My GAWD, Shame On Me For Not Talking About Westworld

Originally, I was going to do a post about the current state of The Walking Dead, but there’s probably nothing new I can add to that conversation other than the fact that this season is probably the most divisive I’ve ever seen among fans. 

Then, I was going to do a post outlining each part of the yearly Arrowverse crossover which now includes four separate shows, two and a half of which are particularly terrible. However, I could only sit through two episodes and it doesn’t feel right railing on a story when it’s entirely feasible (but probably not) that the conclusion featured in Legends of Tomorrow could have turned things around and made this event tolerable. So we’ll mark that as “to be continued.” 

Then I was going to update you about how Civil War II is going, but I don’t think anyone will be surprised to know that it’s still pimpled butt cheeks. The past three issues have been going over the same three points over and over: 1). Captain Marvel is strong and wrong; 2). The young heroes are sick of the old heroes and their shit and 3). Spider Man really doesn’t want to go to jail. So yeah, still awful.

And then I realized that while I’ve been looking one way, HBO’s sci-fi mind bender, Westworld has been low key becoming the best show on television. It hits all the obligatory markers of an HBO show….obscene budget, brilliant A list casting, first class writing. Clearly, the network is aiming for this to be the successor to the crown currently occupied by Game of Thrones which is officially on its way out. But the show goes a little further than that, ambitiously reaching past the story’s roots from the Michael Crichton movie. 

There are spoilers after this point. They are really MINOR spoilers but I'm still obligated (by the fact that I don't want to hear whining about spoilers) to tell you that there are spoilers after the jump. That's four times I've mentioned spoilers. Five now. So I don't want to hear any bullshit about it.

Night of the Awful Slavery/Zombie Episode.....

So, you’ll notice one comic related show I never talk about is Legends of Tomorrow. It’s not because I don’t find time to watch it or because I ration out my television time among select shows. It’s because, last I checked, Legends of Tomorrow was a generally terrible show. Of all the shows that make up CW’s Arrowverse, Legends is the one that most resembles Fox’s approach towards the X-Men movies. Take a few fan favorite characters, some good looking actors, a nerdy premise, shake well and the result is….well...a fucking mess.

For those of you that had the good sense to skip the show up to now, there are people out there fucking up space and time for various and sometimes, undefined reasons. So, the Doctor Rip Hunter went against the wishes of the Time Masters Lords came to the present day to ask Oliver Queen and Barry Allen to vouch for him so he could recruit a team of misfits including Firestorm, Heatwave and Not Quite Tony Stark the Atom. They call themselves the Legends (despite this being among the silliest team names of all time). So, this is the part where I go into a recap of the worst episode of anything I've watched in at least the past two months. There are spoilers, so if you're brave enough to still watch this horseshit after said recap, just know that there are spoilers after the jump.

Update: Arrow is Still Trash

Since I haven’t done a post in a while, I might as well check back in with comic based television. I know I said I was done with Arrow last season, but after seeing the trailer for the new season, I got curious as to where they were headed. The result is my first real hate-watch since Smallville. I mean….there are just so many bad things taking place, but the small handful of good things keep me interested in how they’re going to maintain them.

First off, I talked about this before but the whole thing with Oliver Queen maybe/maybe not doing murder is just getting silly. The whole point of a superhero is that they stand on a very basic code of morals, whatever that code may be. It’s hard to know if you’re the kind of superhero these people want to stand behind if that code is changing from season to season. If the writers are going to be so deadset on modeling the Green Arrow after Batman, he’s gotta be less indecisive than that.

And this whole Arrow Academy storyline wavers between “trash” and “kinda tolerable fan service.” And the main problem isn’t that the new team is garbage (although the new team IS garbage); it’s that the only reason there’s a new team is because the writers realized they’ve written all of the old team into a corner. Diggle has fallen so far from awesomeness, he had to run off to the Army just to have a sense of identity. A SUPERHERO had to quit superheroing and rejoin the Army just to feel like somebody. That’s a problem. Meanwhile, Ollie’s sister, Thea has quit being Speedy/Red Arrow to join her brother in politics just to have a credible storyline that isn’t focused on either a). her daddy issues or b). her consistently terrible choices in boyfriends. And Felicity is sick of being Oliver’s enabler even though she stuck around to continue serving as Oliver’s enabler. Because make no mistake, one of the primary reasons that the Green Arrow is an asshole is because Felicity spent four seasons telling him that his best, most dickish self is the key to beating the bad guys. Granted, this week’s episode was probably the best one thus far simply because the scene of Team Arrow assembling was epic (not to mention Stephen Amell settling his wrestling beef yet again with Cory “Stardust” Rhodes who played the villain of the week).

The problem with this show digging so hard into the Batman well is that Batman doesn’t work in a weekly CW show. Batman works well in comics and movies because either you’re not reminded constantly of what an irredeemable douche he is.

In any case, the show is probably going to crawl along on this redemption run until the Green Arrow finally throws down with Prometheus because there’s only room for one Impossible White Man in Star City. But for the most part, it feels like the show is trying so hard to gain its viewers trust back, it's just a reminder of how much they've fucked up.

How the Village Failed David Walker

So, recently, David Walker announced on Facebook that Marvel had left his Nighthawk series out of the November solicitations….meaning it was being canceled. Walker went on to soothe his savage fans (this includes myself), being as candid and classy about the whole thing as he could. After all, he still has his Luke Cage and Iron Fist series as well as the upcoming Occupy Avengers, so I'm sure he's not crying himself to sleep. Honestly, this is why I don’t take the complaints about blackwashing characters seriously.

Fans will whine and cry and moan about how the Big Two should focus on building up existing characters of color or creating new characters instead of having them take up the monikers of white heroes. And sure, this is valid but the problem here is that when the industry listens to the audience and gives us what we want, nobody buys it. This has been the case with Static Shock, Mister Terrific, Deathlok, Black Panther: Man Without Fear (though that last one was probably canceled more because it was meh) and the list goes on.

Nighthawk was essentially every single thing the audience has been calling for. Walker delivered an honest, upfront, challenging book that dusted off a black character that people really enjoyed from Supreme Power/Squadron Supreme. I mean, a Batman analog beating the shit out of corrupt cops in Chicago? That’s worth its weight in vibranium. And David Walker is a solid, prolific writer, so you can’t really say that Marvel didn’t put quality talent into it. We let books go to the wayside and then complain that we’re not getting what we want. We can’t have it both ways. At some point, a company (because it’s not unreasonable for Marvel to want to make money) is eventually going to go with what makes money and if that means the Falcon gets to be Captain America (which makes more sense than detractors are willing to admit) or that Kamala Khan gets to take Carol Danvers’ old name (in an Eisner award winning book, by the way), so be it. Meanwhile, if you want to whine about Marvel not being original, sure, that argument can be had. But if you’re going to complain, you have to at least meet the industry half way when they actually make a consorted effort to give you what you want. It takes a village to raise our own heroes up, but when we let decent material pass us by after complaining that it doesn't exist, I wonder if there was ever a village to begin with. Just thinking out loud. My review on the finale of Tokyo Ghost is available on Black Nerd Problems for your viewing enjoyment. And don't forget about my webcomic collaboration with Katie Coats, Neverland: The Untold as well

My Review of The Get Down

This is my review of the Get Down. There will be spoilers so if you haven't watched the Part One of Season One of The Get Down, here is your stop. For everyone else, proceed to reading after the jump.

Update: Civil War II Still Sucks

So, for those of you keeping up and those of you who haven't, I just wanted to check in and remind you that Civil War II is still a thing that's going on and it's still pretty stupid. I mean, granted, it's not nearly as stupid as DC fans starting to petition to end a website for keeping count of how many people think a movie they like is good or bad (because that's all Rotten Tomatoes is, really), but it's still pretty stupid for reasons other than the ones we've already discussed. So, it merits at least some discussion....which will occur after the jump.

The Killing Joke: Hard Pass.

So, this week in Doing It Wrong, it turns out that DC's animated adaptation of Alan Moore's Killing Joke story holds true to DC's long standing tradition of taking things Alan Moore did and making them worse. It's been leaked that the movie takes a Batman and Batgirl's relationship down a different road. Long story short....they fuck.

idk how to feel about this pic.twitter.com/gsBGHsYet5

— ☕ (@AcroNite7) July 22, 2016

It's not enough that DC would be so socially out of touch with their audience's current social issues that they would think it's a good idea to bring back an infinitely triggering story with questionable gender politics. It's not enough that they have to go the extra mile and strain an already borderline non-existent relationship with a creator they've alienated countless times over the years. But then they have to change a story to make it twice as problematic at a time when readers seem to enjoy Barbara Gordon as Batgirl (one of the few things the New 52 reboot got right in retrospect), kicking ass. Why open yourself up to even more feminist critique than this story already deserves (and make no mistake....it deserves a great deal of feminist critique)? Just for context, we're talking about a story where even Moore himself, who has a long history of writing super rapey books, admitted that the editorial team at the time should have stepped in and stopped him. We're at a point where we shouldn't still be having rudimentary conversations about using women as props to anger men into battle to slay the dragon.

It's not even necessary in a Batman story. The character has virtually every reason to be pissed off built into him already. He's a traumatized orphan fighting in the most crime-y city ever in the history of comics. And, really, that's just if the writers in question decide he even needs a reason which, according the Arkham game series, he doesn't. Now, you have to give him yet another pseudo-girlfriend to house all his commitment issues? DC seems to be wearing their inability to "get it" right for women like an awarded badge of honor. The Killing Joke is their acceptance speech.



My comic reviews for the week on Star Wars and the exponentially bad Green Lanterns are up and available on Black Nerd Problems for your viewing enjoyment. And don't forget my webcomic collaboation with Katie Coats, Neverland: the Untold. This week was a double page week to get us back on schedule so check out Pages 31 AND 32.