree of wonder that should come from a Marvel movie that doesn't feature conventional superheroes (though, yes, I get that it's in a superhero filled universe). In any case, I'm not exactly #TeamZackSnyder, but I think I've seen enough that movie deserves a we'll see.

Also, I'll have a few thoughts about Guardians of the Galaxy up some time tomorrow.

My comic reviews for the week are up and available on Black Nerd Problems for your viewing pleasure. This week, I took a look at.....

Why the FUCK would you point your flashlight at Killer Croc
and NOT YOUR GUN?!

Batman Eternal: I think every comic has a make/break issue that can harm the quality at any given time. With Warren Ellis books, it's the overall patience of the reader. With Jonathan Hickman books, it's his tendency to meander in the world he builds for the reader. With Greg Land books, it's Greg Land. With Batman Eternal, at any given time, the artwork can easily sink this boat for that week. The gift AND the curse of having Dustin Nguyen on the title was that it raised the bar. Anyone who's seen his previous work on Batman books knows that his style feels so natural for this universe. Then, for Andy Clarke to have to follow up behind Nguyen's gorgeous work was rough. It was a decent job, but after a plot where some of the panels were simply terrifying, chasing monsters in the sewers should have felt much scarier and atmospheric than this did. Hopefully, this improves next week.

Iron Fist, The Living Weapon: I'm really having a hard time deciding whether we're going to look back in a couple of months and find this to be a sleeper hit by the time Kaare Andrews is done....or if Marvel is going to cancel it prematurely and leave us wondering what happened to this run in a few years when someone else comes along and gives it the Shang Chi treatment (I'm sorry, but that book is awful).

Stuff I Read This Week 7/2/14

My reviews for the week are finished and available on Black Nerd Problems for enjoyment alongside your barbecue and the drinks your uncle tells you not to watch him make. Smell that shit before you drink it. You never know. This week I took a look at.....

Batman Eternal: This was an awesome week because it furthers Scott Snyder and the conspiracy to make Jim Gordon an awesome character. I'm of the mind that a hero is only as great as the villains who test them. What better test is there to keep throwing in a hero's path than his sociopathic serial killer son? Also, Jason Bard is growing on me. His team-up with Harvey Bullock and Maggie Sawyer has been a great read and is evidence that we need a GCPD book soon. Mikel Janin is easily one of the best artists we've seen on this book yet. He really seems to get the kind of atmosphere this book should have, but isn't shy with using a very definitive color palette to get his point across and separate the "freaks" from the "straights."

Iron Fist, The Living Weapon

: This book has not hesitated to get better with each issue and I'm totally okay with this. When you create a genre based superhero, I believe the idea is to make a character that would make the most skilled, revered real life figures of that genre shit themselves. Having said that, Iron Fist would render Bruce Lee unconscious just by cracking his knuckles.

Stuff I Read This Week 5/7/14

Iron Fist The Living Weapon #2: I'll be honest with you. I don't know if Marvel is going to really invest in keeping an Iron Fist title alive. Historically, despite decent sales, they haven't kept the series around for very long. I CAN tell you that if they do plan to really keep this series happening, Iron Fist: The Living Weapon stands a pretty good chance.

Issue #2 picks up almost directly after the first one in the immediate aftermath of the (I shit you not) robo-ninja attack on Danny Rand's apartment. As I mentioned in the last review for this title, readers who are used to a slightly more jovial Iron Fist might feel a little disoriented by this battle-worn, disengaged take on the character. A lot of the issue is centered around giving us a look at the magical city of K'un Lun where Danny Rand had to kill a dragon barehanded to acquire his kung-fu powers and become the Iron Fist (Did you hear me? I want to take a second and harp on that fact that HE HAD TO KILL A DRAGON to become a superhero!!!!). Sadly, Kung Fu Heaven's festivities are about to be interrupted by uninvited guests. We also get to see an equal amount of spotlight lent to the moments in Danny's childhood that inevitably lead to him becoming the Iron Fist. Kaare Andrews is clearly influenced by old martial arts films and brings several of those elements to the script with shrieking women, strong familial bonds and grand speeches driving the narrative. Visually, the book has yet to lose a step. There are certain panels that look like they could be stories from an old scroll. Andrews makes Danny's abilities really seem like something you'd have to kill an ancient dragon to obtain.

Bottom Line: Another strong offering from Kaare Andrews that'll keep new readers sated for next month. 8.5 out of 10

Miles Morales: The Ultimate Spider-Man #1-With all the Amazing Spider-Man 2 in theaters, Peter Parker returned to former glory in his own relaunched title, a Spider-Man 2099 title on the horizon....it's only appropriate that Miles Morales get a fresh coat of paint. Also, Marvel's Ultimate Universe is a lot like a 90's boy band. There's mostly B and C students talentwise and then there's one breakout star that makes it all profitable. So far, New Ultimates is the Joey Fatone (the "who the fuck is that" guy), Ultimate FF is JC Chasez (the "close but not really" one) and Miles Morales: The Ultimate Spider-Man is Justin Timberlake, the profitable one.

Despite the new title, there's not much particularly new about this book, really. However, that's not actually a bad thing. This has been the standout property of the Ultimate line for as long as its been around, so if there's nothing broken, there's no need to fix it. And Brian Michael Bendis sticks closely to this old adage. Things pretty much pick up where Ultimate Spider-Man #200 left off. Miles is still coping in the aftermath of Galactus' attack on Earth as well as his father's disappearance. Bendis handles this with his usual perfect blend of humor and real pathos. While most of the dialogue is as good as you would expect from a Bendis book, the interactions with his best friend, Ganke, are easily the strongest in this issue with a Mary Jane Watson run-in at a close second. The book really goes out of its way to hammer home that just because Ultimate Peter Parker is dead, that doesn't mean the problems and villains he left behind are all taken care of. Miles really struggles with the "What Would Peter Do?" predicament and it makes for a layered plot that doesn't chase away Parker fans, but still attracts new readers. And it's always nice that Marvel can manage to write a person of color without constantly hitting you over the head with the fact that he's a person of color (I'm looking at You, EveryoneAtDCWhoEverWroteCyborg).

Keeping David Marquez drawing this book is probably the best decision Marvel's made this year. This issue is probably some of the tightest work I've seen from him on this franchise. There's a clear sense of what's happening in every panel and you're never confused during action beats. And the way he conveys emotion is second to none.

Bottom Line: This is still the best Ultimate book without question. 9 out of 10

Stuff I Read This Week 4/11/14

Batman Eternal #1: The last time DC launched a weekly book surrounded by this much hype, we got 52 which yielded somewhat mixed results. So, apparently, they got the bright idea to try this again with a property that, at this point, can't lose (sales wise). Yes, that's right, folks. We have yet ANOTHER Batman book on our hands. Passing a weekly book on through the hands of various creative teams is always a dicey yet audacious venture. However, if the opening issue is any evidence of what we're going to see each week, the future looks promising. From the very first page which features a beautifully rendered yet strange portrait of Batman and his beloved Gotham, Scott Snyder and James Tynion IV want us to know they're swinging for the fences here.

This book seeks to not only highlight the Caped Crusader, but the dynamic he has with the city he's sworn to protect, building a large sandbox universe almost akin to that seen in the Arkham video game series. With this in mind, the inaugural issue placed the spotlight on the Gotham City Police, no doubt riding the high of the recently announced Gotham television series currently in development. Snyder and Tynion give us a yin/yang approach through the primary players in this issue. We are first introduced to the obligatory new kid on the block, Jason Bard, a somewhat innocent transferred from Detroit to GCPD's Major Crimes division. If the idea here is to give us an outsider's sense of the gritty streets, this character seems well suited for the task thus far. On the other side of the coin, we are reintroduced to the blatantly crooked Major Forbes who slightly detracts from the tone of the book by being so obviously dickish, working to undermine Commissioner Gordon. He might as well twirl a mustache and "Bwahaha" right there in the panel. One of these characters forces the other into a very compromising position that sets the stage for the first story arc. Jason Fabok's art style is incredible and perfect for this book. One of the truly noteworthy accomplishments he achieves here is making Jim Gordon look like every bit the superhero Batman is. The panel where they run after a foe side by side as if they've done this for years (because they have) is awe inspiring.

Bottom Line: No, we DON'T need another Batman book, but if we have to have one, GODDAMN I'm glad it's this one. 9 out of 10.

Iron Fist The Living Weapon #1: You know what's been missing from Marvel NOW? A good kung-fu comic. Specifically, an Iron Fist comic. Once the announcement went out that Marvel entered into a deal with Netflix to produce an original series for the former Hero for Hire, we knew it was a matter of time before the Powers-That-Be bestowed us with more martial arts awesomeness. 

It opens up strong enough, but I'll confess it's a little difficult to resolve this version of Danny Rand with the lighthearted adventurer we've come to know from the past ten years or so. Kaare Andrews gives us some insight into a more sullen, somewhat broken shadow of a familiar hero who doesn't seem to like the things life is showing him. Feeling somewhat apart from his fellow man, he seems to crave aggression and violence rather than normal human connections. This serves as an interesting backdrop to what's historically been a really fun character. There's plenty to potential for us to see an example of what years and years of conflict can do to a man. Normally, this would feel dull but Andrews keeps it engaging. Aside from that, the narrative itself doesn't do anything different from what we've seen before. However, in this case, that isn't such a bad thing. The visual nuances to this book are another strong selling point. Andrews approaches this with all the visceral yet old school sensibilities of a Shaw Brothers film if Quentin Tarentino had dosed it with LSD. Every page seems to be drawn tailor made to convey the particular tone of that particular part of the narrative. This is definitely how kung fu fantasy should be done.

Bottom Line: Definitely one of the best, fresh feeling Marvel books to drop this month. 8.5 out of 10