My Review of The Get Down

This is my review of the Get Down. There will be spoilers so if you haven't watched the Part One of Season One of The Get Down, here is your stop. For everyone else, proceed to reading after the jump.

Update: Civil War II Still Sucks

So, for those of you keeping up and those of you who haven't, I just wanted to check in and remind you that Civil War II is still a thing that's going on and it's still pretty stupid. I mean, granted, it's not nearly as stupid as DC fans starting to petition to end a website for keeping count of how many people think a movie they like is good or bad (because that's all Rotten Tomatoes is, really), but it's still pretty stupid for reasons other than the ones we've already discussed. So, it merits at least some discussion....which will occur after the jump.

The Killing Joke: Hard Pass.

So, this week in Doing It Wrong, it turns out that DC's animated adaptation of Alan Moore's Killing Joke story holds true to DC's long standing tradition of taking things Alan Moore did and making them worse. It's been leaked that the movie takes a Batman and Batgirl's relationship down a different road. Long story short....they fuck.

idk how to feel about this pic.twitter.com/gsBGHsYet5

— ☕ (@AcroNite7) July 22, 2016

It's not enough that DC would be so socially out of touch with their audience's current social issues that they would think it's a good idea to bring back an infinitely triggering story with questionable gender politics. It's not enough that they have to go the extra mile and strain an already borderline non-existent relationship with a creator they've alienated countless times over the years. But then they have to change a story to make it twice as problematic at a time when readers seem to enjoy Barbara Gordon as Batgirl (one of the few things the New 52 reboot got right in retrospect), kicking ass. Why open yourself up to even more feminist critique than this story already deserves (and make no mistake....it deserves a great deal of feminist critique)? Just for context, we're talking about a story where even Moore himself, who has a long history of writing super rapey books, admitted that the editorial team at the time should have stepped in and stopped him. We're at a point where we shouldn't still be having rudimentary conversations about using women as props to anger men into battle to slay the dragon.

It's not even necessary in a Batman story. The character has virtually every reason to be pissed off built into him already. He's a traumatized orphan fighting in the most crime-y city ever in the history of comics. And, really, that's just if the writers in question decide he even needs a reason which, according the Arkham game series, he doesn't. Now, you have to give him yet another pseudo-girlfriend to house all his commitment issues? DC seems to be wearing their inability to "get it" right for women like an awarded badge of honor. The Killing Joke is their acceptance speech.



My comic reviews for the week on Star Wars and the exponentially bad Green Lanterns are up and available on Black Nerd Problems for your viewing enjoyment. And don't forget my webcomic collaboation with Katie Coats, Neverland: the Untold. This week was a double page week to get us back on schedule so check out Pages 31 AND 32.

Why Suicide Squad Might End Up Being Trash....

So, I wanted to talk very briefly about why I'm less and less excited about Suicide Squad.

I'm not even going to touch on the problems with making a movie based on a comic that has probably been rebooted no less than three times and has likely sold about as many copies in six years.

When the trailer first debuted, it looked fantastic even though it's not really fooling anyone into believing that it's anything other than a vehicle to introduce Harley Quinn and Jared Leto's Joker. And it seems to be doing a lot of things right. It's a diverse cast taking the DC universe in a direction Marvel hasn't explored yet (even though I would pay ungodly sums of money to see Marvel do a Thunderbolts movie). But now that Batman v Superman has come and (thankfully) gone, it's brought a bit of context to the kind of world we're being sold. Check it.



"What if Superman had decided to fly down, rip off the roof of the White House and grab the President right out of the Oval Office? Who would have stopped him?"

First of all, depending on how this election shakes out, I doubt anyone would have a problem with that so that's not the scariest imagery one could invoke to establish Superman as a threat (which is the main thing wrong with BvS, but I'm not having that discussion anymore). Second, if Superman did go rogue and attack the White House, what in the WORLD WIDE FUCK are Deadshot, Harley Quinn and Katana going to do about it aside from die screaming? The problem with these "hit squad to stop the most powerful people on Earth" scenarios is that they always involve recruiting people that stand NO CHANCE of stopping the most powerful people on Earth. I mean, sure, it's a good move to feature Batman in the movie to show off how badass the Suicide Squad is up against A-listers, but let's be honest, y'all. The ONLY reason Batman was able to contend with Superman in Yawn of Justice is because the script required Superman be an unfathomably stupid chump to even be goaded into a fight in the first place. So, right there, you're not going to convince me that Killer Croc is the go-to guy if Superman decides to say, "fuck it."

Most importantly, the Suicide Squad's whole thing is that they're badasses willing to do things the good guys either can't fathom doing or don't have the balls to do. But the first two movies have Batman and Superman, DCs two standards for how heroism works in their universe, going about as far as you can go....which is murder.

If Superman isn't above murder and Batman isn't above murder (because OH SWEET JESUS, HE MURDERS SO MANY PEOPLE), why does it matter that the Suicide Squad's bread and butter is murder? I'm not saying this movie doesn't still stand a chance of being fun to look at or that we won't get some epic moments from some key characters. I know I'm pretty excited about the prospect of a Batfleck/Joker car chase. But I'm cautious about a movie that has negated all of its most obvious stakes and reasons to care before the thing even started pre production.

Just something to think about.

The Week In Geek 6/22/16: Civil War II Is Stupid So Far

So, Civil War II: Civil Harder, has begun in the Marvel Universe and we're two issues in so that's as good a place as any to start talking about it.

Disclaimer: I'm talking about Civil War II, so I'm talking directly about the plot which means there are spoilers. So, if you guys don't want to hear about it, go ahead and jump ship now. Otherwise, there are spoilers after the jump. I've warned you.

The Week in Geek 6/8/16: A DC Reboot Is Problematic or Water Is Wet.

As much as I tried to avoid talking about this, here I am giving my limited viewpoint of DC Rebirth, DC's attempt to fix something that used to be broken but isn't really THAT broken anymore but made a lot of people mad back when it was broken. First of all, trying to undo the sins of the New 52, something fans were pissed about five years ago, now that it turns out Big Two comic sales are looking down recently is like an abusive spouse taking you to Red Lobster because they remembered you asked for it five years ago when you met: Thanks but you'd still appreciate it if they stopped abusing you. (From this point, I discuss actual events that have taken place in certain DC comics, so if you're not at least two weeks up to date and you actually care about spoilers, go ahead and stop here. For everyone else, further discussion happens after the jump.)

The Week in Geek: 5/25/16 or My Breakup With Arrow

So, This Week in Superhero Television.....I think I'm done with Arrow. For those of you that don't follow me on Twitter, I do the weekly livetweet for Flash and Arrow under the Black Nerd Problems account. One of my editors, Omar Holmon, used to do it, but I think his neighbors found out he was stealing cable and he had to shut that shit down. Anyway, I'd usually be honored by the opportunity, but Arrow's redemption season has been a painful trudge to the middle of the road. I mean, the show has maintained a steady standard of "not as good as The Flash but better than Legends of Tomorrow" but let's be honest; that's not a high bar to clear in the first place.

When this season started, there seemed to be some light at the end of the tunnel, an attempt to right some of the creative wrongs committed in the previous season. But the writers seemed to make an almost deliberate attempt to solve those problems by either highlighting everything that's been wrong with the show or stepping over said problems altogether. Case in point, the Black Canary II. There has been no one more against Laurel Lance taking her sister's mantle than me. They choreographed her fight choreography terribly and she spent the past two seasons being unnecessarily unlikeable. So, you would think I would be happy they killed her off. But then, her Earth 2 doppelganger shows up on The Flash and she stole the whole episode. She was an amazingly fun villain as the Black Siren, it brought into realization that the writers just plain squandered her on Arrow as opposed to the thought that she'd fallen so hard, she couldn't be written back into glory again. It was just a waste, retrospectively.

The finale was like a window display of everything that's been wrong with this show. Much of this show has been about Oliver Queen's fight against his darker nature and the killer instincts that he picked up during his time on The Island From LOST. For a few episodes, they telegraphed to viewers that the way to combat Damian Dahrk's Sith Lord Magic was for him to expel the darkness in his own heart and embrace the light. But in the end....after Dahrk's magic was nullified by the people of Star City using The Third Act In Dark Knight Rises against him...Oliver ended up succumbing to the darkness by killing Dahrk after he was clearly beaten. Even Diggle, the Arrow's moral compass ended up giving into his dark side by murdering the older brother whose soul he'd been trying to save all season because Andy trolled him a little in defeat. I mean, really, Diggle had turned to the dark side when he tried to kidnap his enemy's wife and pistol whipped her in broad daylight, but hey....who's counting at this point? It's just strange that the show has spent all this time cloning Batman (more blatantly in the finale than ever before) and yet picked the strangest time to step out of Batman's shadow. One of the big problems with American shows like this is that they go on past their structural shelf life. In a perfect world, Arrow would have ended after Season Two when he defeated Slade Wilson and conquered the darkness within the second time (he's gone back and forth about killing no less than four times not including his useless flashbacks to The Island From LOST). But because the endgame is to monopolize CW with entire blocks of the Arrowverse (as is more evident by the inclusion of Supergirl), these shows have to go on being built far away from the foundations they were built on and the past season is the resulting category 4 shit storm. Rest In Peace, Arrow. We will never forget. But we will try.

My comic reviews for the week on Star Wars and The Mighty Thor are available on Black Nerd Problems. And don't forget my ongoing webcomic series with Katie Coats, Neverland: The Untold.